1,725 research outputs found

    L’interesse di Flaminio per la filosofia: la PARAPHRASIS IN DUODECIMUM ARISTOTELIS LIBRUM DE PRIMA PHILOSOPHIA, in Marcantonio Flaminio nel quinto centenario della nascita. Atti del convegno nazionale, Vittorio Veneto, 27-28 novembre 1998,

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    Analisi del contenuto della parafrasi del libro XII della Metafisica di Aristotele redatta da Marcantonio Flaminio e confronto con il pensiero religioso e scientifico di Girolamo Fracastoro

    Villa Borghese

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    The east garden, view looking northeast over the garden; [The villa built by the architect Flaminio Ponzio, developing sketches by Scipione Borghese, (nephew of Pope Paul V and later Cardinal Borghese) who used it as a villa suburbana, a party villa, at the edge of Rome, and to house his art collection. Wikipedia entry] Scipione came to hold numerous different posts, which gave him a considerable income and allowed him to increase the family properties as well as indulge his passion for collecting. In Rome, Scipione had the Villa Borghese built (1612-1615), which he used to house his extraordinary collection of antique and contemporary sculpture. This included several pieces by Bernini, whose work he was one of the first to collect. His painting collection, originally housed in the Palazzo Borghese, consisted of works by such Old Masters as Titian as well as many by contemporary painters, including Caravaggio. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/19/2008

    Flaminio Costa v ENEL (Case 6/64), ECLI:EU:C:1964:66, [1964] ECR 585, 15 July 1964

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    Essential Cases: EU Law provides a bridge between course textbooks and key case judgments. This case document summarizes the facts and decision in Flaminio Costa v ENEL (Case 6/64), ECLI:EU:C:1964:66, [1964] ECR 585, 15 July 1964. The document also included supporting commentary from author Noreen O’Meara.</p

    Does Empirical Embeddedness Matter? Methodological Issues on Agent-Based Models for Analytical Social Science

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    The paper deals with the use of empirical data in social science agent-based models. Agent-based models are too often viewed just as highly abstract thought experiments conducted in artificial worlds, in which the purpose is to generate and not to test theoretical hypotheses in an empirical way. On the contrary, they should be viewed as models that need to be embedded into empirical data both to allow the calibration and the validation of their findings. As a consequence, the search for strategies to find and extract data from reality, and integrate agent-based models with other traditional empirical social science methods, such as qualitative, quantitative, experimental and participatory methods, becomes a fundamental step of the modelling process. The paper argues that the characteristics of the empirical target matter. According to characteristics of the target, ABMs can be differentiated into case-based models, typifications and theoretical abstractions. These differences pose different challenges for empirical data gathering, and imply the use of different validation strategies.Agent-Based Models, Empirical Calibration and Validation, Taxanomy of Models

    Borghese Chapel

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    View looking up, showing the altar and drum of the dome, south side; Paul V's taste is most clearly displayed in the Cappella Paolina, designed by Ponzio, in S Maria Maggiore, where he had been chaplain. Giovanni Battista Crescenzi was Superintendent of Works for the project (as he was of others commissioned by Paul V). The chapel houses an icon of the Virgin attributed to St Luke, and serves as a funerary chapel for Paul V's family and for the family of his predecessor Pope Clement VIII. It followed the design of the chapel of Sixtus V on the opposite side of the church, but surpassed it in the splendour and richness of its decoration (1610-1613). Many ancient monuments were ransacked for its marble. Sculptors, predominantly Late Mannerists, included Ambrogio Bonvicino, Ippolito Buzio (d 1634), Antonio Peracca, Camillo Mariani, Nicolas Cordier, Pietro Bernini and the more modern Stefano Maderno and Francesco Mochi. The paintings were carried out under the direction of the Cavaliere d'Arpino; Lodovico Cigoli frescoed the dome, while the arches and lunette over the papal tombs were frescoed in a newer style by Guido Reni and Giovanni Lanfranco. Source: Grove Art Online; http://www.groveart.com/ (accessed 2/8/2008
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