53,472 research outputs found
Conversatorio con Lisa Garforth=Conversation with Lisa Garforth
No full textJulia Ramírez-Blanco conversa con Lisa Garforth, autora del libro Green Utopias y especialista en utopías medioambientales. Con ella, hablamos acerca de las posibles maneras de definir las ecotopías, y cómo estas se manifiestan tanto en la literatura como en distintas formas de práctica social.Julia Ramírez-Blanco interviews Lisa Garforth, author of the book Green Utopias and specialist in environmental utopias. With her, we talk about the possible ways of defining ecotopias, and how they manifest themselves both in literature and in different forms of social practice.http://re-visiones.net/audio/Entrevista-Lisa-Garfoth.mp
La imagen borrosa
No full textEn 1989 se presentó Vanishing Presence en el Walker Art Center en Minneapolis, una muestra que recogía una amplia selección de fotografías con borrones o directamente borrosas. La exposición establecía el recorrido del borrón desde los efectos producidos por la incapacidad técnica hasta su utilización posterior como recurso intencionado [4]. Esos ’defectos’, como apariciones fantasmales, siguen manifestándose quizá aún más en la era digital. El presente artículo pretende hacer un primer acercamiento a este tipo de imágenes borrosas (digitales y analógicas), su capacidad evocadora y significativa, así como destacar el poder del imaginario gótico (utilizado en su sentido más amplio) para representar los terrores del presente y del futuro [5]
The blurred image
No full textIn 1989, an exhibition of a large selection of photographs with blurs, or even blurry photographs, was presented in Vanishing Presence, at the Walker Art Center in Minneapolis. The exhibition established the trajectory of the blur, ranging from the effects produced by technical inability to its subsequent use as an intentional resource [4]. These ’defects’, like ghostly apparitions, continue to manifest, perhaps even more so, in the digital era. The present article attempts to address this type of fuzzy images (digital and analogical), their evocative and significant capacity, as well as to emphasize the power of the Gothic imagery (in the broadest sense) to represent the terrors of the present and the future [5]
Epílogo. Una vida más alla del trabajo=Epilogue. A Life Beyond Work
No full textEpílogo del libro El problema del trabajo, Madrid, Traficantes de sueños, 2020.Cesión por parte de la autora y la editorial Epilogue of the book The problem with work, Madrid, Traficantes de sueños, 2020.Assignment by the author and publishe
CASE STUDY: ZULUETA´S RAPTURE. Writtings from inside and outside the Academics on trial
No full textThe present text is divided into two parts: a presentation and a paper. First, in italics, I present what could be called “Case Study: Zulueta’s Rapture” and propose some reflections on its meaning within the framework of current university practices surrounding knowledge. Next to take the stand is the paper itself, the object of the trial, whose author proposes a political reading of the film Rapture (Arrebato in the original Spanish) by Iván Zulueta. Lastly, some conclusions are offered. I will say no more; the text has a complex structure and is best judged by reading it
'Cyrus Walker Re-appointed County Truant Officer' news article in the Albany Democrat
No full textCyrus Walker was the oldest son of the early Oregon Territory missionaries Elkanah and Mary Richardson Walker. He grew up at Tshimakain in the 1830s-40s, where he learned the native Spokane language. After joining the U.S. army during the Civil War and then attempting to make a living as a farmer, he became a teacher at the Warm Springs Indian Agency. These letters, documents and clippings shed light on his experiences as a missionary, a soldier, a pioneer and a teacher at Warm Springs. This collection was donated to Pacific University by Betty Thorne, a descendant of the Walkers
The Time of Montage. A lecture in the form of a dialogue
No full textIn this lecture-conversation, Isabel de Naverán and Leire Vergara offer an array of readings, life experiences and descriptions of films in order to address the concept of montage as applied to contemporary choreography and curatorial work.Taking the description of several scenes as a point of departure, the authors propose an understanding of montage (both in exhibits and in choreography) based on a specific temporality in which peripheral elements and everyday life lend intention and meaning to the work. In this partially scripted conversation the authors exchange their perspectives on the white cube and the black box, and question some of the dynamics of those two mechanisms.The Time of Montage has been staged on three occasions. The first was in the Teatro Pradillo in Madrid, in the context of Laboratorio 987 (2013) organized by Chus Domínguez, Nilo Gallego and Silvia Zayas and the cycle of exhibits Form and Vouloir-dire curated by Leire Vergara in 2012 at the MUSAC (Museum of Contemporary Art of Castille and Leon), the second was in the Laboratorio 987 at MUSAC within the same initiative, and the third time in Sukaldea-Tabakalera in San Sebastián (2014) as part of the program Paracinema curated by Esperanza Collado. Each staging involved some changes to the text, the props and the dialogue conducted afterwards.RE-VISIONES presents a new version of the lecture, including the transcription and translation into English of the first two points proposed by each author, and a video recording of the lecture as staged at the Teatro Pradillo
