1,740,058 research outputs found
Vania Johnson Senior Interior Design Exhibit 2014
No full textMy name is Vania Johnson and I have a Bachelor’s Degree in Interior Design at Stephen F. Austin State University. My skills include; Hand Drafting, AutoCAD Architecture, Revit, Sketching, Model Building, Microsoft Office, Sketchup, and Space Planning.
My accomplishments and involvements include; ASID National Chapter, ASID/IIDA Student Chapter Treasurer, School of Honors 2011-2014, Phi Upsilon Omicron Honors Society
Convenios colectivos y derecho de la competencia
No full textLa pubblicazione è frutto di un lavoro comune ma è attribuibile a Brino Vania la parte da pag. 224 a pag. 234 e a Perulli Adalberto la parte da pag. 234 a pag. 245
Uncle Vania - Anton Chekhov
No full textPoster advertising Uncle Vania by Anton Chekhov, directed by Mark Nicholls, presented by Crispin Theatre, at the Guild Theatre, University of Melbourne
Fabriques de Vania
No full textVania est le cinquième spectacle d’un cycle qu’Eric Lacascade a consacré à l’œuvre d’Anton Tchekhov. Si son processus de création participe alors d’un mille-feuille mémoriel, un même noyau d’acteurs étant distribué tout au long de cette aventure théâtrale, les traces inscrites de ce passé commun manifestent avant tout le désir d’un renouveau artistique. Car Vania est une sorte de défi lancé au temps soudant les communautés artistiques autant qu’une interrogation en miroir sur les formes et méthodes ayant scellé l’unité première. Le cycle dédié à Tchekhov est donc à l’image de l’acte même de la création qui répond moins à une logique temporelle linéaire qu’à une nécessité proche de la spirale, là où temps anciens et temps présents se recombinent indéfiniment.Vania is the fifth show of a cycle which Eric Lacascade has devoted to the works of Anton Tchekhov. If his process of creation lies in that attempt in numerous slices,,the same actors appearing all along the theatrical adventure,the memorized traces of that common and shared experience reveal before all the desire for an artistic revival. Because Vania is a sort of challenge against time, binding artistic communities as well as a mirror questioning about the forms and methods that united the prime unity.In that respect, the cycle devoted to Tchekhov is then the the image of the mere act of creation that is less a matter for logical temporality than for a necessity resembling the spiral in which times past and present are continually recombined
Nouvelle acquisition de la médiathèque : Vania de Gila-Kochanowski
No full textLe livre suivant est disponible à la médiathèque : Vania de Gila-Kochanowski : un savant tsigane / Jean-Claude Mégret. Paris : L'harmattan, 2017. Cote : 909 MEG Une partie de la bibliothèque de recherche de Vania Gila-Kochnowski et ses archives de chercheur ont été déposées à la médiathèque, elles sont actuellement en cours de traitement. Liste des monographies traitées : Don Vania de Gila
Vania al carrer 42
No full textConferència d'Antonio Armesto, professor del Departament de Projectes Arquitectònics de l'ETSAB, per el curs dirigit per Ricardo Devesa, al voltant la pel·licula "Vania al carrer 42", dirigida per Louis Malle amb guió adaptat de David Mamet basada en l'obra d'Anton Txekhov
Vania revivido en la calle 42
No full textAnálisis del largometraje "Vania en la calle 42" ("Vanya on 42nd Street", Louis Malle, 1994) y su banda sonora compuesta por Joshua Redman
Analysis of Influencer Vania Winola's Online Communication Style Through TikTok Account @vania: Analisis Gaya Berkomunikasi Online Influencer Vania Winola Melalui Akun TikTok @vania
No full textThis study examines the communication style of influencer @vania on TikTok, focusing on how she engages and influences her audience. Utilizing qualitative methods, the research analyzes 117 videos posted between September 4, 2023, and March 26, 2024, selecting 20 pieces with over one million views for detailed content analysis. The findings reveal that @vania employs two primary communication styles: Controlling Style, which encourages followers to like or share products, and Equalitarian Style, used for explanations. This dual approach enables her to effectively promote products while maintaining a relatable persona. The analysis incorporates various media forms—verbal, visual, and auditory—to understand her impact. Ultimately, the study highlights how @vania's strategic use of TikTok fosters engagement and influences consumer behavior through relatable and persuasive content
Heritage: two monuments in comparison in Rio Grande do Sul
No full textO dossiê sobre “Monumentos: testemunhos do passado no presente” foi
dividido em dois volumes pela importância dos estudos encaminhados à Revista
Métis, sendo que reúne resultados de pesquisa que contribuem para a discussão
do patrimônio, da memória e da história. É importante lembrar que a proposta do
dossiê nasce numa reunião do Instituto Histórico de São Leopoldo, no primeiro
semestre de 2020, após a comunicação geral da confreira Prof. Dra. Roswithia
Weber sobre “o monumento do sapateiro na cidade de Novo Hamburgo”.
Nessa reunião, vários pesquisadores registraram a importância do tema
e a necessidade de estudos sobre a validade dos monumentos, mostrando por
que muitos recebiam a crítica da população. Nesse contexto, nasceu a ideia de
propor um dossiê na Revista Métis que tratasse desse assunto. O dossiê contou
com a participação de Donatella Strangio, Eloisa Capovilla da Luz Ramos (in
memoriam) e Vania Herédia, e foi motivo de muita satisfação no momento da
escrita da proposta, uma vez que essas pesquisadoras tinham estudos no campo
da imigração, da colonização, do patrimônio, da história e de estudos étnicos.The originality of this contribution, which wants to be inserted in the deepening of the trend of tangible and intangible cultural heritage, lies in the interpretation of two monuments of the same region (the Monument park called “Berço da Imigração Italiana” and the national monument to immigrants in Caxias do Sul/BR,) erected in memory of the Italian migration, which represent two
different ways of perpetuating his memory.
Monuments, memorials and signs of various kinds are apparently created to fi x the time,
“to defeat history”, as W.J.T. Mitchell said it. These objects work in multiple, often
overlapping, ways; they could identify a site of historical importance (for example, a
battlefi eld), commemorate a life lived (for example, a tombstone) or designate a sacred
space (for example, a religious statue). How sites are marked for a special designation involves
cultural politics of the meaning of features including wealth, gender, race, and power
Vania al carrer 42
No full textConferència d'Antonio Armesto, professor del Departament de Projectes Arquitectònics de l'ETSAB, per el curs dirigit per Ricardo Devesa, al voltant la pel·licula "Vania al carrer 42", dirigida per Louis Malle amb guió adaptat de David Mamet basada en l'obra d'Anton Txekhov
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