8,553 research outputs found
Grown-up toys: aesthetic forms and transitional objects in Vernon Lee's supernatural tales.
No full textPhDThis thesis examines the fantastic tales of the marginalized writer Vernon Lee (Violet
Paget 1856-1935), focusing on such confections as Hauntings: Fantastic Stories (1890),
Pope Jacynth and Other Fantastic Stories (1904), and For Maurice: Five Unlikely Stories
(1927). It traces the influence of European Romantics such as Hoffmann and Heine on
her writings and juxtaposes Lee's work with that of fin-de-siecle contemporaries such
as Walter Pater, Henry James, and Oscar Wilde. Her stories often depend on the
supernatural properties of art objects for their uncanny effect, and this study traces
the contradiction between Lee's concern with form in her aesthetic treatises, and the
'formless' and metamorphic qualities of the 'ghostly' objects that come to fife in her
works. The resultant conflict is explored in the context of D. W. Winnicott's 'transitional
object' theory which suggests that a child's subjectivity is formed in a 'potential space', a
space existing in a developmental 'limbo' in which the child plays with items or toys
while negotiating its separation from the mother, and recognizing its individuality.
According to Winnicott, in adulthood, this childhood process is re-experienced in the
illusory realm of art and cultural objects. With this premise in mind, this thesis argues
that, in Lee's tales, the supernatural functions as a 'potential space" in which Lee 'plays'
with the art object or 'toy' in order to explore alternative subjectivities that allow the
expression of her lesbian subjectivity. Using an interdisciplinary approach which
combines literature with psychology, aesthetics, mythology, religion, and social history,
this thesis demonstrates the contemporary validity of Lee's tales, and its importance for
the study of gender and sexuality in the nineteenth-century fin de siecle
Anthony Banning Norton
No full textPortrait of Anthony Banning. Banning was the editor of the first newspaper in Fort Worth, the Fort Worth Chief. He was born in 1821 in Mount Vernon, Ohio. He died in Dallas on Jan. 31, 1893
Interview with Anthony F. Janson
No full textAnthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
Interview with Anthony F. Janson
No full textAnthony F. Janson is a retired professor and former Department Chair for the UNCW Department of Art and Theatre [retired December 2002]. This interview covers his complete life and career. He discusses his relationship with his art historian father, H.W. Janson, including his relationship as son and co-author and editor of the Janson texts on art history. The interview covers Tony's career as a scholar, book editor, author, art museum curator [at Indianapolis Art Museum and North Carolina Art Museum], and as a professor. Throughout, he comments on important artists in history and his philosophy of art history. He also includes stories of his time in the Vietnam War
The Empirics of New Economic Geography
Full text linkAlthough a rich and extensive body of theoretical research on new economic geography has emerged, empirical research remains comparatively less well developed. This paper reviews the existing empirical literature on the predictions of new economic geography models for the distribution of income and production across space. The discussion highlights connections with other research in regional and urban economics, identification issues, potential alternative explanations and possible areas for further research.New economic geography, market access, industrial location, multiple equilibria
Letter from Anthony Brummelkamp to Mrs. G. Groen van Prinsterer
Full text linkIn a letter to Mrs. G. Groen van Prinsterer from Rev. Anthony Brummelkamp, the author is clearing up some statements of Rev. Budding and chiding Rev. Hendrik Scholte for having an arrogant and sharp tone. A foonote to the letter mentions the school operated by Rev. Brummelkamp and Rev. Albertus C. Van Raalte in Arnhem.https://digitalcommons.hope.edu/vrp_1840s/1193/thumbnail.jp
Edges of the mind : psychic margins and the modernist aesthetic in Vernon Lee, Evelyn Underhill, May Sinclair, Dion Fortune and Jane Harrison.
