343,110 research outputs found
Vogel & Kachel, Beuthen o/S, Elektrische Anlagen, Blitzableiter
No full textVOGEL & KACHEL, BEUTHEN O/S, ELEKTRISCHE ANLAGEN, BLITZABLEITER
Vogel & Kachel, Beuthen o/S, Elektrische Anlagen, Blitzableiter ( -
[Stammbuch Auguste Vogel]
Full text link[STAMMBUCH AUGUSTE VOGEL]
[Stammbuch Auguste Vogel] ( - )
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Exlibris: Hans Stula ( - )
Besitzvermerk, S. 1 (1)
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Revised modelling of the post-AD 79 volcanic deposits of Somma-Vesuvius to reconstruct the pre-AD 79 topography of the Sarno River plain (Italy)
No full textIn this study the methodology proposed by Vogel & Märker (2010) to reconstruct the pre-AD 79 topography and paleo-environmental features of the Sarno River plain (Italy) was considerably revised and improved. The methodology is based on an extensive dataset of stratigraphical information from the entire Sarno River plain, a high-resolution present-day digital elevation model (DEM) and a classification and regression tree approach. The dataset was re-evaluated and 32 additional stratigraphical drillings were collected in areas that were not or insufficiently covered by previous stratigraphic data. Altogether, an assemblage of 1,840 drillings, containing information about the depth from the present-day surface to the pre-AD 79 paleo-surface (thickness of post-AD 79 deposits) and the character of the pre-AD 79 paleo-layer of the Sarno River plain was utilized. Moreover, an improved preprocessing of the input parameters attained a distinct progress in model performance in comparison to the previous model of Vogel & Märker (2010). Subsequently, a spatial model of the post-AD 79 deposits was generated. The modelled deposits were then used to reconstruct the pre-AD 79 topography of the Sarno River plain. Moreover, paleo-environmental and paleo-geomorphological features such as the paleo-coastline, the paleo-Sarno River and its floodplain, alluvial fans near the Tyrrhenian coast as well as abrasion terraces of historical and protohistorical coastlines were identified. This reconstruction represents a qualitative improvement of the previous work by Vogel & Märker (2010)
Programma, Qvo Viri Maxime Reverendi, ... Davidis Vogel, S. Theol. Doctoris & Professoris in Acad. Regiomontana Extra-Ordinarii ... ad Basilicam Regiam Concionatoris Secundi, Disertationem
No full textPROGRAMMA, QVO VIRI MAXIME REVERENDI, ... DAVIDIS VOGEL, S. THEOL. DOCTORIS & PROFESSORIS IN ACAD. REGIOMONTANA EXTRA-ORDINARII ... AD BASILICAM REGIAM CONCIONATORIS SECUNDI, DISERTATIONEM
Programma, Qvo Viri Maxime Reverendi, ... Davidis Vogel, S. Theol. Doctoris & Professoris in Acad. Regiomontana Extra-Ordinarii ... ad Basilicam Regiam Concionatoris Secundi, Disertationem ([1]
C. Vogel s/m Hilty z. frdl. Erng
No full textDedikationssilhouette nach rechts von Capsar Vogel, gewidmet Johann Ulrich Hilty (1827-1906)Anonyme/r Künstler/inUnten Mitte Zeichen einer studentischen Verbindung. Es könnte sich beim Dargestellten um Joh. Caspar Vogel (1826-1871) handeln, der zu dieser Zeit als Student an der Universität Zürich immatrikuliert und Mitglied der Zofingia war, vgl. die Angaben zu Vogel in der Matrikeledition der Universität Zürich (www.matrikel.uzh.ch [Stand: 20.04.2017])Handschriftliche Widmung unterhalb des Bildes "C. Vogel s[eine]m Hilty z[ur] fr[eun]dl[ichen] Er[inneru]ng.
