34,864 research outputs found

    Erlöste und Verdammte: Eine Geschichte der Reformation

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    Thomas Kaufmann, the leading European scholar of the Reformation, argues that the main motivations behind the Reformation rest in religion itself. The Reformation began far from Europe's traditional political, economic, and cultural power centres, and yet it threw the whole continent into turmoil. There has been intense speculation over the last century focusing on the political and social causes that lay at the root of this revolution. Thomas Kaufmann, one of the world's leading experts on the Reformation, sees the most important drivers for what happened in religion itself. The reformers were principally concerned with the question of salvation. It could all have ended with the pope's condemnation of Luther and his teaching. But Luther believed the pope was condemned to eternal damnation, and this was the root cause of the great split to come. Hatred of the damned drove people to take up arms, while countless numbers left their homes far behind and carried the Reformation message to the furthest corners of the earth in the hope of salvation. In The Saved and the Damned, Thomas Kaufmann presents a dramatic overview of how Europe was transformed by the seismic shock of the Reformation—and of how its aftershocks reverberate right down to the present day

    Erlöste und Verdammte: Eine Geschichte der Reformation

    No full text
    Thomas Kaufmann, the leading European scholar of the Reformation, argues that the main motivations behind the Reformation rest in religion itself. The Reformation began far from Europe's traditional political, economic, and cultural power centres, and yet it threw the whole continent into turmoil. There has been intense speculation over the last century focusing on the political and social causes that lay at the root of this revolution. Thomas Kaufmann, one of the world's leading experts on the Reformation, sees the most important drivers for what happened in religion itself. The reformers were principally concerned with the question of salvation. It could all have ended with the pope's condemnation of Luther and his teaching. But Luther believed the pope was condemned to eternal damnation, and this was the root cause of the great split to come. Hatred of the damned drove people to take up arms, while countless numbers left their homes far behind and carried the Reformation message to the furthest corners of the earth in the hope of salvation. In The Saved and the Damned, Thomas Kaufmann presents a dramatic overview of how Europe was transformed by the seismic shock of the Reformation—and of how its aftershocks reverberate right down to the present day

    Labor Heritage Festival Seattle, WA General Strike, Phil and Hilda Thomas, and Shay's Rebellion Perform 04/30/1988

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    General Strike, Phil and Hilda Thomas, and Shay's Rebellion perform.Clip title supplied by cataloger. Performers: Pamela Chaplan, Susan Lewis, John O'Connor, Janet Stecher, Hilda Thomas, Phil Thomas, Tony Vogt, and Mimi Yahn.To order a reproduction, inquire about permissions, or for information about prices see: http://www.lib.washington.edu/specialcoll/service/reproduction.htm

    Jeff Thomas: Working Histories

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    Essay in a catalogue of an exhibition held at Gallery 44, Toronto, May 6-June 5, 2004. Exhibition description: Frustrated in his search for archival testimonies of aboriginal experience, Thomas turned to historic studies produced by white photographer Curtis and ethnographer Knowles as sources for discoursing with history. A Study of Indian-ness is based upon fictive conversations between the artist and these historic persons.reviewessayfinal article publishe

    Western medieval legal manuscripts in the collections of the University of Pennsylvania

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    Western legal manuscripts of the Middle Ages in North American collections are among the least known to scholars. The University of Pennsylvania has a rich collection of these texts, several of which were in the collection of the historian Henry Charles Lea. Included are works of civil law and canon law, as well as collections of papal letters and guides to pastoral care. The descriptions of most of these manuscripts in the catalog of Norman P. Zacour and Rudolf Hirsch are perfunctory, sometimes erring or omitting valuable information. Other manuscripts were added in recent years in the Lawrence J. Schoenberg Collection. Much of this material is being added to the Franklin online catalog of the University’s libraries, but researchers frequently do not search these digital resources. This article provides more complete guidance to the University’s medieval legal manuscripts than any of the existing catalogs offers, whether in print or online. It also provides updated bibliographic information in print or online. Every manuscript has been examined by the author in situ. Among the important works represented in the collection is the Panormia (a work of canon law often attributed to Ivo of Chartres). Authors present include the curialist Thomas of Capua, canonists Petrus de Braco, William of Pagula, Bernardus Raimundi, Adam of Aldersbach, Raymond of Peñafort, and civil lawyers Baldus de Ubaldis, and Bartolus de Saxoferrato. Three of these manuscripts were owned in the past by Sir Thomas Phillipps

