8,068 research outputs found
Aboriginal and Torres Strait Islander art economies project: literature review
No full textExecutive summary: This literature review surveys writing about the Aboriginal and Torres Strait Islander art and craft sector of remote Australia. The review has been compiled as a foundational text for the ‘Aboriginal and Torres Strait Islander Art Economies’ research project being undertaken by the CRC for Remote Economic Participation (CRC-REP). The Art Economies Project (AEP) is a unique opportunity to investigate, analyse and enhance key points of exchange within the sector, many of which are poorly understood, under-researched and characterised by different kinds of fragility or instability.The sector is a significant contributor to the cultural and social life of Australia and simultaneously creates important enterprise and employment opportunities for remote-area Aboriginal and Torres Strait Islander people. Broadly, Aboriginal and Torres Strait Islander people are more likely to be employed in visual arts and crafts occupations as their main job (52%) than non-Aboriginal and Torres Strait Islander people (9.7%) (Commonwealth of Australia 2012), and investments in Aboriginal and Torres Strait Islander arts centres generate positive financial returns to artists, calculated at a ratio of approximately 1:5 (Commonwealth of Australia 2007a).This review is linked to the primary zones in which AEP research will take place, presenting the current understanding and gaps in each of the six areas of interest: the scope and scale of the sector; the business of remote-area art centres; artists and art business outside of art centres; marketing and consumer dynamics; remote area human resources; and e-commerce and licensing.Publications describing the aesthetic, social, cultural and economic dynamics of the Aboriginal and Torres Strait Islander art economy have been generated by a broad range of people, from economists to anthropologists, art historians to art dealers. This diversity creates challenges in assembling an encompassing literature review. Despite the range of material, however, it is also clear that there are sizeable and important gaps in knowledge about the art economy. These gaps range from understanding the size of, and financial flows within, the sector through to the barriers for remote enterprise and the opportunities for (and obstacles within) new marketing and business models. In contrast to the knowledge gaps about the commercial forces at work is a considerable body of research into the social and cultural worlds of remote area art and artists.Recent years have seen a major contraction in the art economy. The Australian Bureau of Statistics reports a 52.1% reduction in sales in remote art centres (Commonwealth of Australia 2012:2) since 2007, which accords with other anecdotal industry information as to the fragility within the sector. Understanding this fragility and the potential for expanding the success of the art economy, lie at the nucleus of the AEP’s research work.Authors:Tim Acker: Curtin University Dr Lisa Stefanoff: University of South Australia; Dr Alice Woodhead: Southern Cross Universit
Do dolphins benefit from nonlinear mathematics when processing their sonar returns?
No full textAn interview with author Tim Leighton about the paper
Opportunities for linking young surveyors across professional surveying member organisations and FIG
No full textTim Di Muzio on 'Sabotage'
No full textIn a series of essays published in 2013 and 2014 on capitaspower.com, political economist Tim Di Muzio explored the concept of ‘sabotage’ as it applies to capitalist power. I recently rediscovered these essays and was so impressed by them that I have reposted them here as a single piece.
About the author: Tim Di Muzio is a researcher at the University of Wollongong. He is the author of numerous books, including Debt as power, Carbon capitalism, and The 1% and the Rest of us
1996-1997 Tim Gautreaux
No full textTim Gautreaux is the author of three novels and two earlier short story collections. His work has appeared in The New Yorker, The Best American Short Stories, The Atlantic, Harper’s, and GQ. After teaching for thirty years at Southeastern Louisiana University, he now lives, with his wife, in Chattanooga, Tennessee. (Photo credit: Randy Bergeron)https://egrove.olemiss.edu/grisham_res/1023/thumbnail.jp
'Essentially sea‑going people' : how Torres Strait Islanders shaped Australia's border
No full textAs an Opposition member of parliament in the 1950s and 1960s, Gough Whitlam took a keen interest in Australia’s responsibilities, under the United Nations’ mandate, to develop the Territory of Papua New Guinea until it became a self-determining nation. In a chapter titled ‘International Affairs’, Whitlam proudly recalled his government’s steps towards Papua New Guinea’s independence (declared and recognised on 16 September 1975). However, Australia’s relationship with Papua New Guinea in the 1970s could also have been discussed by Whitlam under the heading ‘Indigenous Affairs’ because from 1973 Torres Strait Islanders demanded (and were accorded) a voice in designing the border between Australia and Papua New Guinea. Whitlam’s framing of the border issue as ‘international’, to the neglect of its domestic Indigenous dimension, is an instance of history being written in what Tracey BanivanuaMar has called an ‘imperial’ mode. Historians, she argues, should ask to what extent decolonisation was merely an ‘imperial’ project: did ‘decolonisation’ not also enable the mobilisation of Indigenous ‘peoples’ to become self-determining in their relationships with other Indigenous peoples? This is what the Torres Strait Islanders did when they asserted their political interests during the negotiation of the Australia–Papua New Guinea border, though you will not learn this from Whitlam’s ‘imperial’ account
First person - Tim Petzold
No full textFirst Person is a series of interviews with the first authors of a selection of papers published in Biology Open, helping researchers promote themselves alongside their papers. Tim Petzold is first author on ‘ Connexin 41.8 governs timely haematopoietic stem and progenitor cell specification’, published in BiO. Tim conducted the research described in this article while a PhD student in Julien Bertrand's lab at the Department of Pathology and Immunology, Faculty of Medicine, University of Geneva, Switzerland. He is now a postdoc in the lab of Holger Gerhardt at the Max Delbrück Center for Molecular Medicine in the Helmholtz Association, Berlin, Germany, investigating developmental biology – previously his focus was on how blood stem cells develop and now it has shifted to how the vascular system develops
Tim Seibles, 40th Annual ODU Literary Festival
No full textTim Seibles is the author of several poetry collections including Hurdy-Gurdy, Hammerlock, Buffalo Head Solos, and Fast Animal, which was a finalist for the 2012 National Book Award. In 2013 he received both the Pen Oakland Josephine Miles Award for poetry and an honorary Doctorate of Humane Letters from Misericordia University for his literary accomplishments. His latest collection, One Turn Around the Sun, has just been released. Tim is the current Poet Laureate of Virginia and is a Professor of English at Old Dominion University where he teaches literature as well as classes in the MFA in writing program
Tim Seibles, 39th Annual ODU Literary Festival
No full textTim Seibles is the author of several poetry collections including Hurdy-Gurdy, Hammerlock, Buffalo Head Solos, and Fast Animal, which was a finalist for the 2012 National Book Award. In 2013 he received both the Pen Oakland Josephine Miles Award for poetry and an honorary Doctorate of Humane Letters from Misericordia University for his literary accomplishments. His latest collection, One Turn Around the Sun, has just been released. Tim is the current Poet Laureate of Virginia and is a Professor of English at Old Dominion University where he teaches literature as well as classes in the MFA in writing program
Global Media Ideas - Infinite Pathways to Creative Succes - Tim Chang - Part One.mp4
No full textDuring the X Media Lab: Global Media Ideas summit in June 2011 media and technology writer Brad Howarth conducted interviews with industry experts for Creativeinnovation. This video is part one of Brad Howarth's interview with Tim Chang about his role as Partner at Norwest Venture Partners (Palo Alto). Tim focuses on investments in mobile, gaming, digital media, and also leads Norwest Venture Partners's investment practice in China and Asia-Pacific. Tim shares tips on how to get an introduction to a Venture Capital; the elements of a good pitch and follow-up. And what he looks at when considering a deal - The 3Ts: Team, Traction, Tier 1 co-investors
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