87,546 research outputs found
Vivaldi's Four Seasons and the Globalization of Musical Taste
No full text"Vivaldi's Four Seasons, or at least parts of it, can be recognised by enormous numbers of people on this planet, and its sounds seem to come from almost every elevator shaft, mobile phone, restaurant and television advert in the world. It stands as the very epitome of a globalized artwork, and therefore it would be reasonable to suppose that globalization theories would be a great help in explaining its success. That this may not be the case is one of the main points of this paper -�� but before we get to that, there are two matters that have to be set in place. The first is to define the characteristics of the Four Seasons as a global commodity (note that I refer to it in the singular, since the four individual pieces come as a package); the second is to describe the main tenets of globalization theories and some of their chief generating ideas. Trying to map the characteristics of the work onto the assertions of the theories will be the main business of this paper, and this process is designed not only to illuminate the work, but also to test the theories." (Excerpt, introduction
JEN WU, Cello MASTER'S RECITAL Monday, February 1, 1993 8:00 p.m. Lillian H. Duncan Recital Hall
No full textPlaylist: Sonata in B-flat major, F. XIV, no. 6 -- Antonio Vivaldi (1678-1741) / Sonata in C major -- Ross Lee Finney (1906-1997) / Sonata in F major, op. 6 -- Richard Strauss (1864-1949).This recital is given in partial fulfillment of the requirements for the Master of Music degree
Wideband antipodal Vivaldi antenna with metalenses for GPR applications
No full textIn this work, an antipodal Vivaldi antenna optimized with different metalenses for wideband applications is designed. This light-weighted antenna is wideband and exhibits good gain in the whole bandwidth. The employment of metalenses with variable metamaterials dimensions allows to increase maximum gain of about ?G = 2 dB in the frequency band f = 7 - 10 GHz, without reducing the working bandwidth of the antenna. Prototypes have been fabricated and characterized, showing good agreements with simulations
Évaluation de l'erreur d'approximation, via éléments finis d'ordre un, pour une inéquation parabolique relative aux convexes dépendant du temps
Get PDFLe politiche in tema di disabilità nella XVII legislatura: una sfida ancora parzialmente incompiuta
No full text[Recueil de cantates et arias italiennes / Alessandro Scarlatti, Antonio Vivaldi]
No full textTitre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [Sul margine d'un rio dove l'onde fugaci. H 706]Titre uniforme : Vivaldi, Antonio (1678-1741). Compositeur. [Ercole su'l Termodonte. Amato ben tu sei la mia speranza]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [Augellin sospendi i vanni. H 67]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [Già l'alba luminosa]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [L'Anacreonte tiranno. S'io vi miro e non avvampo]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [La Statira. Si che la morte invoco]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [La Statira. Mi consiglio col mio core]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [La Statira. Dovrò per mia rivale odiar]Titre uniforme : Scarlatti, Alessandro (1660-1725). Compositeur. [La Statira. Questo è il premio che si deve]Comprend : Elpino tradito // Del S.re Alessandro Scarlatti ; 1723 Capranica Vivaldi ; Cantata à Voce Sola // Del S.r Aless.o Scarlatti ; Cantata a voce sola con strom.ti del Sig. // Aless.o Scarlatti ; Aria ; Aria ; AriaRéunit 3 cantates et 5 arias d'Alessandro Scarlatti et 1 aria d'Antonio Vivaldi. - La fin de la cantate "Augellin sospendi i vanni" est reliée par erreur après la cantate "Già l'alba luminosa". - Plusieurs copistes. - Mentions sur la 1re f. de garde : "n° 19" (à l'encre) ; "11284" (au crayon) et "n° 32" (au crayon). - Reliure pleine peau ; dos à 5 nerfs, fleuron doré dans chaque entrenerf ; traces de décor doré sur les chants ; tranche rouge mouchetée de petites taches noires en tête, en queue et en gouttièrePrésentation musicale : [Partition]Appartient à l’ensemble documentaire : RISM2Appartient à l’ensemble documentaire : Chambure1Appartient à l’ensemble documentaire : RISMMssCantates pour soliste -- +* 1700......- 1799......+:18e siècle:Airs d'opéra -- +* 1700......- 1799......+:18e siècle
L'attività conoscitiva, di indirizzo e di controllo del Parlamento in relazione al PNRR
No full textRegioni, integrazione sociosanitaria e tutela della fragilità: alcuni profili di innovazione
No full textJOSÉE DESCHÊNES, Double Bass MASTERS RECITAL Wednesday March 9, 1988 7:00 p.m. at Milford House
No full textPlaylist: Concerto in F major, op. 3, no. 9 / Antonio Vivaldi -- Sonata / Paul Hindemith (1895-1963) -- Africa / François Rabbath (1931-) -- Psalm 130 / Vittorio Giannini (1903-1966).This recital is given in partial fulfillment of the requirements for the Master of Music degree
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