1,722,285 research outputs found
Thompson, Robert, 156701
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/421166Surname: THOMPSON. Given Name(s) or Initials: ROBERT. Military Service Number or Last Known Location: 156701. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 58789.245881
Item: [2016.0049.53427] "Thompson, Robert, 156701
Thompson, Robert Livingstone Black, 1020
No full textThis record was harvested from a previous catalogue system and will be withdrawn in 2025. Information in this record may be superseded or incomplete. Visit this record in UMA's new catalogue at: https://archives.library.unimelb.edu.au/nodes/view/421147Surname: THOMPSON. Given Name(s) or Initials: ROBERT LIVINGSTONE BLACK. Military Service Number or Last Known Location: 1020. Missing, Wounded and Prisoner of War Enquiry Card Index Number: 58322.245862
Item: [2016.0049.53408] "Thompson, Robert Livingstone Black, 1020
Update on thermal assisted drying and decontamination (TADD) systems
No full textThompson, Robert. (2005). Update on thermal assisted drying and decontamination (TADD) systems. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/142572
Conference Proceedings: 1st International Conference on Preservation and Conservation Issues related to Digital Printing
No full textThe area of research is conservation with particular interest in the factors affecting digital printing
These Conference Proceedings were edited and subsequently published in March 2001. The lead organiser and editor was Professor Robert Thompson. The author liaised with the speakers to produce the final papers that are published here.
The conference was novel in bringing together speakers and an audience of conservation and preservation scientists, chemists, physicists, artists; conservators from galleries, museums and libraries as well as suppliers of ink, paper and printing technologies. The aim of the conference was to explore the issues affecting the longevity of artefacts produced using the new digital printing technologies and their associated materials. Unlike established artists and author media, the substrates and colorants used with digital printing technologies are now known to be unstable under a range of conditions and artefacts so produced are threatened during display and storage.
However, the use of digital printing by artists and publishing houses is increasing rapidly and with them the potential for degradation of original works. Accordingly there is growing international concern about the future of such materials and the ability to conserve them for posterity.
Many interesting and useful conclusions were drawn regarding the state of the stability and longevity of digitally printed artefacts. Factors affecting the stability of prints were found to be complex. It was established that there was a dearth of information relating to specification and standardisation of test procedures and storage criteria. Work is under way with the International Standards Organisation and is a subject to be pursued by subsequent conferences.
The speakers were drawn from an international pool of expertise from the US, Germany, Canada, Denmark, France, as well as the UK.
The author’s knowledge in such a range of subjects ensured that these proceedings have appeared in print
Conference Proceedings of the Second International Conference on: Preservation and Conservation Issues Related to Digital Printing and Digital Photography
No full textThe research is in the field of conservation of digitally printed materials. In order to accurately edit these proceedings the editors required detailed knowledge in all research aspects covered during the conference.
The conference was held on 24th & 25th March 2003 at Heriot-Watt University, Edinburgh as part of the Institute of Physics Annual Physics Congress 2003. The conference was jointly organised by the Institute of Physics 3Ps Group and The London College of Printing, The London Institute. The conference was organised by Andrew Manning, Robert Thompson and Anthony Smith.
The conference proceedings were edited and compiled by Andrew Manning and Robert Thompson.
The conference was the second international event, the first being held in 2000. The conference was unique in attracting speakers from industry and academic institutions as well as standards organisations. There were four sessions; session one dealt with the concerns of the artists and printmakers, session two with materials, processes and permanence issues, session three dealt with standards and the last session with digital photography. At the end of each session there was a panel discussion, these has been reproduced in the proceedings. The second panel, which dealt with Materials, Processes and Permanence Issues, was chaired by the researcher. As well as the printed papers there is an accompanying CD showing additional material which again was compiled by the editors.
The proceedings are a unique collection of research papers and discussions on the topics of conservation and preservation of digitally produced material. They are to be found in many libraries throughout the world. The Institute of Physics were still reporting a demand for these proceedings in 2005, at the subsequent conference held in 2006 all the remaining copies were sold
Alien Registration- Thompson, Robert H. (Portland, Cumberland County)
Full text linkhttps://digitalmaine.com/alien_docs/21443/thumbnail.jp
Alien Registration- Thompson, Robert L. (Dover-Foxcroft, Piscataquis County)
Full text linkhttps://digitalmaine.com/alien_docs/10211/thumbnail.jp
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