41,654 research outputs found

    David Claerbout /

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    David Claerbout's large-scale film projections are characterized by their extremely slow-motion image sequences that are created using computer-generated methods. Moving images freeze into still images. The themes of transience and stasis, and above all the majestic, unwavering nature of time, take on their own aesthetic in Claerbout's visual language. Based on this, the American art historian Russell Ferguson analyzes David Claerbout's relationship to contemporary photography in his essay and explains his extremely precise working process, which often takes years. In a conversation with Thomas D. Trummer, David Claerbout talks about his philosophy and his perception of the world and the present, in particular against the background of the installations shown at the Kunsthaus Bregenz.Catalog of an exhibition held at Kunsthaus Bregenz, Austria, July 14-October 7, 2018.Includes bibliographical references.David Claerbout's large-scale film projections are characterized by their extremely slow-motion image sequences that are created using computer-generated methods. Moving images freeze into still images. The themes of transience and stasis, and above all the majestic, unwavering nature of time, take on their own aesthetic in Claerbout's visual language. Based on this, the American art historian Russell Ferguson analyzes David Claerbout's relationship to contemporary photography in his essay and explains his extremely precise working process, which often takes years. In a conversation with Thomas D. Trummer, David Claerbout talks about his philosophy and his perception of the world and the present, in particular against the background of the installations shown at the Kunsthaus Bregenz.Davidts, Woute

    [Stammbuch Leonhard Trummer]

