1,720,989 research outputs found
Hardware
No full textCatalogue of an exhibition held at UTS Gallery, Ultimo, NSW, 12 September - 13 October 2006.Exhibiting artists: Paul Donald, John Nicholson, Nuha Saad, Huseyin Sami, Mark Titmarsh, Mimi Tong.Essay by Mark Titmarsh
Art movement, explorations of motion and change
No full textCatalogue of an exhibition held at UTS Gallery, Sydney, NSW, 27 June - 28 July, 2006.Essay by Gabrielle Finnane.Artists: Paul Bai, Tom Burless, Daniel Crooks, M3Architecture, Robert Pulie, Sarah Ryan, John TonkinIncludes bibliographical references
Where the wild things are
No full textCatalogue of an exhibition held at UTS Gallery, Sydney, NSW, 17 May - 17 June 2005.
Featuring works by: Hany Armanious, Sigga Bjorg Sigurdardottir, Michelle Hanlin, Simon MacEwan, Hiroko Nakao, Sally Smart, Louise Weaver
Graphic Material
Get PDFExhibition catalogue, curated by Aaron Seymour for the 'Graphic Material' exhibition, held at UTS Gallery from 3 August 2010 to 3 September 2010Design disciplines are often thought of in terms of their material output: architects make buildings, industrial designers products, fashion designers clothes. For visual communicators this pairing is seen to be with two-dimensional print and screen. New directions in practice, motivated in part by new production technologies, are challenging this assumption
Being Before
Get PDFBackground Being Before explores traces of pre-existing objects, experiences and ways of ordering the world. Two multimedia installations explore issues of physical presence and simulated reality, classification and perception, authenticity and mediation. Referencing details from the computer graphical interface Ian Gwilts Scrolling_heaven extracts metaphors from digital environments, taking them back into the physical world in the form of digital prints, video and rapid prototype models. Away from the usual intimacy of the computer screen changes in scale and media question boundaries and reference points. Aaron Fry, Sally McLaughlin and Taylor Davis Real exploits the digital medium to assemble visual reference points: smoke stacks on the outskirts of a city, a fragment of a floral arrangement, the canopy of a palm tree. As sequences of images unfold shifts between readings such as nature as technology, nature as possession, and nature as symbol are invoked. http://www.utsgallery.uts.edu.au/gallery/past/2004/being_0804.html Contribution / Significance The Being before show raises issues around notions of reality, the real and the virtual and the role that Visual Communication languages, both computer based and analogue paly in the framing of these understandings. As such the Being Before show is intended to act as a talking point for University students, academics and the art going public around the issues
Hello World: Code and Design
Get PDFHello World: Code and Design was an exhibition at the UTS Gallery of works by 28 local and international designers. Through its presentation of works it argued that coding is a material practice that leaves traces upon, and is in turn reinscribed, by material, social, economic and political forces
The Botanical Gardens X-tension, (Remnant Emergency Artlab)
No full textThis film, website and gallery installation shown at UTS Gallery, Sydney, presented a glimpse into the foregrounding process of the REMNANT/EMERGENCY Artlab - held in Sydney in November 2010
can't buy me love
Get PDFPresented through the lens of virtual reality, can’t buy me love is an immersive experience that purports to sell the audience the intangibility of spiritual enlightenment. It brings “reality” into a space that is “unreal” and where the item that is for sale is one that cannot be bought.
can’t buy me love is developed with support from The UTS Faculty of Design, Architecture and Building and the UTS Faculty of Law and as part of the 2021 UTS Artist in Residence Program
Twenty/20
Get PDFExhibition catalogue for 'Twenty/20' exhibition, held at UTS Gallery from 9 March 2010-9 April 2010Twenty/20 presents a sampler of twenty artists with quite different practices and philosophies who have shown in MOP Projects over the past six years. Artists include: Gemma Smith, Julie Fragar, Ron Adams, David Griggs, Michelle Hanlin, Mitch Cairns, Elizabeth Pulie, John Spiteri, Anna Peters, Nell, Huseyin Sami, Rob McHaffie, Maria Cruz , Marius Jastkowiak, Nana Ohnesorge, Fiona Lowry, Alex Gereg, Adam Norton, Leo Coyte, Angus Wood. Curated by Ron and George Adams
(the heart that has no love/pain/generosity is not a heart)
Get PDFExhibition catalogue for 'the heart that has no love/pain/generosity is not a heart' (translated title), curated by Haema Sivanesen, held at the UTS Gallery from 14 September 2010 - 22 October 2010.The grids of portraits in Salloum and Alis’ installation intrigue me, as they
represent encounters – however fleeting
– that are not unlike my encounter with Mohammed. Encounters with strangers who disarm you. Strangers whose
life stories haunt you. The portraits in Salloum and Alis’ installation strike
me as pictures of hope. They exhibit a
strength of character, a tenacity, even an
optimism, that is quite different from the impression of Afghanistan generated by mainstream media
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