1,721,008 research outputs found
D’amore e d’ombre: intrecci prospettici in Unkenrufe di Günter Grass
No full textCritics have almost unanimously considered Unkenrufe one of Grass's least successful novels. This verdict can be shared, but it does not diminish the value of the work for those who wish to understand this author, dwelling on topical aspects of his production, from the reflection on collective memory to the search for ways to re-elaborate the traumatic events of German history in the last century. Once again Grass compares collective memory and individual memory, once again the political history of Germany is intertwined with the private affairs of individuals, in search of a hoped-for peace that is more than possible, starting from a fellowship between like-minded people, in the name of a shared utopia
Theater im Kulturwandel des 18. Jahrhunderts. Inszenierung und Wahrnehmung von Körper – Musik – Sprache. Hrsg. von Erika Fischer-Lichte und Jörg Schönert, Göttingen 1999
No full text«Per lo più senza desideri e un poco infelici». Ritratto della madre perduta in Wunschloses Unglück di Peter Handke
Full text linkIn this work Wunschloses Unglück is read as if it were an impressionistic biography in images. The tale
was born out of an attempt to give Handke’s fifty-year-old mother, who died of suicide, back a story and
an identity. A way to give content and contours to the woman and to neutralize the depersonalizing effect
of the news of the event in the pages of the local newspaper. The story of the mother is actually, from the
very beginning, a reflection of the writer on his own work, on the difficulty of writing ‘true’ stories, on the
tormented search for a precarious balance between description and documentation, between narration
and image, between truth and fiction. Handke would seem to be guided by the consciousness that the
frame of a story, like a photograph, as the measure and form of things, is the element capable of making
them visible, giving them a sense, and ultimately a sort of earthly salvation
«Ich kann Nietzsche nicht böse sein, weil er mir meine Deutschen verdorben hat...». Thomas Mann lettore della Geburt der Tragödie
No full textThe paper proposes an analysis of the reception of Nietzsche’s Die Geburt der Tragödie in Thomas Mann, with particular attention to the essay (1947) dedicated to the philosopher and to Doktor Faustus. The novel is read as an example of productive reception: Nietzsche’s categories of Apollonian and Dionysian, and even more so the idea of a rebirth of the great tragic art, become narrative cues that animate the entire story. The Doktor Faustus does not limit itself to parodying particular concepts of the Birth of Tragedy, but ends up presenting itself as a captivating ‘instruction manual’ for a correct reading of Nietzsche’s work
Tendenze recenti della Lessing-Forschung. A proposito del “Lessing-Handbuch" di Monika Fick
No full textGenealogie dell'empatia. Brecht, Lessing e Stanislavskij
No full textSulla base di concetti quali empatia, compassione e immedesimazione, il lavoro mette a confronto le teorie estetiche di Brecht, Lessing e Stanislavskij. Ricostruendo le tappe del fecondo rapporto di scambio dialettico che lega il drammaturgo tedesco del '900 all'attore e regista russo e al drammaturgo teorico della drammaturgia della compassione del 700, si analizza un caso di tormentata ricezione.Based on concepts such as empathy, compassion and identification, the work compares the aesthetic theories of Brecht, Lessing and Stanislavsky
Lessings Mitleidsbegriff im Kontext der europäischen Diskussion über die Leidenschaften
No full text
Barbara Fischer, Nathans Ende. Von Lessing bis Tabori. Zur deutsch-jüdischen Rezeption von “Nathan der Weise”, Göttingen 2000
No full text
- …
