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Fragments de vie : Tiago Rodrigues se raconte (inédit)
No full textÀ la veille de la parution locale de Le spectacle, contrat imaginaire, le livre issu de l'entretien animé par Laure Adler lors de la précédente édition du Festival, les Éditions Universitaires d'Avignon ont reçu un cadeau aussi petit que précieux : une courte autobiographie écrite par l'artiste interviewé à cette occasion, Tiago Rodrigues, pour les fidèles lecteurs de notre carnet de recherche. Le souvenir de l'enfance et de la jeunesse du metteur en scène portugais, confié aux objets, parfum..
Tiago Rodrigues: memory, melancholy, and learning stories by heart
No full textTiago Rodrigues, born in 1977, is today probably the most widely acknowledged Portuguese theatre artist. From 2003 to December 2014, Rodrigues co-directed, with Magda Bizarro, the independent theatre company Mundo Perfeito (Perfect world). Trained as an actor in Lisbon, Rodrigues soon became close to those who were reinventing the theatrical fabric, either in Portugal, such as the decentred practice of Jorge Silva Melo with Artistas Unidos, or in Europe, such as tg STAN (Stop Thinking About Names), a highly influential Belgian troupe within Portuguese theatre in the late nineties and early noughts, with whom Rodrigues has co-created and performed several times. From an actor who wrote and often played his own texts, he gradually began to establish himself also as a playwright and stage director. He is currently the Director of the Avignon Festival.info:eu-repo/semantics/acceptedVersio
Tiago Rodrigues - Teatro
No full textTiago Rodrigues - TEATRO (Catarina e la bellezza d'ammazzar fascisti; Coro degli amanti; Nella misura dell'impossibile
Tiago Rodrigues - Teatro
No full textTraduzione delle opere di Tiago Rodrigues: "Catarina e a beleza de matar fascistas"; "Coro dos amantes"; "Dans la mesure de l'impossible
A Journey Around Tiago Rodrigues’ Room
No full textTiago Rodrigues is, today, one of the most credited European theatre artists.
From an actor who wrote and often directed his own texts, Rodrigues quickly began to establish
himself also as an author and director. There is an undoubtable singularity in Tiago
Rodrigues’ theatre. He is one of the clearest examples in contemporary world performance
of a Goethian drive for “world literature”. It is our argument that one of Rodrigues most
perceivable dramaturgical axes is a desire to pay homage to European humanistic traditions
as a gesture of political resistance through art and memory. His literary journey through the
words and titles of the past aim poignantly to supersede the failures of the present.info:eu-repo/semantics/acceptedVersio
Três formas diferentes de ler Tiago Rodrigues
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Tiago Rodrigues, Três dedos abaixo do joelho / Tristeza e alegria na vida das girafas / Coro dos amantes, Posfácio de Fernando Matos Oliveira, Coimbra, Imprensa da Universidade de Coimbra, 2013, 120 pp
Tiago Rodrigues, Le spectacle, contrat imaginaire
No full text« Mouvement de l'air que l'on produit en expirant avec une certaine force ». C’est la première signification du mot « souffle », selon l’édition 2013 du Petit Robert. Sopro, « le souffle », est aussi le titre du spectacle que Tiago Rodrigues a présenté au Festival d’Avignon 2017, quand il a enchanté les spectateurs assis dans le Cloître des Carmes avec une parole tant délicate que tenace, comme le suggère la définition du dictionnaire. Surtout, avec une parole qui fait évoluer les choses, qui..
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