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    Valerius Flaccus, Argonautica, Book VI : a commentary /

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    In spite of an increased interest over the last ten years in the 1st century AD Roman poet Valerius Flaccus, involving the production of several commentaries, part of his work Argonautica was still lacking a modern commentary. This book gives a full philological and literary commentary of the turbulent book VI of the Argonautica . The Silver Latin author's peculiar phraseology and choice of words is highlighted. Where possible the poem is interpreted in the context of the other Silver Latin epic poets.Includes bibliographical references (p. 289-294) and indexes.Preliminary Material -- BOOK VI: INTRODUCTION: COMPOSITION AND CONTENTS -- COMMENTARY -- STATIUS AND VALERIUS FLACCUS -- BIBLIOGRAPHY -- INDEX OF PASSAGES -- INDEX OF LATIN WORDS -- INDEX OF LATIN NAMES IN ARGONAUTICA VI -- INDEX OF SUBJECTS -- INDEX OF MOTIFS AND THEMES -- SUPPLEMENTS TO MNEMOSYNE by J.M. Bremer , L.F. Janssen , H. Pinkster , H.W. Pleket , C.J. Ruijgh and P.H. Schrijvers.In spite of an increased interest over the last ten years in the 1st century AD Roman poet Valerius Flaccus, involving the production of several commentaries, part of his work Argonautica was still lacking a modern commentary. This book gives a full philological and literary commentary of the turbulent book VI of the Argonautica . The Silver Latin author's peculiar phraseology and choice of words is highlighted. Where possible the poem is interpreted in the context of the other Silver Latin epic poets

    Valerii Maximi dictorum factorumque memorabilium libri IX

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    Valerius Maximu

    Factorum et dictorum memorabilium libri novem

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    Valerius Max.Nachweis in: Adams V-92; BLC, Vol. 336, p. 170; BN, Vol. 198, p.819Zitiertitel: Factorum et dictorum memorabilium libri novemDruckdat.: Mense Octobri MDXIIII [Oktober 1514]Sign.: *⁸,A-Z⁸,aa-cc⁸. - Bl. *₆ leer. - Druckermarken auf Bl. *₁recto, cc₈versoBeschädigtes Expl. mit Textverlust auf Titels. und im Kolophon; Einband der Zeit; auf der Titels. unten: "eimi tou Zyingliou", keine Randglossen Zwinglis [Köhler 318

    M. Valerii Martialis epigrammata

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    Marcus Valerius Martialis ; cum notis Farnabii ... ; accurante Cornelio Schrevel

    Cajus Valerius Catullus Et in eum Isaaci Vossii Observationes

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    CAJUS VALERIUS CATULLUS ET IN EUM ISAACI VOSSII OBSERVATIONES Cajus Valerius Catullus Et in eum Isaaci Vossii Observationes ([1]) Cover ( - ) Exlibris: "Aus der Bibliothek Joh. Wolfgang v. Goethe´s" ( - ) Titelseite ([1]) Typographus Benevolo Lectori Salutem ([3]) Cai Valeri Catulli Veronensis Ad Cornelium Nepotem Liber (1) Lectori S.P. ([1]) Index Scriptorum, Qui in his Observationibus illustrantur, explicantur aut emendantur ([6]) Index Rerum Et Verborum ([11]) Errata sic corrigenda ([30]

    Opera / Gaius Valerius Catullus ; Albius Tibullus ; Sextus Propertius

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    Gaius Valerius Catullus ; Albius Tibullus ; Sextus Propertiu

    Bronze Prutah of Valerius Gratus (15-26 CE) Procurator under Emperor Tiberius Caesar

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    Bronze prutah of Valerius Gratus (15-26 CE), procurator of Judea under Emperor Tiberius Caesar during the lifetime of Jesus. Obv: wreath with three lines within it - TIB KAI CAP (Tiberius Caesar). Wreath tied at base with an X. Rev: IOY AIA (Julia, his mother) and LIA (year 11 - 24/25). Across the field is a palm branch which curves to the right. Minted in Jerusalem

    Bronze Prutah of Valerius Gratus (15-26 CE) Procurator of Judea under Tiberius

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    Bronze prutah of Valerius Gratus (15-26 CE), procurator of Judea under Emperor Tiberius Caesar during the lifetime of Jesus. Obv: wreath with three lines within it - TIB KAI CAP (Tiberius Caesar). Wreath tied at base with an X. Rev: IOY AIA (Julia, his mother) and LIA (year 11 - 24/25). Across the field is a palm branch which curves to the right. Minted in Jerusalem

    Written into the landscape : Latin epic and the landmarks of literary reception

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    Landscape in Roman literature is manifest with symbolic potential: in particular, Vergil and Ovid respond to ideologically loaded representations of abundance in nature that signal the dawn of the Augustan golden age. Vergil's Eclogues foreground a locus amoenus landscape which articulates both the hopes of the new age as well as the political upheaval that accompanied the new political regime; Ovid uses the same topography in order to suggest the arbitrary and capricious use of power within a deceptively idyllic landscape. Moreover, for Latin poets, depictions of landscape are themselves sites for poetic reflection as evidenced by the discussion of landscape ecphrases in Horace's Ars Poetica. My thesis focuses upon the depiction and refiguration of the locus amoenus landscape in the post-Augustan epics of the first century AD: Lucan's Bellum Civile, Valerius Flaccus' Argonautica, Statius' Thebaid and Silius Italicus' Punica. Landscape in these poems retains the moral, political and metapoetic force evident in the Augustan archetypes. However, I suggest that Lucan's Neronian Bellum Civile fundamentally refigures the landscapes of Latin epic poetry, inscribing the locus amoenus with the nefas of civil war in such a manner that it redefines the perception of landscape in the succeeding Flavian poets. Lucan perverts the landscape, making the locus horridus, a landscape of horror, fear and disgust, the predominant landscape of Latin epic; consequently, the poems of Valerius, Statius and Silius engage with Lucan's refiguration of landscape as a means of expressing the horror of civil war. In the first part of my thesis I examine archetypal landscapes, including those of the Augustan poets and Lucan's Bellum Civile. Taking an approach which engages with literary reception theory and the concept of the â horizon of expectationâ as a framework within which literary topographies can be understood as articulating a response to the thematics of civil war, in the second part of my thesis I demonstrate the manner in which landscapes represent a coherent and paradigmatic response to Lucan's imposition of his civil war narrative within the literary landscape of Roman literature
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