13,497 research outputs found
Outgoing East Lansing City Councilmember Kevin Beard delivers his final remarks as a councilmember
Outgoing East Lansing City Councilmember Kevin Beard delivers his final remarks as a councilmember. Beard thanks a number of people who supported him, Councilmembers with whom he served, and the City staff. He reflects on his service and offers some words of advice to the community. Held in the Council Chambers at the East Lansing City Hall
Les éléments / The Elements de Kevin Killian
Kevin Killian, The Elements, Nantes, Joca Seria, 2017Livre de poèmes de Kevin Killian traduits par Abigail Lang, Vincent Broqua, Olivier Brossard, édition bilingue. K pour Kevin et pour Killian. Et pour le lecteur, l’étrange alphabet des Éléments est l’occasion de potasser une nouvelle chimie littéraire. Il n’est pas question ici de réduire le réel à une classification stricte : les éléments et leurs lettres sont au contraire prétextes à l’exploration d’une matière biographique. Se frayant un chemin dans la culture américaine et occidentale de Platon à Beyoncé, au gré de souvenirs personnels et collectifs heureux et douloureux, Kevin Killian offre la poésie comme solution, principe de dérive du langage et possibilité de mélange de ses éléments. La table est alors moins un espace fermé que celui, ouvert, de l’écriture : c’est la table à laquelle on s’assied pour continuer à parler ensemble.Auteur d’une poésie qui s’inspire de Dario Argento pour rendre compte du SIDA ou prend Kylie Minogue pour muse, de récits érotiques gay à succès, rédacteur de plusieurs milliers de commentaires clients sur Amazon, Kevin Killian est une figure incontournable de la scène artistique de San Francisco. Il y a cofondé le Poets Theater et promeut infatigablement les artistes LGBT menacés d’oubli, à commencer par Jack Spicer dont il a édité les œuvres complètes (avec Peter Gizzi), et à qui il a consacré une biographie (avec Lewis Ellingham)
Les éléments / The Elements de Kevin Killian
International audienceLivre de poèmes de Kevin Killian traduits par Abigail Lang, Vincent Broqua, Olivier Brossard, édition bilingue. K pour Kevin et pour Killian. Et pour le lecteur, l’étrange alphabet des Éléments est l’occasion de potasser une nouvelle chimie littéraire. Il n’est pas question ici de réduire le réel à une classification stricte : les éléments et leurs lettres sont au contraire prétextes à l’exploration d’une matière biographique. Se frayant un chemin dans la culture américaine et occidentale de Platon à Beyoncé, au gré de souvenirs personnels et collectifs heureux et douloureux, Kevin Killian offre la poésie comme solution, principe de dérive du langage et possibilité de mélange de ses éléments. La table est alors moins un espace fermé que celui, ouvert, de l’écriture : c’est la table à laquelle on s’assied pour continuer à parler ensemble.Auteur d’une poésie qui s’inspire de Dario Argento pour rendre compte du SIDA ou prend Kylie Minogue pour muse, de récits érotiques gay à succès, rédacteur de plusieurs milliers de commentaires clients sur Amazon, Kevin Killian est une figure incontournable de la scène artistique de San Francisco. Il y a cofondé le Poets Theater et promeut infatigablement les artistes LGBT menacés d’oubli, à commencer par Jack Spicer dont il a édité les œuvres complètes (avec Peter Gizzi), et à qui il a consacré une biographie (avec Lewis Ellingham)
Faculty Recital: Lynn Eustis with Kevin Jones, November 11, 2014
This is the concert program of the Faculty Recital: Lynn Eustis with Kevin Jones performance on Tuesday, November 11, 2014 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Liederkreis, Op. 39 by Robert Schumann, Galgenlieder by Vincent Bouchot, Mélodies passagères, Op. 27 by Samuel Barber, and Two Songs on Texts by the composer by Olivier Messiaen. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Kevin Brockmeier, Fiction Reading
October 25, 2013, Ulrich Museum of Art, Wichita State UniversityAward winning author Kevin Brockmeier, reads from his work.University Libraries, Department of English, Department of Women's Studies, Watermark Books & Cafe, Ulrich Museum of Ar
Dr. Kevin Pelletier – Faculty Author Interview
Dr. Kevin Pelletier, Associate Professor of English, discusses his new book, Apocalyptic Sentimentalism: Love and Fear in US Antebellum Literature, published recently by the University of Georgia Press. The book provides powerful insights into the relationship between nineteenth-century sentimentality, religious discourse, and antislavery reform
Colour, class and gender in post-emancipation St. Vincent, 1834-1884
This thesis examines the experiences of the inhabitants of
St. Vincent during the first fifty years of freedom. It
examines social changes, work opportunities and areas of
conflicts that developed during the period. It also details
the effects of the declining economy on the islanders. The
main subjects of the thesis are the agricultural labourers
who were freed from slavery. It investigates their working
lives, their attempts to achieve independent status as
freeholders and their family and religious experiences. It
also examines the changing attitudes towards them that were
held by the planter class, the clergy and colonial
officials, and how these views influenced the formation of a
free society. In particular, the thesis investigates how
perspectives of race, class and gender differed within the
island, and how these divergencies created hostilities
between different social groups often leading to unrest.
While the main focus of the thesis is St. Vincent, it
also compares conditions in St. Vincent with other Caribbean
islands and Britain. This has helped illustrate how some
local conditions, such as the lack of available land,
ineffective plantation management and economic factors,
reduced the opportunities for the freed people of St.
Vincent. However, it also illustrates a commonality of
experiences among the poor in both the Caribbean and
Britain. It illustrates how the lives of the poor in the
Caribbean were often restricted by the same class and gender
biases experienced in Britain, as well as by racial
prejudices held by the ruling authorities.
The thesis relies on a variety of source material.
Most of the primary sources were official Colonial Office
dispatches, newspapers and Wesleyan missionary letters and
reports. Throughout the thesis, I have questioned the
motivations of the writers of these documents and
interpreted the discourses they employed. I have also
attempted to place the findings of my research within
current debates among Caribbean historians of the postemancipation
period to illustrate the importance of further
gender analysis and research
Kevin Fenton: A Reading
The John S. Lucas Great River Reading Series (GRRS) hosts Winona native and author Kevin Fenton. Fenton will read from his new novel Cyan Magenta Yellow Black published by Black Lawrence Press, 2025.
Kevin Fenton is the author of Merit Badges, which won the AWP Prize for the Novel and the Friends of the American Writers Award, and Leaving Rollingstone, which Patricia Hampl called “the most important memoir to come out of the Midwest (or anywhere) in years.” He works as an advertising writer and creative director; in that capacity, he’s published essays in the design quarterlies Émigré and Eye (London), the anthology Looking Closer 2: Critical Writing On Graphic Design, and the UX design blog Boxes and Arrows. He got a slightly better education than he deserved at Beloit College, the University of Minnesota Law School, and the University of Minnesota MFA program. He lives in St Paul with his wife Ellen and his greyhound Evie
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