528 research outputs found
Jenna Bailey Biography
No full textJenna Bailey is a writer and historian. She has her PhD in Contemporary History from the University of Sussex and is currently an Executive Member of the Centre for Oral History and Tradition (COHT) at the University of Lethbridge, Canada and the Visiting Research Fellow for the Centre for Life History and Life Writing Research (CLHLWR) at the University of Sussex, England. Jenna is the author of the best-selling book Can Any Mother Help Me? (Faber) and is currently working on her next book about Ivy Benson’s All Girl Band.The University of Lethbridge Library received permission from Coyote Flats Pioneer Village to provide access to this content
Height Data
No full textThese are height measurement data for female, individually-known African elephants in the Samburu and Buffalo Springs National Reserves. These data were used in the manuscript "Orphaning stunts growth in African Elephants", currently under review. The first Excel worksheet is titled "GW.growth.curve". It shows the median of the height measurements taken from an elephant on a single date by author George Wittemyer. These medians were used to create a von Bertalanffy growth curve upon which we structured the Bayesian analysis that addressed our main hypotheses. The second worksheet titled "All.data" shows all measurements taken by either author. The third worksheet shows a summary of author Jenna Parker's measurements, including which individuals were not included in the main analysis because we are unsure of their exact birthdate
Virilization and Enlarged Ovaries in a Postmenopausal Woman
No full textA patient with postmenopausal bleeding and virilization was found to have bilaterally enlarged ovaries with a yellow cut surface. Histology revealed cortical stromal hyperplasia with stromal hyperthecosis. This hyperplastic condition should not be mistaken for an ovarian neoplasm.Peer reviewe
Welfare: as American as baseball
No full textThere are great many things that Americans can truly claim as their own, welfare is one of them. Welfare has become and American staple that rivals fords and baseball. America has created an ideology that is both accepting and allowing of consumerism and inefficiency, when it comes to fiscal responsibility. Americans idealize capitalism and also charity work, causing a collision of ideas politically and socially. The allowance for both has brought on two schools of thought. In one school, we as a culture press for innovation and poise in society, in the other we see classes of people who are constantly behind the economical curve. As they have come to coexist, the principles of our society have learned to accept that some people will accelerate and others will struggle with assistance of the government. Welfare has become cyclical (from adult to child, and then to that child as an adult) because we as a culture accept that welfare exists through legislation, ideals and in the business sector. Welfare has become a truly American innovation, spreading, and expanding, creating an entire genre of social status. Welfare is an American staple because even though we as a culture recognize its continued presence, we have yet to understand it. Comprehensive approaches to both education and the dolling out of American tax dollars would correct and also alleviate the fiscal beating that we as a society experience, and also remove the stigma applied to welfare recipients.M.A.L.S.Includes summaryIncludes bibliographical references (p. 52)by Jenna L. McKinne
From Wunderkammern to Kinect: The Creation of 'Shadow Worlds'
No full textThis paper focuses on two projects, Still Life No. 1 and Shadow Worlds | Writers' Rooms [Brontë Parsonage], to reveal the creative approaches the authors take to site, technology, and the self in their production of shadow worlds as sites of wonder. Informed by the uncanny (re-animation and the double) and an interest in the limen (thresholds in the real and virtual realms), the projects explore white light and infrared digital 3D scanning technologies as tools for capture and transformation. The authors will discuss how they suture the past with the present and ways that light slips secretly between us, revealing other realms
Bodies of evidence: the image, the flesh, and the modern crisis of the human
No full textBodies of Evidence is a study of the transnational optics of anti-blackness across German and U.S. settler colonial projects, with a particular attention to the afterlives of visual discourses in present-day politics and memory. This dissertation analyzes case studies from the U.S., Germany, and German South West Africa, what is present-day Namibia, to track the trace of settler colonial and racial ideologies across seemingly discrete and ruptural violences. Rather than continue to treat these histories and archives as distinct or hierarchical instances of violence, I argue for the importance of interpreting them as part of a broader, uninterrupted narrative. Bodies of Evidence adopts a transnational scope that places settler colonial violence—including the Herero and Nama genocide in German South West Africa—alongside European genocide, framing these events as part of the same ideological and scopic regime. My interdisciplinary analysis builds upon critical race theory, critical visual studies, postcolonial and Black feminist scholarship, museum studies, biological anthropology, among other interdisciplinary and theoretical threads. I critically interpret visual and material evidence with a methodological emphasis on framing the positionality of the viewer in relation to questions about the gaze and modes of looking. Thinking through the looped gaze, parallactic witnessing, and the ethics of looking, I argue that we can transform the act of looking if we understand how the circulation and containment of colonial violences continue to shape ways of seeing.Ph.D.Includes bibliographical referencesby Jenna R. Brage
Communities at risk assessment
No full textJenna A Trentadue, National Fire Plan Coordinator, Teresa Zena Alcock, Wildfire Intel & Geospatial Analyst.Title from PDF cover (viewed on June 25, 2020).Covers OCLC #1159962341 and OCLC #423074477.This archived document is maintained by the State Library of Oregon as part of the Oregon Documents Depository Program. It is for informational purposes and may not be suitable for legal purposes.Includes bibliographical references.Mode of access: Internet from the Oregon Government Publications Collection.Text in English
Anonymous Was a Woman:A Museums and Feminism Reader
No full textFeminism is a social justice movement that aims to end sexism, sexist exploitation, and oppression - and to change society for the better, for all.Alongside class and race, gender fundamentally shapes our perceptions and beliefs. But issues of sex and gender are still largely ignored in many museums and galleries: the inequalities that exist in society are replicated in museum practice. And, in turn, these practices reinforce and reaffirm social inequality.Anonymous Was A Woman is a 300-page positive, inspiring, practical reader, focusing on actions being taken within museums (including the Art Gallery of Ontario, Detroit Institute of Arts, Minneapolis Institute of Art, National Museums Liverpool, V&A and the Whitechapel Gallery) to address these issues, as well as new initiatives aiming to impact and change museums from the outside.Featuring carefully selected texts from our two-volume Feminism and Museums, this book has a new Introduction by editor Jenna C Ashton, and each text has been reviewed and updated by the author
Anonymous Was a Woman:A Museums and Feminism Reader
No full textFeminism is a social justice movement that aims to end sexism, sexist exploitation, and oppression - and to change society for the better, for all.Alongside class and race, gender fundamentally shapes our perceptions and beliefs. But issues of sex and gender are still largely ignored in many museums and galleries: the inequalities that exist in society are replicated in museum practice. And, in turn, these practices reinforce and reaffirm social inequality.Anonymous Was A Woman is a 300-page positive, inspiring, practical reader, focusing on actions being taken within museums (including the Art Gallery of Ontario, Detroit Institute of Arts, Minneapolis Institute of Art, National Museums Liverpool, V&A and the Whitechapel Gallery) to address these issues, as well as new initiatives aiming to impact and change museums from the outside.Featuring carefully selected texts from our two-volume Feminism and Museums, this book has a new Introduction by editor Jenna C Ashton, and each text has been reviewed and updated by the author
Social Self-Management of Parkinson’s Disease
No full textAbstract
Date Presented 3/31/2017
This study investigated disease severity and social self-management styles of individuals with Parkinson’s disease. Three social self-management styles were associated with disease severity: participation in social life, exchange of support with others, and management of social resources.
Primary Author and Speaker: Linda Tickle-Degnen
Additional Authors and Speakers: Jenna Eldridge
Contributing Authors: Michael Stevenson</jats:p
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