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    [STAMMBUCH LEONHARD TRUMMER] [Stammbuch Leonhard Trummer] ( - ) Cover ( - ) Besitzvermerk Bl. 1 (1r) Noten Bl. 2 - 8 (2v 3r) Unbekannt; Blatt 17 (16v 17r) Niemann, Sebastian; Blatt 36 (35v 36r) Geier, Martin; Blatt 37 (36v 37r) Dieterich, Heinrich; Blatt 39 (38v 39r) Cellarius, Balthasar; Blatt 40 (39v 40r) Meisner, Johann; Blatt 41 (40v 41r) Chemnitz, Christian; Blatt 42 (41v 42r) Wendeler, Michael; Blatt 47 (46v 47r) Kinderling, Andreas; Blatt 48 (47v 48r) Lange, Samuel; Blatt 50 (49v 50r) Fürer von Haimendorf, Christoph; Blatt 51 (50v 51r) Grundherr, Ulrich; Blatt 53 (52v 53r) Pömer, Georg Abraham; Blatt 54 (53v 54r) Haller von Hallerstein, Johann Albrecht; Blatt 55 (54v 55r) Kress von Kressenstein, Johann Wilhelm; Blatt 56 (55v 56r) Löffelholtz, Burckhart; Blatt 57 (56v 57r) Im Hof, Georg von; Blatt 58 (57v 58r) Rolfinck, Werner; Blatt 59 (58v 59r) Walther, Michael; Blatt 67 (66v 67r) Pömer, Albrecht; Blatt 68 (67v 68r) Deutschmann, Johann; Blatt 72 (71v 72r) Kress von Kressenstein, Jobst Christoph; Blatt 73 (72v 73r) Grundherr, Leonhard; Blatt 75 (74v 75r) Behaim, Georg Christoph; Blatt 76 (75v 76r) Tappe, Jacob; Blatt 78 (77v 78r) Gerhard, Johann Ernst; Blatt 83 (82v 83r) Werner, Georg; Blatt 85 (84v 85r) Schrader, Christoph; Blatt 87 (86v 87r) Hilpert, Johann; Blatt 91 (90v 91r) Praun, Michael; Blatt 93 (92v 93r) Fetzer, Magnus; Blatt 94 (93v 94r) Dreher, Georg Christoph; Blatt 97 (96v 97r) Horneius, Johannes; Blatt 100 (99v 100r) Adiutus, Josephus; Blatt 101 (100v 101r) Ursinus, Leonhard; Blatt 104 (103v 104r) Imhof, Georg Paulus; Blatt 105 (104v 105r) Sheet music (106v 107r) Paumgartner, Andreas Georg; Blatt 109 (108v 109r) Sheet music (110v 111r) Hönn, Paul; Blatt 113 (112v 113r) Fürer von Haimendorf, Johann Moritz; Blatt 114 (113v 114r) Wülfer, Daniel; Blatt 115 (114v 115r) Nerger, Joachim; Blatt 116 (115v 116r) Sheet music (117v 118r) Schertzer, Johann Adam; Blatt 119 (118v 119r) Sheet music (119v 120r) Eberhard, Christian; Blatt 121 (120v 121r) Sheet music (124v 125r) Kirchoff, Johann Eberhard; Blatt 127,1 (126v 127r) Volckamer, Johann Georg; Blatt 127,2 (126v 127r) Vogler, Valentin Heinrich; Blatt 128 (127v 128r) Frisch, Johann Leonhard; Blatt 129 (128v 129r) Fabricius, Johann; Blatt 130 (129v 130r) Posner, Caspar; Blatt 131,1 (130v 131r) Schwäger, Johann Leonhard; Blatt 131,2 (130v 131r) Bechmann, Friedemann; Blatt 132 (131v 132r) Grey, Nicolaus; Blatt 133 (132v 133r) Schertlingk, Jacob; Blatt 134 (133v 134r) Sheet music (135v 136r) Werner, Christian; Blatt 136 (135v 136r) Alberti, Valentin; Blatt 137 (136v 137r) Ludwig, Jost; Blatt 138 (137v 138r) Scheffer, Johann; Blatt 138,1 (138v 139r) Metzger, Johann Honorius; Blatt 139 (138v 139r) Pudewels, Veit Christoph von; Blatt 140,1 (139v 140r) Benckendorff, Johann Martin von; Blatt 140 (139v 140r) Mandelsloh, Stats Victor von; Blatt 141 (140v 141r) Wecker, Hieronymus Benedictus; Blatt 142 (141v 142r) Pfanner, Tobias; Blatt 143,1 (142v 143r) Carus, Caspar Seyfried von; Blatt 143,2 (142v 143r) Gantzland, Friedrich; Blatt 144,1 (143v 144r) Kessler, Christian; Blatt 144,2 (143v 144r) Stör, Stephan; Blatt 145,1 (144v 145r) Brewitz, Sebastian Balthasar; Blatt 145, (144v 145r) Willich, Martin; Blatt 146,1 (145v 146r) Pühel, Johann Leonhard von; Blatt 146,2 (145v 146r) Rüdius, Johann Jakob; Blatt 147 (146v 147r) Müller, Andreas; Blatt 148 (147v 148r) Thüngling, Adam Friedrich von; Blatt 149,1 (148v 149r) Lipach, David; Blatt 149,2 (148v 149r) Brewer, Johannes; Blatt 150,1 (149v 150r) Held, Johann; Blatt 150,2 (149v 150r) Kloppenburg, Franciscus; Blatt 151,1 (150v 151r) Eser, Johann Sigismund; Blatt 151,2 (150v 151r) Werthern, Georg Wilhelm von; Blatt 151,1 (151v 152r) Gräf, Johann; Blatt 152,2 (151v 152r) Walther, Michael; Blatt 153,1 (152v 153r) Hosemann, Sigmund; Blatt 153,2 (152v 153r) Potthorst, Paul; Blatt 154,1 (153v 154r) Reu, Johann Elias; Blatt 154,2 (153v 154r) Barth, Paul; Blatt 155,1 (154v 155r) Frickhinger, Johann Christoph; Blatt 155,2 (154v 155r) Relovius, Christoph; Blatt 156,1 (155v 156r) Fabricius, Friedrich; Blatt 156,2 (155v 156r) Dassov, Johann Christoph; Blatt 157,1 (156v 157r) Simon, Johann Heinrich; Blatt 157,2 (156v 157r) Malsius, Ernst; Blatt 158,1 (157v 158r) Busch, Andreas; Blatt 158,2 (157v 158r) Langermann, Johann Lorenz; Blatt 159,1 (158v 159r) Pucher, Johann Philipp; Blatt 159,2 (158v 159r) Goldbach, Bartholomaeus; Blatt 160,1 (159v 160r) Sanffteleben, Georg; Blatt 160,2 (159v 160r) Carpzov, August Benedict; Blatt 161,1 (160v 161r) Blümich, Johann; Blatt 161,2 (160v 161r) Stisser, Johann Chilian; Blatt 162,1 (161v 162r) Schiller, Ernst; Blatt 162,2 (161v 162r) Quelmalz, Samuel Theodor; Blatt 163,1 (162v 163r) Felwinger, Johann Jodocus; Blatt 163,2 (162v 163r) Saubert, Adolf; Blatt 164,1 (163v 164r) Wuttich, Georg Wolfgang; Blatt 164,2 (163v 164r) Beckmann, Johann; Blatt 165,1 (164v 165r) Sturm, Johann Christoph; Blatt 165,2 (164v 165r) Schattemann, Friedrich Daniel; Blatt 166,1 (165v 166r) Schmid, Christian Friedrich; Blatt 166,2 (165v 166r) Gruber, Johann Wolfgang; Blatt 167,1 (166v 167r) Dieterichs, Helfrich; Blatt 167,2 (166v 167r) Fritzsch, Johann; Blatt 168,1 (167v 168r) Bolte, Georg Ernst; Blatt 168,2 (167v 168r) Wuttich, Johann; Blatt 169,1 (168v 169r) Schwartzkopf, Ulrich; Blatt 169,2 (168v 169r) Wackerhagen, Georg Friedrich; Blatt 170,1 (169v 170r

