1,821,411 research outputs found
Dave Wallis papers [DIGITAL CONTENT]
No full textThis collection contains documents and correspondence from the collections of the David Walter "Jimmy" Wallis, long-time resident of Pine Bluff, Ark
Oral History Interview with Wallis Hines, April 18, 2006
No full textThe National Museum of the Pacific War presents an interview with Wallis Hines. Hines joined the Army in September of 1943. In March of 1944 they traveled to Naples, Italy, where he was assigned to C Company, 3rd Chemical Mortar Battalion. In May they set up a mortar position in preparation for General Mark Clark to lead the Fifth Army in its capture of Rome in June. They participated in the Invasion of Southern France in August. In December they moved into Bastogne, Belgium in preparation for the Battle of the Bulge. Hines was discharged in November of 1945
Wallis Island [picture] /
No full textDrawing executed during voyage in Dolphin 1766-1768.; Rex Nan Kivell Collection NK31/8.; Title from inscription below image.; T1920
Alfred Wallis
No full textVOs over talking about Alfred Wallis over one of his paintings. Harmonium over harbour scenes at St Ives; Barnoon cemetery. Bernard Leach’s gravestone of…ALFRED WALLIS ARTIST & MARINER 1855 aug 18 aug 29 1942 INTO THY HANDS O LORD. Credits. Paintings including detail from Fishes and Lobster Pots. Photographs of St Ives around 1900, boats and scrap-metal merchant’s cart; St Ives street scenes. VOs talking about Wallis and his work. Photograph of Wallis. Bellows with painting (c.1933-1937); painted stone jar. Paintings including Sailing Ship and Lighthouse, Boats Under Saltash Bridge, Boats Before a Great Bridge (c.1935-1937), landscapes and views of St Ives, Two-Master and Green Fields, Penzance Harbour, Bellaventur of Brixham Labordoo Newfoundland; detail. Mount’s Bay – Five Ships. Film of Godrevy lighthouse. Paintings of ships and lighthouses; This Sain Fishery That Use To Be.Paintings of houses including White Houses (c.1930-1932). VO talking about visitors (Ben Nicholson and Christopher Wood). French Fishing Boat, Three-master in Full Sail near a Lighthouse. and other paintings of ships. VO describing encounter with visitors who commissioned paintings from him. The Forest; details. Paintings of ships and harbour views and Saltash Bridge (c.1938-1940). Views of ship in harbour, house nearly surrounded by trees. Granddaughter’s VO talking about her grandmother’s nineteen children, though none by Wallis. House and Steamer. VO talking about Wallis’s religious activities. Film of cottages near water. Details of countryside scene; Autumn (c.1938-1941). Paintings of woodland subjects. VOs talking about Wallis being ill. Paintings of country cottages, etc.Film of porch gateway; houses. Painting, Allegory with Three Figures and Two Dogs (c.1932-1934). VO about burial. Paintings of ships including Three-Master on a Stormy Sea (c.1936-1938). Details of paintings of water and ships. VOs about painting. Paintings of ships and a view of St Ives Bay. VO commenting on perspective in a painting. Various perspective details including views of seabirds, countryside, lighthouse, etc. Painting of River Fal; Land Fish and Motor Vessel. Various paintings of steamships. Aqueduct (c.1939-1941). Countryside scenes including view of church, and one of Sain fishery. Film of water and rocks. Open sea
Analysis for Wallis, Taylor, Wallis, Jackson & Bex
No full text<p>These are R scripts to reproduce the analyses in Wallis, Taylor, Wallis, Jackson & Bex (2014).</p>
<p>These files are released under the GPL-3 License. I don't offer any support. You are welcome to send me an email but I make no claim that I will (be able to) help, particularly if you are attempting to use a different platform or setup than mine (I'm running on OSX 10.8 with RStudio).</p>
<p><strong>IMPORTANT</strong>: If you adapt any part of these scripts for your own academic work, please help keep me employed by citing the following paper:</p>
<p>Wallis, T.S.A., Taylor, C.P.T., Wallis, J., Jackson, M.L. and Bex, P.J. (2014). Characterisation of field loss based on microperimetry is predictive of face recognition difficulties. <em>Investigative Ophthalmology and Visual Science, 55</em>(1): 142–153.</p>
Wallis Geomet
No full textBand 2 Cyclometricus Willebrordus SnelliusBand 2 Nova corpora regularia Thomas Diggesauthore Johanne WallisRückentitel: Wallis Geomet
Alfred Wallis - ACE034.2
No full textVOs over talking about Alfred Wallis over one of his paintings. Harmonium over harbour scenes at St Ives; Barnoon cemetery. Bernard Leach’s gravestone of…ALFRED WALLIS ARTIST & MARINER 1855 aug 18 aug 29 1942 INTO THY HANDS O LORD. Credits. Paintings including detail from Fishes and Lobster Pots. Photographs of St Ives around 1900, boats and scrap-metal merchant’s cart; St Ives street scenes. VOs talking about Wallis and his work. Photograph of Wallis. Bellows with painting (c.1933-1937); painted stone jar. Paintings including Sailing Ship and Lighthouse, Boats Under Saltash Bridge, Boats Before a Great Bridge (c.1935-1937), landscapes and views of St Ives, Two-Master and Green Fields, Penzance Harbour, Bellaventur of Brixham Labordoo Newfoundland; detail. Mount’s Bay – Five Ships. Film of Godrevy lighthouse. Paintings of ships and lighthouses; This Sain Fishery That Use To Be
[Director] Money From America
No full textTom O' Brien's humorous and gritty play looks at jealousy and remorse in a rural Irish setting. Jillian Wallis directed the premiere production for Croft Productions (now London Irish Theatre)
Pacific atoll with Dolphin in the foreground [picture] /
No full textInscription on verso: From Admiral Samuel Wallis, log of his voyage round the world.; Rex Nan Kivell Collection NK4390.; PIC T1921 NK4390 LOC1279
Made you look! Paintings by Geoff Wallis
No full textFRI 1 DEC - FRI 9 FEB 2023 Ballarat artist Geoff Wallis presents his recent series of paintings in the exhibition, Made You Look! Informed by his extensive knowledge of art history and contemporary art issues and ideas, the subject of Wallis’ paintings is art itself. For Wallis, text is used as a kind of meta-commentary, to invite or provoke direct responses from his audience about interpretation and value judgement and broader issues surrounding authenticity, reality, and purity as they pertain to art. Beyond its semantic role, text also plays an important syntactical or formal part in the paintings’ aesthetic - one in which chance, process and facture all figure prominently. Geoff Wallis was formerly an academic, lecturing in Art History at Federation University, Ballarat, and has curated significant exhibitions and written extensively on art and artists. This exhibition was opened by Ola Wallis, the artist’s granddaughter, and the artist, on Fri 1 Dec @ 6.30pm. Image: Geoff Wallis Your Call, 2021 acrylic, oil and aerosol paint on canvas H1450 x W1380 mm Courtesy the artis
- …