    Fingerprints of Thomas More's Epigrammata on English Poetry

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    Thomas More’s Latin epigrams, published with the second edition of Utopia in 1518, were apparently widely read both among contemporary European intellectuals and during the subsequent development of English poetry. With a humble audacity that could engage Classical authors in a Christian posture, More cultivated a literary climate that could retain the earthiness of the middle ages in dialogue with the ancients, and is more responsible for the ensuing expansion of vernacular poetry than perhaps any other Henrican author. This thesis probes the Classical influences and Humanist practices at work in the epigrams, explores their contemporary reception on the continent, and traces their legacy among sixteenth- and seventeenth-century English poets

    The role of memory in the poetry of Douglas Dunn and Tony Harrison with specific reference to elegy.

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    The question at the centre of this thesis is whether or not the autobiographical memories we find in the poetry of Douglas Dunn and Tony Harrison merit consideration as more than human documentaries or nostalgic tales of the past. Remembering the familiar past provides both poets with the opportunity to confess feelings of grief (at the loss of a wife or parent) and unease (often caused by the appropriation of family life for poetry). Memory helps both poets to explore the origins of their poetic identities. My approach combines close readings of individual poems (many of which have not been previously analysed in such detail) with awareness of the intertextual. I cite references made to famous elegies and suggest what has motivated both poets' use of their sources. Drawing on traditional elegies throughout - but especially in Chapters 1, 4 and 6 - I argue that Harrison and Dunn display elegiac tendencies in their treatment of personal memory almost as if to counter the consciousness of oblivion present in their imaginations. Making detailed use of Wordsworth's 'Essays upon Epitaphs' and Gray's 'Elegy Written in a Country Churchyard', Chapter 1 argues that Harrison reviews a poetics of epitaphs in V.. In Chapters 4 and 6 it is argued that the figures, structures and motifs of elegy fragmentarily echoed in Dunn's poetry are deformations as well as celebrations of tradition; and that such figures, structures and motifs highlight a social consciousness displayed in the poet's relationship with the people he remembers, and in the readership he imagines for himself inside the text. The thesis also emphasises attention to reader response. Delineation of the reader responses anticipated by Harrison and Dunn provides evidence for the argument that both poets are aware that their choice of familiar subject matter is contentious and that each desires to justify his choice. In Chapter 2 Harrison is shown as being preoccupied with several different manifestations of oblivion including literary records of extinction. Chapter 3 investigates his dramatic contextualisation of the consciousness of oblivion (especially as induced by the threat of nuclear war). Links between representations of memory in translation and elegy are established, and the nature of Harrison's public voice discussed with special reference to Greek drama. Further to examining Dunn's awareness of what is implied by 'translation' (Chapter 3), the penultimate chapter of the thesis (Chapter 5) analyses Dunn's memories of childhood and growing up, memories which have similarities with those of Tony Harrison. The study of narrative representations of memory in Chapter 5 suggests the fundamentally rural origin of Dunn's poetic identity, and his preference for a past contained in a natural environment. Additionally, the evidence provided by Dunn's early collections indicates that he is instinctively an elegist whose art matures, almost as if in preparation for his masterpiece to date, Elegies. The thesis culminates with a chapter on Elegies in which it is argued that Dunn's domestic contextualisation of mourning produces social and cultural meanings

    Thomas Crutchfield account book, 1848-1861

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    A book containing business accounts, including details about travel expenses and the purchase and sale of lumber as well as other goods and services. The author also catalogs personal spending, the dates and pricing of properties offered for rent, and the purchase and leasing of enslaved people. Many entries are consistent with the business activities of Thomas Crutchfield Sr., who died in 1850. Someone continued to make entries in the book for activities dated up to 1861
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