21,704 research outputs found
Letter from William Barker, Chandler Springs, Alabama, to Willie T. White, July 1, circa 1916
No full textLetter from William Barker, Chandler Springs, Alabama, to Willie T. White, January 17, 1916
No full textLetter from William Barker, Chandler Springs, Alabama, to Willie T. White, March 31, 1916
No full text
Letter from William Barker, Chandler Springs, Alabama, to Willie T. White, December 6, 1915
No full textWilliam Minor vs. John Minor and Ransone White, administrator of James Miller
No full textSuit in Gloucester County. From Mss. 39.1 J75, folder 330, box 6, Warner T. Jones Papers, Special Collections Research Center, Swem Library, College of William and Mary
Letter from William Herbert Stockdale, Camp Pike, Arkansas, to Willie T. White, February 15, 1919
No full textAnoxypristis White & Moy-Thomas 1941
No full textGenus Anoxypristis White & Moy-Thomas, 1941 Knifetooth Sawfish Anoxypristis White & Moy-Thomas, 1941: 397. Type by being a replacement name for Oxypristis Hoffmann, 1912, preoccupied by Oxypristis Signoret, 1861 in Hemiptera.Published as part of White, William T. & Ko'Ou, Alfred, 2018, An annotated checklist of the chondrichthyans of Papua New Guinea, pp. 1-82 in Zootaxa 4411 (1) on page 44, DOI: 10.11646/zootaxa.4411.1, http://zenodo.org/record/122187
The invisible ideology of white light
No full textThis paper explores the role of white light in film history. It argues that, though we live our lives immersed in ‘white’ daylight, the historical hegemony of white light within moving images has been far from inevitable. The paper elaborates this claim by focusing on how and why Technicolor Inc. predicated its infamous but influential ‘law of emphasis’ on white balanced lighting, and by foregrounding ways in which subsequent uses of and discourses about colour in film have assumed the presence of full-spectrum light. Having drawn attention to this imperceptible – and so, until now, unnoticed – visual ideology, the paper then explores cinematic challenges to the hegemony of white light in films including South Pacific, Querelle and Chunkging Express
Letter from Cary T. Grayson, The White House, Washington, D. C., to Major General William C. Gorgas, March 23, 1917
No full textThis is an item from the William Crawford Gorgas papers. This collection includes material created by and written about Gorgas, as well as material created by other Gorgas family members. His diaries and journals illuminate his life and work for the U.S. Army as a surgeon and span the years he worked in Cuba and Panama. The collection includes official reports and other documents Gorgas wrote and collected, as well as articles and other publications written about Gorgas and his work in sanitation and disease prevention, particularly yellow fever. Correspondence, articles, and other items document the numerous awards and tributes Gorgas received during his life and memorials after his death in 1920. In addition to William Crawford Gorgas material, the collection includes other material belonging to Gorgas family members including Marie Gorgas and their daughter, Aileen Gorgas Wrightson. In 1924, his widow Marie Gorgas published William Crawford Gorgas: His Life and Work. This collection includes manuscripts, galley proofs, and published versions of her work
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