Boiga flaviviridis Vogel & Ganesh 2013
No full text<i>Boiga flaviviridis</i> Vogel & Ganesh, 2013 <p>(Fig. 1–2; Table 1)</p> <p>Suggested common name: Yellow-green cat snake.</p> <p> <i>Boiga beddomei</i> (<i>non</i> Wall, 1909)—Chaitanya <i>et al</i>. 2019</p> <p> <i>Boiga</i> cf. <i>flaviviridis</i> — Giri <i>et al</i>. 2019</p> <p> <b>Additional specimens examined.</b> (n=1). INDIA. CESS 529, an adult female from Horsley Hills, Chittoor dt., Andhra Pradesh, Eastern Ghats.</p> <p> <b>Complementary Diagnosis.</b> <i>Boiga flaviviridis</i> is phylogenetically sister (node support 100%) to the Sri Lankan <i>Boiga</i> cf. <i>ranawanei</i>. These two taxa are closely related to <i>B. thackerayi</i> (node support 100%). <i>Boiga flaviviridis</i> is 9.1–9.5% genetically divergent from its sister species <i>B</i>. cf. <i>ranawanei</i> and has 2.2% intraspecific divergence between specimens from Horsley hills and Meghamalai at cyt <i>b</i>.</p> <p> <b>Comments.</b> <i>Boiga flaviviridis</i> is a poorly known species for which phylogenetic data of well-identified vouchers are provided herein for the first time. The Giri <i>et al</i>. (2019) sequence represented as <i>B</i>. cf. <i>flaviviridis</i> is from leeward slopes of Western Ghats, a region not previously known to harbor this species (see Vogel & Ganesh, 2013). The present sequence from Horsley Hills is close to the referred material’s locality: Kaigal, both situated in Chittoor hills of the Eastern Ghats.</p>Published as part of <i>Ganesh, S. R., Mallik, Ashok Kumar, Achyuthan, N. S., Shanker, Kartik & Vogel, Gernot, 2021, A new species of Boiga (Serpentes: Colubridae) from the Southern Western Ghats of India with a molecular phylogeny and expanded characterisation of related species, pp. 449-468 in Zootaxa 4981 (3)</i> on page 460, DOI: 10.11646/zootaxa.4981.3.2, <a href="http://zenodo.org/record/4921065">http://zenodo.org/record/4921065</a>
C. Vogel s/m F. Ernst z. frdl. Ernng
No full textDedikationsilhouette von Caspar Vogel während seiner Studienzeit in Zürich; Silhouette gewidmet F. ErnstAnonyme DruckgrafikHandschriftliche Widmung unterhalb des Porträts "C. Vogel s[eine]m F. Ernst z[ur] fr[eun]dl[ichen] Er[i]nn[erun]g.
Awangardowe oblicze realizmu. Montaż literacki Debory Vogel
Full text linkThe article discusses poetics of realism in the works of Debora Vogel, while focusing on the selection of her poems entitled “Akacje kwitną. Montaże” (Acacias in Blossom. Montages). The author presents the realistic element within Debora Vogel‟s prose and points out the basic principles standing behind her aesthetics: constructivism, simultanism, and new realism. The focus is primarily on the avant-garde elements of Vogel‟s prose: the modernist characteristics of her writing. A special attention is given to literary montage and to the notion of realism as the basic mode of representation within the analysed genre. Realism-oriented approach visible in Debora Vogel‟s prose goes hand in hand with characteristic features of montage as a literary genre that answers to the dominant worldview and to the changes in aesthetic theory that are visible in three stages of Vogel‟s realism-related search (constructivism, simultanism, new realism). The conclusion is that the interpretation of literary works by Debora Vogel has to concern two issues: individual and autonomous character of her writing on the one hand and its connection with the multicultural, modernist project of the Polish interwar literature on the other, as it is in this cultural and literary context that her realism-oriented practices are performed.Zeszyty Naukowe TDU
Les privilèges des Suisses : avec des observations sur la justice des Suisses, ensemble ceux accordés aux Villes Impériales & Anséatiques, & aux habitans de Geneve, Résidens en France. Avec des observations sur la Justice des Suisses, fondées sur les principes du Droit Public
No full textpar V. G. J. D. G. S. [Franz Adam Vogel
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Memories and Images: the World of Donald Vogel and Valley House Gallery
No full textDonald Vogel arrived in Dallas at the beginning of World War II after a sojourn at the Art Institute of Chicago. “The feeling of space, its clear clean atmosphere, the calm courtesy of the people and promises of growth all gave hope to a young, would-be painter. What I could not have anticipated was that there would be no gentle growth: it exploded in every direction and the money followed.” Along with the wealth came East Coast art dealers who followed the oil field trails throughout Oklahoma and Texas. They brought dubious art and fake old masters, but the same growth that attracted disreputable dealers also made it possible for Vogel to be part of bringing fine works of art to Dallas, first at the Betty McLean Gallery and later at his own Valley House Gallery. In the words of Dechard Turner, “The Gallery opened the doors to the highest levels of sophistication in art. Not all entered, but the triumph of the Vogel story is that many did!” Already established as a painter, Vogel soon became the outlet in Dallas of art dealers in the United States and Europe. He has been an important part of the Dallas art scene for fifty-eight years
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