1,720,995 research outputs found
Recensión: Hamilton, Michelle M. y Wacks, David A. (eds.). The Study of al-Andalus. The Scolarship and Legacy of James T. Monroe
Recensión: Hamilton, Michelle M. y Wacks, David A. (eds.). The Study of al-Andalus.
The Scolarship and Legacy of James T. Monroe. Boston: Ilex Foundation; Washington,
D.C.: The Center for Hellenic Studies, 2018, distribuido por Cambridge
University Press, 260 págs
Hamilton Michelle M., Portnoy Sarah J., Wacks David A., Wine, Women and Song : Hebrew and Arabic Literature of Medieval Iberia. Newark, Delawere, Juan de la Cuesta, 2004
Zakharia Katia. Hamilton Michelle M., Portnoy Sarah J., Wacks David A., Wine, Women and Song : Hebrew and Arabic Literature of Medieval Iberia. Newark, Delawere, Juan de la Cuesta, 2004. In: Bulletin critique des annales islamologiques, n°22, 2006. pp. 4-5
Making Knighthood: The Construction of Masculinity in the Ordene de chevalerie, the Livre de chevalerie de Geoffroi de Charny and the Espejo de verdadera nobleza
This dissertation applies the concept of hegemonic masculinity. as first proposed by R.W Connell in her book Masculinities, to three works of medieval chivalric conduct literature. This dissertation asserts that the authors of the Ordene de chevalerie, the Livre de chevalerie of Geoffroi de Charny and the Espejo de verdadera nobleza create an image of knightly masculinity that demonstrates its superiority over other forms of medieval masculinity. At the same time, each text serves a secondary purpose; in elucidating the values and political aims of its author. The Ordene de chevalerie demonstrates the hegemonic nature of knighthood by means of its frame story while at the same time trying to show how the knighthood is intimately linked to the Christian faith by means of the ritual of initiation into the knighthood. The Livre de chevalerie provides guidance on how to obtain honor and prowess, while at the same showing how the knighthood is superior to the clerical class, another powerful mode of medieval masculinity. The Espejo de verdadera nobleza demonstrates that the hegemonic form of masculinity embodied in the knighthood was open to those who showed the necessary characteristics and won the approval of the sovereign. The Espejo acts as means of institutionalizing the knighthood and shows the first imaginings of how the knighthood would change with the advent of the Renaissance.
By using a theoretical framework more common to the fields of sociology and management studies to explore these texts, this dissertation demonstrates how theories that are accepted in these fields may be applied to literary and medieval studies. This dissertation also seeks to bring greater attention to the genre of chivalric conduct literature, a genre that does not receive as much attention from scholars as other medieval genres such as epic and romance. This dissertation seeks to show that chivalric conduct literature is a fruitful field of study and that these three lesser known works in this genre provide valuable medieval perspectives on the concepts of knightly masculinity. Although these authors define knighthood differently, they all agree that knighthood plays a defining role in constructing and modeling a superior form of masculinity
Las Cantigas de Santa Maria: “Como Santa Maria ajudou a Emperadriz de Roma”/ “Cómo Santa María ayudó a la emperatriz de Roma”
10 pages, English and Spanish translation availableAlfonso X was king of “Castilla, León, Sevilla, Córdoba, Murcia, Jaén, and el Algarbe.” As evidenced by his title, he came to have possession of various kingdoms in Iberia. He was born in Toledo in 1221 and died in Seville in 1284, at 63 years of age. He is called the Learned King because he was an author, poet, musician, and historian, and because he supported artists and translators. Furthermore, he employed Christians, Jews, and Muslims in his translation workshop in Toledo.
His Cantigas de Santa Maria is a repertoire of songs compiled in four manuscripts between 1257 and 1283. The Cantigas consist of 420 narrative songs that focus on the Virgen Mary and the miracles that she performs across Christendom. Originally, the text was written in Galician-Portuguese, from the northeast region of Iberia. Galicia is the site of Santiago de Compostela, the final destination of the pilgrimage route known as the Camino de Santiago (Saint James’s Way). Each story is comprised of text, images, and music. The combination of texts and images portrays day-to-day life and, often, the less-documented common peoples of the Middle Ages in Europe.
This unit, edited by Diane Burke Moneypenny and Allison Carberry Gottlieb, contains the original text in Galician-Portuguese of Cantiga 5, “How the Virgin Mary helped the Empress of Rome.” The Spanish version (for use in contexts where the language of instruction is Spanish) has an introduction, notes, and translation into modern Spanish (by Sol Miguel-Prendes). The English version has an English introduction and notes, and an English translation of the Cantiga
Relatos de los disturbios antijudíos de Valencia, julio de 1391
11 pages, English and Spanish translation availableThis unit contains a brief introduction and four accounts of the anti-Jewish riot that took place in Valencia on July 9, 1391. During this riot, one of many across Spain in the summer of 1391, a mob attacked the Jewish community of Valencia, killing at least a hundred people and forcibly converting most of the rest. These attacks destroyed the Jewish communities of Valencia and many other cities in Spain, making 1391 a crucial turning point in both Spanish and Jewish history. The Valencian attack is particularly well recorded, with surviving accounts from multiple independent sources, all newly translated into English from the original Catalan and Valencian. These four accounts are from three different perspectives: the king’s brother, Prince Martí, senior royal official on the scene; that of the jurats, senior municipal officials in Valencia; and that of Juceff Abraim, a Valencian Jew who was forcibly converted during the assault. Each of these accounts reflects the different pressures the witnesses faced in constructing a narrative of the events. The unit is published in two versions: one with introduction and notes in Spanish, with the primary texts in the original medieval Valencian with modern Spanish translation, and another with the introduction and notes in English, and primary texts in original medieval Valencian and English translation. The original text was edited and translated into English by Abigail Agresta, then into Spanish by Sol Miguel-Prendes. The introduction and notes were written by Abigail Agresta and translated into Spanish by Sol Miguel-Prendes. Types of courses where the text might be useful: History (medieval, Jewish, Iberian), Religious Studies, Jewish Studies, Sephardic Studies. It is also a useful case study on bias in historical sources
Francisco Núñez Muley, Memorial (Granada, 1566)
12 pages (English), 8 pages (Spanish), English and Spanish translation availableThe Edict of 1567, or Anti-Morisco Edict, was promulgated by Spanish King Philip II on January 1, after being approved in Madrid on November 17, 1566. Its purpose was to eliminate specific Morisco customs, such as their language, dress, and dances. Núñez Muley’s Petition is an attempt to persuade Christian authorities to delay enforcing the 1567 Edict. The author lists each of the prohibitions and refutes their effectiveness. He compares Morisco customs to those of other Christian and Muslim communities in the Mediterranean and argues that the prohibitions will not eradicate any putative Islamic practices but instead erase Morisco cultural identity. Moriscos, he claims, are sincere Christians and loyal subjects who support the king’s decisions.