    The David W. Fentress Family Letters, 1856-1969

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    Transcript of a letter by an unidentified author to David Fentress regarding sharing federal newspapers and the banning of federal newspapers in some areas. The author passes on the news of the war including the destruction of the Federal merchantmen by the Confederate fleet. He passes along world news: Russia preparing to go to War with Europe and how that could negatively affect the Confederacy. There is also speculation on the future of the war

    Portrait of author David Foster at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Author David Foster with academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    Author David Foster and academic Jeff Doyle at the National Library of Australia, Canberra, 8 June 2011 /

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    Title from acquisitions documentation.; Part of the collection: Portraits of author David Foster at the National Library of Australia, Canberra, 8 June 2011.; Acquired in digital format; access copy available online.; Mode of access: Online.; Photographed by a staff member of the National Library of Australia

    David Braithwaite at White Waltham Steam Fair

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    David Braithwaite, fairground enthusiast and author photographed at White Waltham Steam Fair, August 1964

    David Zimmer Christmas letter

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    This Christmas letter written November 30, 1999, by David Zimmer is titled "Season's Greetings from the last of the Red-Hot-Santas!" It features an illustration of Santa Claus with a guitar, and a summary of Zimmer's year. David Zimmer (1929-2005) was born in Harrisburg, Ohio. He enlisted in the U.S. Army and served for two years during the Korean War at the Brooke Army Medical Center in San Antonio, where he performed in drag for wounded soldiers. After the war, he returned to Ohio. Zimmer performed as Dolly Divine, a name inspired by the song "Hello Dolly." In 1964, he established the Berwick Ball with Orn Huntington, another important early gay activist in Central Ohio. The Ball began as a formal Halloween costume ball that provided a safe space to gather and enjoy drag shows for the gay community each year; over the years, it grew into an annual Halloween tradition and an important fundraiser for the AIDS movement and other charities. During the 1970s, Zimmer was also known for hosting lavish parties at his Harrisburg home. In 1989, he moved to the German Village area of Columbus where he remained active in the community. During the 1990s, Zimmer continued to perform in and out of drag and commissioned costume designer Dick Frank to make elaborate outfits. Zimmer worked for Huntington National Bank for 39 years and was a member of the Harrisburg United Methodist Church, Veterans of Foreign Wars and the German Village Society

    David Zimmer Christmas letter

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    This Christmas letter was written December 7, 2004, by David Zimmer. It features a small illustration of Santa Claus, a summary of Zimmer's year, and a clipping from the Village Crier recognizing his 75th birthday celebration. David Zimmer (1929-2005) was born in Harrisburg, Ohio. He enlisted in the U.S. Army and served for two years during the Korean War at the Brooke Army Medical Center in San Antonio, where he performed in drag for wounded soldiers. After the war, he returned to Ohio. Zimmer performed as Dolly Divine, a name inspired by the song "Hello Dolly." In 1964, he established the Berwick Ball with Orn Huntington, another important early gay activist in Central Ohio. The Ball began as a formal Halloween costume ball that provided a safe space to gather and enjoy drag shows for the gay community each year; over the years, it grew into an annual Halloween tradition and an important fundraiser for the AIDS movement and other charities. During the 1970s, Zimmer was also known for hosting lavish parties at his Harrisburg home. In 1989, he moved to the German Village area of Columbus where he remained active in the community. During the 1990s, Zimmer continued to perform in and out of drag and commissioned costume designer Dick Frank to make elaborate outfits. Zimmer worked for Huntington National Bank for 39 years and was a member of the Harrisburg United Methodist Church, Veterans of Foreign Wars and the German Village Society
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