No full textPhDThe question 'Where does she begin and I end, asked in Virginia Woolf's The Years, voices a modernist
concern with the limits of self-identity and related questions of egoism and altruism. In this thesis I argue
that this concern is informed by a pre-history of thinking about selfhood, psychic boundaries and the
spiritual mainly ignored by readings of modernism which map the psyche via psychoanalysis, or Freud's
'discovery of the unconscious'. Our thinking about the self has become colonised by the literary doctrines of
better known canonical figures of the modernist period, generating a way of thinking about the limits of the
psyche which is both literally and metaphorically circumscribed. A reading of more eccentric discourses
explicitly engaged in negotiating the boundaries of individuality can provide a history of the psychic
underpinnings to the modernist conception of the self. The representation of marginal states of
consciousness, or epiphanic moments, is crucial to the literature of modernism: interpretation of these altered
states, or edges, can be refigured through readings of Vernon Lee, Evelyn Underhill, May Sinclair, Dion
Fortune and Jane Harrison: five women writing between 1880-1930 for whom pre-Freudian forms of
dissolution and challenge to self-unity are palpably present in the form of telepathy, subliminal selves,
oceanic consciousness and internal multiplicity. In addition to writing non-fictional texts which variously
explore the psychological, philosophical, ethical, spiritual and occult implications of the modernist position,
each of these women, excepting the classical scholar Jane Harrison, also wrote fiction. The aesthetic
questions of modernism dovetail into the theoretical arguments of the writers in this thesis, inviting a
different reading of its psychological sub-text and to suggest that where 'stream-of-consciousness' is
stylistically indispensable, the 'oceanic', as counterpart, thematically haunts the modernist aestheti
Music in words : the music of Anthony Burgess, and the role of music in his literature
No full textTheý principal focus of the thesis is Anthony Burgess, a prolific novelist whose first and
enduring creative passion was music in general and composition in particular. Burgess
criticism is limited and largely out-of-date, showing little recognition of the aural or musical
elements in his fiction, and virtually no specialist commentary on the music and its
relationships with the literature. The main aim of the thesis, therefore, is to demonstrate the
variety and strength of the widespread musical elements in Burgess's literature, including the
importance he attaches to the sonic basis of language, and to show that these are supported by
the musical sensibility and technical competence evident in his. compositions. It is suggested
that in the inevitable reassessmenot f his work following his death in 1993, the effects of his
musicianship on his literary work should play a greater part than hitherto, and the thesis makes
a contribution to this reassessmenbt oth through its original critical commentaries on his music
and through the music-orientated discussion of his literature.
After an introduction and literature review, the first chapter examines three examples of
Burgess's little-known music. All are associated with verbal texts, though the range is
otherwise wide, and through them it is possible to draw conclusions about the competence of
his handling of musical language and structure. The second and third chapters examine the
more familiar work of Burgess the acclaimed author, but from the unfamiliar viewpoint of its
musical content, including not only surface references but also hidden allusions and technical
puzzles aimed at the musician reader. Two instances of music serving as a structural template
for literature are analysed in detail, and attention is also drawn to Burgess's awareness of
musical elements in the content and language of the, work of some. of his predecessors. The
final core-chapter,e xamines the fusion of Burgess's literary and,m usical skills in the context of
his music and words for stage and radio.
What emerges is the clear intermeshing of his parallel careers;, and the production within his
distinctive literary output of work which, due to the radical extent of its musicalisation, has to
be viewed as musically-aware literature for specialised readers, at times evincing, it is
proposed, a logic which springs primarily from music
Fr. Anthony J. Gittins, C.S.Sp.
Full text linkFr. Anthony J. Gittins, C.S.Sp. [b. 1943] was ordained in 1967. He attended the University of Edinburgh from 1968-72 and received a doctorate in Social Anthropology in 1977. Fr. Gittins was a missionary to the Mende people in Sierra Leone from 1972-80. He went on to serve as a professor at the Missionary Institute and as Formation Director in London from 1980-84. He is the Emeritus Professor of Theology and Culture at the Catholic Theological Union in Chicago, Illinois, where he began teaching in 1984. Fr. Gittins has spent over thirty years ministering to homeless women and those leaving prostitution in Chicago, and is the author of several books.https://dsc.duq.edu/sohp/1000/thumbnail.jp
- …
