1,277 research outputs found
Milford Fireman's Cornet Band
No full textMilford Firemen's Cornet Band on the lawn of the Causey Mansion at a July 4th ceremony in 1905 or 1906. Sitting left to right: John Mayhew, clarinet; Norman Windsor, cornet; Robert Davis, cornet. Kneeling left to right: William Truitt, bass drum; ---, alto; William Gray, cornet (leader); W. B. Pine, alto. Standing left to right: Willis Hall, baritone; Joseph Rogers, valve trombone; Roy Cannon, snare drum; Thomas Ross, bass; James Cannon, trombone; Winfield Mayhew, baritone
Existence of pseudo-equilibria in a financial economy
No full textThis paper proves the existence of a pseudo-equilibrium in a financial economy with incomplete markets in which the agents may have nonordered preferences. We will use a fixed-point-like theorem of Bich and Cornet that generalizes the results by Hirsch, Magill, Mas-Colell [18] and Husseini, Lasry, Magill [19] to encompass the framework considered by Gale and Mas-Colell ([14], [15]).Pseudo-equilibrium ; incomplete markets ; nonordered preferences ; fixed-point-like theorems ; Grassmann manifold
Descloitre R., Cornet R. — Commune et société rurale en Algérie
No full textW. A. Descloitre R., Cornet R. — Commune et société rurale en Algérie. In: Population, 24ᵉ année, n°4, 1969. p. 809
W. A. Turner: A Case of Cornet Players Cramp. The Lancet, 29. April 1893, S. 995
No full textW. A. TURNER: A CASE OF CORNET PLAYERS CRAMP. THE LANCET, 29. APRIL 1893, S. 995
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-)
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (6) (a0001)
W. A. Turner: A Case of Cornet Players Cramp. The Lancet, 29. April 1893, S. 995 (6) (p0493
Houchins family cornet band, 1897
No full textHouchins family cornet band, 1897, b&w back reads: 1897, Judge Chas L. Garvin Virgil Houchins Chas. T. Houchins Wm E. Houchins O.R. Houchins Edward Henry Harley Earl Ryanhttps://mds.marshall.edu/harlow_warren_papers/1053/thumbnail.jp
Werte und Wertzerfall in Cornet Reitergeschichte Leutnant Gustl
No full textRilke\u27s Cornet, Hofmannstahl\u27s Reitergeschichte, and Schnitzler\u27s Leutnant Gustl are examined in terms of values and their decline in the areas of the military, the family, religion. and life and death. Cornet glorifies all of these values, and serves as the example. In Reitergeschichte, the decline begins, and Leutnant Gustl portrays the absolute debasement of these values
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Stravinsky's use of the Trumpet and Cornet
No full textThis thesis examines the history of the use of trumpet and cornet, and analyzes their use in several Stravinsky pieces: Petroushka, The Rite of Spring, L'Histoire du soldat, and Ragtime. The study concludes that Stravinsky, at the time of the composition of the analyzed pieces, was instrumental in elevating the cornets and trumpets to a more important position in the orchestra
Raepsaet-Charlier (Marie-Thérèse et Georges), Gallia Belgica et Germania Inferior — Vingt-cinq années de recherches historiques et archéologiques, dans Aufstieg und Niedergang der römischen Welt. Geschichte und Kultur Roms im Spiegel der neueren Forschung, hrsg. von Hildegard Temporini und W. Haase, II Principat, vierter Band, Politische Geschichte (Provinzen und Randvölker : Gallien [Forts.], Germanien)
No full textCornet René. Raepsaet-Charlier (Marie-Thérèse et Georges), Gallia Belgica et Germania Inferior — Vingt-cinq années de recherches historiques et archéologiques, dans Aufstieg und Niedergang der römischen Welt. Geschichte und Kultur Roms im Spiegel der neueren Forschung, hrsg. von Hildegard Temporini und W. Haase, II Principat, vierter Band, Politische Geschichte (Provinzen und Randvölker : Gallien [Forts.], Germanien). In: Revue belge de philologie et d'histoire, tome 56, fasc. 1, 1978. Antiquité — Oudheid. p. 166
For honour [music] : new patriotic song /
No full textFor voice and cornet.; Caption title.; "Copyright [sic] No. 3632"--Cover.; First line of introduction marked drums in bars 1-2 ; and cornet in bars 3-4.; Words for two extra verses on back of sheet music.; Also available online http://nla.gov.au/nla.mus-vn4232782; N copy signed by the composer
Rilkes Cornet : ein systematischer Vergleich der drei Fassungen
No full textRainer Maria RiIke\u27s Die Weise von Liebe und Tod des Cornets Christoph Rilke appears in three separate versions, the 1899 draft, a 1904 revision, and the 1906 revision which is recognized as Rilke\u27s final version of the work.
The brevity, structure, and underlying lyricism of the work have made the changes between versions the subject of occasional, if incomplete, critical attention. However, thus far no line by line or word by word comparison of the three texts has been done. The purpose of this study is to present a systematic and complete analysis of all structural and linguistic changes between the three versions of Cornet.
The first chapter presents the genesis of the three texts, and the second offers a brief interpretation of the 1906 text. The third chapter contains the analysis, section by section, inte grating the three versions of the Cornet. The study shows that Rilke\u27s changes resulted in a superior final version
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