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Imitatio und Aemulatio: Die Brockes-Passion HWV 48 als spatpragendes Vorbild der englischen Oratorien?
No full textElmar Arro's View of Contemporary Estonian Music
No full textIn 1935 Elmar Arro (1899–1985) published an article on “Estonian Contemporary Music”. In his article Arro
gives an overview of Estonian composers and their works that is based on his own personal knowledge.
Arro’s account also clearly refl ects his basic aesthetic concepts. Urve Lippus’s research into Arro’s position
in the historiography of Estonian music provides the context for my analysis of Arro’s article
Andrea Ammendola, Polyphone Herrschermessen (1500-1650). Kontext und Symbolizitat (Abhandlungen zur Musikgeschichte Bd. 26)
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Rezension zu CD: W.A. Mozart: Missa da Requiem d-Moll KV 626, Gesualdo Consort Amsterdam, Cristofori, Ltg. Arthur Schoonderwoerd
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