This unit, edited by Lisette Balabarca Fataccioli, has two versions, one with the introduction, notes, and original text in Spanish (for use in contexts where the language of instruction is Spanish), another with the introduction and notes in English, and the original Spanish text with facing English translation
2011 Oregon Humanities Center Work in Progress Talk
Recording of a Work-in-Progress talk titled "Double Diaspora in Sephardic Literature, 1200-1600" given at the Oregon Humanities Center on 8 April 2011.Discussion of how current critical thinking about diasporic culture can bring Judaic studies approaches to Sephardic literature up to date. Examples from 13th century Spanish Hebrew (Sephardic) author Jacob ben Elazar and 16th century Sephardic author Solomon ibn VergaOregon Humanities Center, University of Orego
Pablo Tac, Conversión de los Saluiseños de la Alta California (Roma, ca. 1840)
11 pages (English), 7 pages (Spanish), English and Spanish translation availableConversión de los Saluiseños de la Alta California (Conversion of the Saluiseños of Alta California) (c. 1840) by Pablo Tac is the only published document written by an indigenous Californian during the Spanish-Mexican period. Born at Mission San Luis Rey de Francia, north of San Diego, California in 1820, Tac wrote the manuscript while studying to be a Catholic priest at a seminary in Rome. Conversión de los Saluiseños is Tac’s attempt to present the history and customs of his people, the Quechnajuichom, (Luiseños) to a readership unfamiliar with Native American life. While part of the work deals with the encounter of the Tac's ancestors with Spanish missionaries and soldiers that ultimately led to the founding of Mission San Luis Rey, the bulk of Conversión de los Saluiseños paints a portrait of life at the mission through the eyes of a native person. Tac portrays the mission as a native community under Spanish dominion, which strives to preserve its traditional ways while adapting to a new political and cultural order. As an indigenous ethnographer addressing a European audience, Tac is perhaps the final representative of a group that includes personalities such as Inca Garcilaso de la Vega, Huaman Poma de Ayala and Fernando de Alva Ixtlilxochitl. This is a pedagogical edition of a selection of the "Conversion of the Saluiseños of Alta California" with a short general introduction, notes, and brief bibliography. The edition and translation are by Damian Bacich (2020)
Juan Ruiz, Libro de buen amor (1330 / 1343)
Part 1 - 12 pages, Part 2 - 11 pages, English and Spanish translation availableJuan Ruiz may or may not be the author of the Libro de buen amor ('Book of Good Love') (ca. 1335), a confusing miscellany of songs, fables, and first-person misadventures of a priest very much unlucky in love. The English version has an introduction and notes in English, with the primary text in facing medieval Castilian/English translation. The Spanish version has an introduction and notes in Spanish, with the primary text in facing medieval Castilian and modern Spanish. Mary-Anne Vetterling provides us with a selection of passages from the work in two parts: Part 1: The Debate Between the Greeks and the Romans, The Story of Pitas Payas, Painter from Brittany, Fable of the Country Mouse and the City Mouse Part 2: The Prophecies for the Son of King Alcaraz, Greed and the Fable of the Dog and his Reflection, The Properties of Money, The Encounter with the Mountain Woman (serrana), Characteristics of Small Women This is the .docx formatted English version, with intro, notes, and bibliography in English, and the primary text in facing medieval Castilian/English translation. This unit is part of Open Iberia/América, an open access, online teaching anthology of texts from the premodern Hispanic world. https://openiberiaamerica.hcommons.org
Sendebar: Libro de los engaños e los asayamientos de las mugeres (1253)
7 pages, English and Spanish translation availableThis unit contains a selection of texts from the Sendebar (1253), one of the most famous and widespread collections of exemplary literature in the Middle Ages, with versions in Arabic, Syriac, Farsi, Greek, Hebrew, and Spanish.
The importance of this work lies in the fact that, together with the Calila and Dimna, it was the first collection of Eastern tales to make it into the Iberian Peninsula, bringing with it a new way of organizing the plot around a narrative frame which gave meaning to each separate tale. The selection includes the three tales from the second day of the trial: the first is narrated by the woman, who claims that the Prince tried to rape her; the other two are narrated by one of the king’s counselors, who tries to convince the king to keep calm (first tale) and that all women are deceitful (second tale).
Types of courses where the text might be useful: History, literature, and culture of medieval Spain, al-Andalus, Maghreb, Translation, Tales
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