1,052 research outputs found
Lovly [sic] Annie lovly Annie Dearest Annie Ray [first line of chorus]
strophic with choruspiano and voice[Words by] Andy W. Francisco, Esq. of Cincinnati, To whom the Music is most respectfully inscribed by Stewart Macaulayads on back cover for Henry McCaffrey stock180cover and music same as Box 35 Item 3Cover is duplicated in 035.003.
Music is duplicated in 035.003.Johns Hopkins University, Levy Sheet Music Collection, Box
035, Item 004Words By Andy W. Francisco, Esq. of Cincinnati. Music Stewart Macaulay.Written Expressly For and Sung By Kunkel's Nightingale Opera TroupeLith. by A. Hoen & Co. Balto.; W.E. Duff
Landsat MSS classification of fire fuel types in Wood Buffalo National Park, northern Canada
J1: Global Ecology & Biogeography Letters; M3: Article; Milne, David Franklin, Steven E. Wilson, Bradley A. Ghitter, Geoff Heathcott, Mark McCaffrey, Thomas M. Ow, Charlotte F. Y.; Source Information: Mar1994, Vol. 4 Issue 2, p33; Subject Term: FOREST fires; Author-Supplied Keyword: Canada (Wood Buffalo National Park); Author-Supplied Keyword: Forest fire; Author-Supplied Keyword: Fuel type classification; Author-Supplied Keyword: Landsat data; Number of Pages: 0p; Document Type: Articl
Lovly [sic] Annie lovly Annie Dearest Annie Ray [first line of chorus]
strophic with choruspiano and voice[Words by] Andy W. Francisco, Esq. of Cincinnati, To whom the Music is most respectfully inscribed by Stewart Macaulayads on back cover for Henry McCaffrey stock180cover and music same as Box 35 Item 3Cover is duplicated in 035.003.
Music is duplicated in 035.003.Johns Hopkins University, Levy Sheet Music Collection, Box
035, Item 004Words By Andy W. Francisco, Esq. of Cincinnati. Music Stewart Macaulay.Written Expressly For and Sung By Kunkel's Nightingale Opera TroupeLith. by A. Hoen & Co. Balto.; W.E. Duff
Anne McCaffrey: A Life With Dragons
Anne McCaffrey: A Life with Dragons is the biography of a writer who vividly depicted alien creatures and new worlds. As the author of the Dragonriders of Pern series, McCaffrey (b. 1926) is one of the most significant writers of science fiction and fantasy. She is the first woman to win the Hugo and Nebula awards, and her 1978 novel The White Dragon was the first science-fiction novel to appear on the New York Times hardcover bestseller list. This biography reveals a fascinating and complex figure, one who creates and re-creates her fiction by drawing on life experiences. At various stages, McCaffrey has been a beautiful young girl who refused to fit into traditional gender roles in high school, a restless young mother who wanted to write, an American expatriate who became an Irish citizen, an animal lover who dreamed of fantasy worlds with perfect relationships between humans and beasts, and a wife trapped in an unhappy marriage just as the women\u27s movement took hold.
Author Robin Roberts conducted interviews with McCaffrey, her children, friends, and colleagues, and used archival correspondence and contemporary reviews and criticism. The biography examines how McCaffrey\u27s early interests in theater, Slavonic languages and literature, and British history, mythology, and culture all shaped her science fiction. The book is a nuanced portrait of a writer whose appeal extends well beyond readers of her chosen genre.https://repository.lsu.edu/facultybooks/1511/thumbnail.jp
William McCaffrey beside a shingle bolt car, Renton, 1912
Label on verso: This picture shows a shingle bolt car built by Pacific Car and Foundry Co. in 1912. The man is Mr. McCaffrey then superintendent of the shops. He was married to Bessie Raymond of Renton. They had three children: 1.Mrs. Catherine Rutkowski, Seattle; 2. Mr. William McCaffrey, Seattle; 3. Mr. Edward McCaffrey, Seattle.
Handwritten on verso: Alger Shingle Co., Shingle Bolt Car.
About 1912
Rewriting Modernity
This article rereads Paul Virilio, drawing on the distinctionbetween topography and topology to argue a case for Virilio as a rewriter of modernity. Invoking Jean-François Lyotard’s notion of rewriting modernity as an unbroken process of accumulation founded on affective life in “Re-writing Modernity” and “Argumentation and Presentation: The Foundation Crisis,” it enlists topology as a horizontal spatial structure that enables us to rethink space, time,and modernity outside the limits of the “squared horizon,” where the“squared horizon” is viewed as a spatial and textual metaphor for framing perspectives on the past, present, and future. The analysis deconstructs the topography of the “squared horizon” as a relationality in an unfolding continuum, where spaces exist ontologically and where the immaterial forces of the dromospheric and the atmospheric generate a relational and historical connectedness
Short length-scale variability of hybrid event beds and its applied significance
Hybrid event beds (HEBs) are a type of deep-water sediment gravity flow deposit that generally comprise a basal clean sandstone overlain by a variety of muddier and less-permeable sandy facies. They are thought to be emplaced by combinations of turbidity currents, transitional flows and debris flows, all as part of the same transport event. To date, a number of studies have highlighted the common presence of HEBs mainly in the outer and marginal parts of deep-water systems where they replace beds composed dominantly of clean sand up-dip and/or axially over scales of km to 10s km. In addition to these broad patterns, important yet poorly understood short-length facies changes (over metres to 100s m) occur, modifying the overall texture and reservoir characteristics at or beneath typical spacing of production wells. The nature and origin of the short length-scale transitions is here addressed in four well-exposed HEB-prone outcrops: the Cretaceous-Paleocene Gottero Sandstone and the Miocene Cilento Flysch, both in Italy, the Carboniferous Mam Tor Sandstone in northern England, and the Carboniferous basal Ross Sandstone Formation, Western Ireland. A series of detailed correlation panels show marked lateral variations in internal bed make-up for most of the hybrid event beds studied. This variability typically involves lateral changes in the proportions of the cleaner basal sandstone and the overlying muddy sandstone division that occur without substantial change in the overall event bed thickness. The variability is inferred to reflect the complex fingering between the up-dip sandstone-dominated part of the event bed and the down-dip linked debrite due to internal erosion (ploughing) of the debrite into the basal clean sand. Where the upper part of the bed is dominated by large mudstone rafts, these may have foundered into liquefied sand and been injected and partly fragmented by the sand intrusions. The variable thickness and continuity of the basal clean sandstones have important implications for reservoir characterisation; significant variability in bed character at interwell scale can be anticipated. Rugose contacts between the intra-bed facies divisions may impact on drainage and sweep efficiency during hydrocarbon production
A meta-study of relationships between fluvial channel-body stacking pattern and aggradation rate: implications for sequence stratigraphy
A quantitative comparison of 20 literature case studies of fluvial sedimentary successions tests common assumptions made in published models of alluvial architecture concerning (1) inverse proportionality between channel-deposit density and floodplain aggradation rates, and (2) resulting characteristics of channel-body geometries and connectedness. Our results do not support the relationships predicted by established stratigraphy models: the data suggest that channel-body density, geometry, and stacking pattern are not reliable diagnostic indicators of rates of accommodation creation. Hence, these architectural characteristics alone do not permit the definition of accommodation-based “systems tracts” and “settings”, and this calls into question current sequence stratigraphic practice in application to fluvial successions
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