251 research outputs found
Austin also must be remembered. The Augustinian legacy in Milton's work
Get PDFWhen I started working on this project, with a limited knowledge of Augustine, but determined to spot his presence in Miltonâs poetry, I was little aware of the intricacy of the relationship between the two authors. At this stage of my research, I do subscribe to Savoyeâs opinion, that this relationship is pervasive. However, one could safely add, it is as pervasive as it is hidden, primarily because of changed cultural paradigms, so that Miltonâs references are no longer familiar to the reader.
As I have pointed out in my presentation of the state of the art, these articulations are hardly made explicit in Miltonâs Oeuvre and also in critical literature they are hardly brought to the surface. My objective has been to make them a little more visible.
I have started my own process of discovery from the works where Milton more openly (but not completely) acknowledges his Augustinian sources, although arguably mediated. As concerns Samson Agonistes, I have presented a reading through Augustinian lenses. I am by no means claiming that mine is the best of all possible readings, but through those lenses I have been able to see a coherence, in Miltonâs dramatic poem, that is not generally recognized.
On the other hand, I thoroughly agree that âone cannot simply take any English poet and turn the post-structuralist critical machine loose on him or her in good faithâ. In particular, I am aware that I have read Miltonâs works against the current critical grain which, with a powerful turn impressed by Empsonâs Miltonâs God, is continually surfacing Miltonâs idiosyncrasies in order to cancel the received picture of a Christian author. Rather, I agree with Cirillo that Miltonâs perspective is that of âa professed Christian poet whose Christian consciousness, no matter how heterodox, colored virtually everything he wrote.â.We may ask, echoing Febvre on Rabelais, âMais de quel christianisme? In accordance with very traditional, even traditionalist Milton Criticism, I think it can safely be stated that Milton is a post-Reformation religious author, and one whose endeavour to âjustify the ways of God to menâ had to come to terms with the difficult task to find signs of providential history in the aftermath of a civil war and in the adverse context of the Restoration. His last published poems deal with this problem in different terms. As readers, we can come to different conclusions as to the texts. Behind them there is the man, âest abyssus humanae conscientiae,â in front of which, after Augustine, I can only say: "nescio"
Mobile biomonitoring of atmospheric pollution: A new perspective for the moss-bag approach
No full textfirst_pagesettingsOrder Article Reprints
Open AccessArticle
Mobile Biomonitoring of Atmospheric Pollution: A New Perspective for the Moss-Bag Approach
by Maria Cristina Sorrentino 1,Fiore Capozzi 1ORCID,Karen Wuyts 2,Steven Joosen 3,Valentine K. Mubiana 3,Simonetta Giordano 1ORCID,Roeland Samson 2 andValeria Spagnuolo 1,*ORCID
1
Department of Biology, Campus Monte S. Angelo, University of Naples Federico II, Via Cinthia 4, 80126 Napoli, Italy
2
Department of Bioscience Engineering, Campus Groenenborgerlaan 171, University of Antwerp, 2020 Antwerp, Belgium
3
Department of Biology, Campus Groenenborgerlaan 171, University of Antwerp, 2020 Antwerp, Belgium
*
Author to whom correspondence should be addressed.
Plants 2021, 10(11), 2384; https://doi.org/10.3390/plants10112384
Received: 11 October 2021 / Revised: 26 October 2021 / Accepted: 3 November 2021 / Published: 5 November 2021
(This article belongs to the Special Issue The Potential of Plants to Absorb Xenobiotics)
Download Browse Figures Versions Notes
Abstract
In this work the potential of moving moss-bags, fixed to bicycles, to intercept particulate matter (PM) and linked metal(loid)s was tested for the first time. Seven volunteers carried three moss-bags for fifty days while commuting by bicycle in the urban area of Antwerp, Belgium. Moreover, one bike, equipped with mobile PM samplers, travelled along four routes: urban, industrial, green route and the total path, carrying three moss-bags at each route. The saturation isothermal remanent magnetization (SIRM) signal and chemical composition (assessed by HR-ICP-MS) of the moss samples indicated that the industrial route was the most polluted. Element fluxes (i.e., the ratio between element daily uptake and the specific leaf area) could discriminate among land uses; particularly, they were significantly higher in the industrial route for Ag, As, Cd and Pb; significantly lowest in the green route for As and Pb; and comparable for all accumulated elements along most urban routes. A comparison with a previous experiment carried out in the same study area using similar moss-bags at static exposure points, showed that the element fluxes were significantly higher in the mobile system. Finally, PM2.5 and PM10 masses measured along the four routes were consistent with element fluxes
Megaliths, monuments and materiality
Get PDFStones, and especially the arrangement of large stones in relation to one another, have long been the focus of attention in megalith studies, a concern reflected in the name itself. It is, however, a blinkered view. Many so-called megalithic monuments embody other carefully selected materials in their construction, including turf, soil, rubble, and timber. In considering long barrows, Paul Ashbee noted that it was a false distinction to separate earthen long barrows from stone-chambered long barrows as the builders of long barrows inevitably used materials available within their local environments. Alternatively, writing mainly about the Irish material, Arthur ApSimon suggested a development from timber to stone implying an onological progression in the preferred use of materials. Whether environmental or evolutionary, it is certain that many monuments interchangeably combine stone and wood in their construction in a way that forces us to consider what these and other materials meant to the megalith builders. Was it simply about what was available? Or what was fashionable? Or were there deeper sets of meanings relating to how different materials were perceived and understood within the cosmological systems that lie behind the design, construction,and use of long barrows, passage graves, dolmens and other related monuments? Focusing upon wood and stone, it is argued here that both were components of a cyclical world view of life and death that was embedded in the fabric and structure of monuments
V.I. Vernadsky and the noosphere concept: Russian understandings of society-nature interaction
Get PDFRecent Russian legislative and policy documentation concerning national progress towards sustainable development has suggested that the attainment of such a state would represent the first stage in the development of the noosphere as outlined by the Russian scientist Vladimir Ivanovich Vernadsky (1863–1945). This paper explores Vernadsky’s model of evolutionary change through a focus on his work on the biosphere and noosphere in an attempt to further understanding of the way in which Russia is approaching the concept of sustainable development in the contemporary period. It is argued that the official Russian interpretation of the noosphere idea tends to obscure the evolutionary and materialist foundations of Vernadsky’s biosphere–noosphere conceptualisation. At the same time, the concluding section of the paper suggests that the scope of Vernadsky’s work can be used to stimulate the search for a more coherent approach to work in areas of sustainable development and sustainability across the span of the social and physical sciences
Music and the brain: disorders of musical listening
No full textThe study of the brain bases for normal musical listening has advanced greatly in the last 30 years. The evidence from basic and clinical neuroscience suggests that listening to music involves many cognitive components with distinct brain substrates. Using patient cases reported in the literature, we develop an approach for understanding disordered musical listening that is based on the systematic assessment of the perceptual and cognitive analysis of music and its emotional effect. This approach can be applied both to acquired and congenital deficits of musical listening, and to aberrant listening in patients with musical hallucinations. Both the bases for normal musical listening and the clinical assessment of disorders now have a solid grounding in systems neuroscience
- …
