2,302,364 research outputs found
Interview with Charles P. (Chuck) Truby
No full textInterview with Dr. Charles Chuck Truby. He and his wife Nancy moved to Wilmington in 1998. His fields of interest are The Arboretum, where he is a Master Gardner, and the Lower Cape Fear Historical Society, where he serves on the board. Most recently, Truby has completed his manuscript for the Historic Digest of Lower Cape Fear for the Newcomer. He is a member of Friends of Oakdale and works with Good Shepherd Kitchen, Habitat for Humanity, and The Chamber Music Society
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
No full textAdam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
How Might Adam Smith Pay Professors Today?
No full textAdam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
No full textThe conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
John Adam Street [Adelphi development]
No full textNumber 8 John Adam Street (Royal Society for the Encouragement of Arts, Manufactures and Commerce), detail, medallion; Adam House (7-10 John Adam Street) is part of the Adelphi development designed in 1768-1772 by brothers Robert and John Adam. In addition to individual town houses, Robert Adam engaged in a number of urban-planning schemes. He often introduced varied shapes, including squares, crescents and circuses, although his long terraces of juxtaposed houses or unified façades on the sides of a square were more common. For these, he took the principles of his individual town-house compositions and adapted them to large and more complex groupings, often applying the delicate ornamentation in Liardet’s cement. The grandest of Adam’s schemes was the Adelphi, built on leased land between the Strand and the Thames. He embanked the Thames, raising the Royal Terrace’s houses (destroyed) above vaulted warehouses that he hoped the Government would lease. For this, and for the rest of this H-shaped development, he employed his favourite decorative elements, but in a composition without an obvious central emphasis. Though aesthetically satisfying, the Adelphi was a failure financially for the brothers. Source: Grove Art Online; http://www.oxfordartonline.com/ (accessed 7/17/2010
Kenneth Beardsley Collection
No full textPhotograph of Leon M. Willits, age 21. Photo by Truby, Norman, OK
A sketch of Christopher Truby.
No full textMode of access: Internet.Gift of the author.Letter from the author inserted
Jonathan Williams' Home
No full textPhotograph of Jonathan Williams' home, two and a half miles form Brundidge, AL. Photo by Truby, Durant, OK, c. 1868
Adam Smith on public expenditure and taxation
No full textThis paper presents Adam Smith’s view on taxation and public expenditure, by means of an almost literal reading of the Wealth of Nations famous passages on the "duties of the sovereign" and on the "maxims of taxation". Contrarily to the commonest usage of these passages, we will show that their core is the preoccupation with the public expenditure soaring and the defence of decentralisation. Furthermore and also contrarily to the existing interpretations we defend the non-existence of any contradiction between Smith’s income and price theory (and the incidence hypothesis), provided due attention is paid to the guiding role of the "maxims".Adam Smith, taxation, public expenditure
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