5,899 research outputs found
Why First World War soldiers wore khaki
No full textWhy First World War soldiers wore khaki (http://ww1centenary.oucs.ox.ac.uk/?p=2969) by Jane Tynan (http://ww1centenary.oucs.ox.ac.uk/author/jtynan/) licensed as Creative Commons Attribution-Non-Commercial-Share Alike 2.0 UK: England & Wales (http://creativecommons.org/licenses/by-nc-sa/2.0/uk/
Utility Chic: Where fashion and uniform meet
No full textThis chapter considers military and civil uniforms and asks why they are key reference points in fashion design and media. By tracing the social significance of regulation dress, the discussion highlights distinctions made between the functional uniforms worn in institutional contexts and their appropriation by fashion. These complex interactions between uniform and fashion, military and work uniform are the focus of this discussion, which explores the ongoing dialogue between uniform and fashion; what inspiration fashion finds in uniform and whether it represents power and authority or promises utopia. In the fashion image, the uniform became shorthand for power, whether social, institutional, or sexual. As this discussion shows, the systematised logic of uniform has made utility chic a staple theme in fashion design and media, inspiring both conformity and resistance to the body disciplines demanded in private and public life
Uniform: Clothing and Discipline in the Modern World
No full textUniform: Clothing and Discipline in the Modern World examines the role uniform plays in public life and private experience. This volume explores the social, political, economic, and cultural significance of various kinds of uniforms to consider how they embody gender, class, sexuality, race, nationality, and belief. From the pageantry of uniformed citizens to the rationalizing of time and labor, this category of dress has enabled distinct forms of social organization, sometimes repressive, sometimes utopian. With thematic sections on the social meaning of uniform in the military, in institutions and political movements, its use in fashion, in the workplace and at leisure, a series of case studies consider what sartorial uniformity means to the history of the body and society.
Ranging from English public school uniform to sacred dress in the Vatican, from Australian airline uniforms to the garb worn by soldiers in combat, Uniform draws attention to a visual and material practice with the power to regulate or disrupt civil society. Bringing together original research from emerging and established academics, this book is essential reading for students and scholars of fashion, design, art, popular culture, anthropology, cultural history and sociology, as well as anyone interested in what constitutes a 'modern' appearance
British Army Uniform and the First World War: Men in Khaki
No full textFrom the publisher's description:
What did British combatants wear on the western front in the First World War? From the idealized recruitment images to the coarse trousers and ill-fitting tunics, Jane Tynan retraces wartime culture through images and experiences of khaki. Photographs, newspapers, memoirs, war office documents and tailoring ephemera reveal the impact of the war on the tailoring trade. But the story of uniform also involves the wartime knitting projects, the issue of 'Kitchener Blue', Sikhs wearing khaki on the western front, and the punishments given to COs. Military uniforms were designed to make soldiers of civilian men and to rank them according to race and class, but Tynan argues that neat images of men in khaki concealed the reality that clothing an ever-expanding army involved compromise, resistance and improvisation. Uniforms transformed men and war changed British society. This book tells the story of British army clothing during wartime and offers insights into why khaki has endured as the symbol of modern militarism
Author Jane Knuth At Creighton University
No full textCreighton University Collaborative Ministry invited author Jane Knuth to talk about her book "Thrift Store Saints: Meeting Jesus 25 Cents at a Time". Her book and talk were full of stories about her experiences working at a Saint Vincent DePaul thrift store in Kalamazoo, Michigan. Jane was delightful and everybody really enjoyed her visit
Jane Arnold interviews short story author Sylvia Watanabe
No full textShort story author Sylvia Watanabe talks about why she moved from Hawaii to Michigan, her book "Talking To The Dead", and her novel in process. Watanabe is interviewed by librarian Jane Arnold for the Michigan State University Libraries' Michigan Writers Series
Hamilton, Catherine Jane [pseud. Retlaw Spring] (1841–1935), author and journalist
Get PDFHamilton, Catherine Jane [pseud. Retlaw Spring] (1841-1935), author and journalist, was born on 25 January 1841 at Kilmersdon, Somerset, where she was baptized on 12 April 1841, the younger of two daughters of Richard Hamilton (1805?-1859), vicar of Kilmersdon, and his wife Charlotte, née Cooper (1809-1882), the fifth daughter of William Cooper, of Queens County, Ireland. She was of Irish heritage on both sides. Her father belonged to a military family with roots in Strabane (county Tyrone) - his father, John Hamilton, and her father’s four older brothers were all officers in the Fifth Foot – and was a graduate of Trinity College Dublin. He had been a bright scholar with an aptitude for languages, and as a preacher was praised for his powerful sermons and his ability to bring the Bible to life for his parishioners
The light of the eye : doctrine, piety and reform in the works of Thomas Sherlock, Hannah More and Jane Austen
No full textBibliography: leaves 376-401.This thesis investigates the ways in which three eighteenth-century writers, Bishop Thomas Sherlock, Hannah More and Jane Austen embody orthodox Anglican doctrine according to their individual perceptions of the enlightening properties of Protestant Christianity. After situating them in their respective gender, literary and ecclesiastical contexts, I examine some of their key doctrines and analyse excerpts from their works. My selection of passages from Sherlock's works is fairly comprehensive, but in the case of More and Austen, where there is already a formidable body of literary criticism, it is more selective. Thus, I focus on doctrine in More's tracts, Strictures on the System of Female Education, An Essay on St Paul and most especially Coelebs in Search of a Wife and in the case of Austen, on her prayers and select passages from Sense and Sensibility and Mansfield Park. I conclude that, although diverse in their particular kind of Anglicanism (High, Evangelical and Median) and in their choice of genre, transparency or obscurity (anonymity and pseudonymity) and the various narratological strategies some of them invoke to circumvent certain taboos, Sherlock, More and Austen champion the same central orthodox doctrines, defend them against current alternatives to orthodoxy such as Latitudinarianism, Deism and various forms of Freethinking, and promote similar moral and ecclesiastical reforms. However, indirectly (through female characters who resist male representation or control) the women writers subject their ostensibly authorially-endorsed male narrators/characters to scrutiny and sometimes (when the males objectify the women) subversion
Jane Tynan. Review of "The Birth of Cool: Style Narratives of the African Diaspora" by Carol Tulloch.
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