Putting the World to Work
No full textThis text is a translation of the recently published book’s Introduction by Cara New Daggett, The Birth of Energy: Fossil Fuels, Thermodynamics, and the Politics of Work (Durham, Duke University Press, 2019), where this author records how 19th-century cultural imaginaries (particularly those gestated in the British Isles) were deeply convulsed by the articulation of two specific phenomena: on one hand, the creation of a new fossil fuel-based industrial production regime (in particular the massive use of coal) and the increase in employee productivity (subject to the logic of relative capital plusvalia, i.e. the work intensification for each unit of time); on the other hand, the emergence of a new concept of energy around thermodynamic science , which legitimized productive imaginaries and fossil imperialism through the theological perception of nature as an infinite source of resources at the service of human material progress (Western).Original publication: "Introduction: Putting the World to Work," in The Birth of Energy, Cara Daggett, pp. 1-14. Copyright, 2019, Duke University Press. All rights reserved. Republished by permission of the copyright holder.https://read.dukeupress.edu/books/book/2619/chapter/1627666/Putting-the-World-to-Wor
“Desde mi cama, revuelta”. Reflexiones tullidas para una revolución en horizontal= "From my bed, revolted". Crippled reflections for a horizontal revolution.
No full textResumenEn “Teoría de la Mujer Enferma” la autora Johanna Hedva (2018) pregunta ¿cómo se rompe la ventana de un banco con un ladrillo si no puedes salir de la cama?, para referirse a los modos de protesta y participación que son permitidos para las personas enfermas. En un mundo donde la protesta y la revolución se manifiestan en acciones públicas, ¿qué formas de revuelta y tácticas de resistencia son posibles para los cuerpos que no son físicamente capaces de situarse en la calle? Este artículo busca responder a esta pregunta proponiendo una revisión a nuestras prácticas de revuelta y revolución, lidiando con las implicaciones de lo que ambas excluyen. Basándome en materiales de mi investigación doctoral, la cual explora experiencias de mujeres con dolor cronificado, utilizo fotografías y extractos de una de las entrevistas realizadas durante el trabajo de campo, para proponer visualidades e imaginarios radicales que las personas enfermas o con discapacidad emplean cada día. En otras palabras, este artículo propone una reflexión de formas de revuelta y tácticas de resistencia tullidas para pensar en cómo se vive una revolución en horizontal.AbstractIn "Sick Woman Theory" author Johanna Hedva (2018) asks "how do you throw a brick through the window of a bank if you can't get out of bed?", to refer to the modes of protest and participation that are permissible for sick people. In a world where protest and revolution are manifested in public actions, what forms of revolt and tactics of resistance are possible for bodies that are physically unable to situate themselves in the street? This article seeks to answer this question by proposing a revision to our practices of revolt and revolution, grappling with the implications of what both exclude. Drawing on materials from my doctoral research, which explores the experiences of women with chronic pain, I use photographs and excerpts from one of the interviews conducted during fieldwork to propose radical visualities and imaginaries that sick or disabled people employ every day. In other words, this article proposes a reflection of forms of revolt and crippled resistance tactics to think about how a revolution is lived horizontally
Cartomothrips laughlini Mound & Walker 1982
No full textCartomothrips laughlini Mound & Walker, 1982 This species remains known only from a few specimens beaten from Morgania glabra (Scrophulariaceae) in South Australia, although there is no evidence that this is the plant on which the insect breeds. The males have setae S 2 on tergite IX as short as those of browni and neboissi, but both pairs of intermediate setae in laughlini are also short, only a little longer than setae S 2. In general structure this species is similar to abrsi, but that is distinguished in both sexes by the bicoloured antennal segments, and the unusually short third seta in the sub-basal series of the fore wing.Published as part of Mound, Laurence A. & Walker, Annette K., 2012, The Australia-New Zealand connection re-visited, with two new species of Cartomothrips (Thysanoptera, Phlaeothripinae), pp. 58-64 in Zootaxa 3487 on page 63, DOI: 10.5281/zenodo.21116
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