23,742 research outputs found
On the analysis of structure in texture
Until now texture has been largely viewed as a statistical or holistic paradigm: textures are described as a whole and by summary statistics. In this thesis it is assumed that there is a structure underlying the texture leading to models, reconstruction and to scale based analysis. Local Binary Patterns are used throughout as the basis functions for texture and methods have been developed to reconstruct texture images from arrays of their LBP codes. The reconstructed images contain identical texture properties to the original; providing the same array of LBP codes. An evidence gathering approach has been developed to provide a model for each texture class based on the spatial structure of these elements throughout the image. This method, called Evidence Gathering Texture Segmentation, provides good results for segmentation with smooth boundaries and minimal oversegmentation, when compared with existing methods. Analysing microand macro-structures confers ability to include scale in texture analysis. A novel combination of lowpass and highpass filters produces images devoid of structures at certain scales; allowing both the micro- and macro-structures to be analysed without occlusion by other scales of texture within the image. A two stage training process is used to learn the optimum filter sizes and to produce model histograms for each known texture class. The process, called Accumulative Filtering, gives superior results compared to the best multiresolution LBP configuration and analysis only using lowpass filters. By reconstruction, by evidence gathering and by analysis of micro- and macro-structures, new capabilities are described to exploit structure within the analysis of texture
Phantoms of the Avantgarde
Title work in group screening. With: Lucy Skaer, Laure Prouvost, Ursula Mayer, Mark Aerial Waller, Jimmy Robert and Beatrice Gibson
The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.
Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically
Texture Segmentation by Evidence Gathering
A new approach to texture segmentation is presented which uses Local Binary Pattern data to provide evidence from which pixels can be classified into texture classes. The proposed algorithm, which we contend to be the first use of evidence gathering in the field of texture classification, uses Generalised Hough Transform style R-tables as unique descriptors for each texture class and an accumulator is used to store votes for each texture class. Tests on the Brodatz database and Berkeley Segmentation Dataset have shown that our algorithm provides excellent results; an average of 86.9% was achieved over 50 tests on 27 Brodatz textures compared with 80.3% achieved by segmentation by histogram comparison centred on each pixel. In addition, our results provide noticeably smoother texture boundaries and reduced noise within texture regions. The concept is also a "higher order" texture descriptor, whereby the arrangement of texture elements is used for classification as well as the frequency of occurrence that is featured in standard texture operators. This results in a unique descriptor for each texture class based on the structure of texture elements within the image, which leads to a homogeneous segmentation, in boundary and area, of texture by this new technique
Democracy Sausage with Mark Kenny: How to be a liberal with Ian Dunt
On this Democracy Sausage Extra, Ian Dunt - host of the Oh God, What Now? podcast and author of How to be a liberal - joins Mark Kenny to discuss the history of liberal thought, how it has shaped present day politics, and the origins of the ‘culture wars’. Have the culture wars emerged out of the failures of liberalism? Why haven’t contemporary political actors done more to protect people from prejudice and the tyranny of the majority? And is liberalism a natural corollary to democracy? On this Democracy Sausage Extra, author, political journalist and broadcaster Ian Dunt joins Professor Mark Kenny to discuss the history of political thought, present day politics, and liberalism’s trajectory
[Interview with Mark Lane in Playboy Magazine #3]
Poor quality photocopies of a magazine article which appeared in Playboy Magazine. The article features an extensive interview with Mark Lane, an attorney and author, who is critical of the Warren Commission's assessment of the assassination of President Kennedy
Democracy Sausage with Mark Kenny: Full circle with Scott Ludlam
On this episode of Democracy Sausage, Scott Ludlam, former Greens Deputy Leader and author of the new book Full Circle: A search for the world that comes next, joins Mark Kenny to discuss what he learnt from his time in politics and Australian climate policy. What role do corporate and private interests play in shaping Australian policy-making? Will the country make changes to political donation rules to make the system more transparent? And how can Australia make meaningful progress on climate policy? On this episode of Democracy Sausage, Professor Mark Kenny speaks with former Greens Senator Scott Ludlam about Australian politics, his new book, and Section 44 of the Constitution
Democracy Sausage with Mark Kenny: Truth is trouble with Malcolm Knox
On this Democracy Sausage Extra, award-winning journalist and author Malcolm Knox joins Mark Kenny to discuss the saga of Israel Folau - former star rugby union player sacked for sharing anti-LGBTQ views on social media - and how free speech got so complicated. The sacking of former star player Israel Folau by Rugby Australia for his comments on social media once again revealed faultlines which had recently been laid bare during Australia’s marriage equality plebiscite. So what did the saga reveal about freedom of expression in Australia? What is the significance of groups like the Australian Christian Lobby in Australia’s public discourse? And, with ‘free speech’ very much a political battleground, what might the future hold? On this Democracy Sausage Extra, Professor Mark Kenny speaks with Australian journalist and author Malcolm Knox about the Israel Folau issue, Australia’s evangelical movement, and the ‘culture wars’. This episode was recorded live as part of the ANU/Canberra Times ‘Meet the Author’ series
[Interview with Mark Lane in Playboy Magazine #2]
Poor quality photocopies of a magazine article which appeared in Playboy Magazine. The article features an extensive interview with Mark Lane, an attorney and author, who is critical of the Warren Commission's assessment of the assassination of President Kennedy
Leave nothing behind but your footprints and take nothing but your time
Solo exhibition of video work.For a decade, between 1998 and 2008, Mark E. Smith became collaborator-raconteur in a trilogy of Mark Aerial Waller’s shorts and films: Glow Boys (1998) (accompanied by the ‘paratextual’ film Interview with a Nuclear Contract Worker (1999)), featuring the poet Douglas Park, Midwatch (1999) and Resistance Domination Secret: Agamemnon (2008).“In the true sense of the word, Mark Aerial Waller’s films are parasitic on Mark E. Smith. They’re co-dependents and Waller’s work, in turn, contaminates Smith’s,” writes contemporary art critic Jonathan P. Watts in “Collaborators in Pandaemonium.” “The connection between Mark E. Smith and Waller is reflected through the medium of their films which emerges to be compressed occultish channels for wayward historical voices and embodiments,” he adds
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