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Late Entry, 2008
No full textSolo exhibition showing a mixed media body of work looking at the space created by an artists' work for contemplation, in relation to the art world and value.
An artist's book was published to mark the show: 'Opera: A conversation with the artist including some highs and some lows'
Les Biennale, 2012
No full textGroup show:
Invitation card & text
"Please join us for two Sunday afternoon presentations of all Female and all Male artists book-ending Glasgow International.
Les Biennale
Joanne Robertson, Gordon Schmidt, Hannah Sawtell, Lucy Stein, Milly Thompson
Sunday 22nd April, 12-5pm
&
Les Misérables
Kimi Conrad, Tim Davies, Keith Farquhar, Merlin James, Andrew Munks, Mark Tallowin
Sunday 6th April, 12-5p
Quixotic Sausage Scenario, 2010
No full textSolo show and residency at the Caribic Residency Kunsthalle in Hamburg.
Seduction through dumb-ness inhabits a sausage balloon, glitter string and mustard sculpture. The themes in the exhibition are relate strongly to the themes of a follow-up exhibition 'Saucisson Chiffonaire
Posters for Pleasure, 2011-12
No full textFour solo shows at four different locations over the period of August 2011 and August 2012. Posters for Pleasure is an ongoing series of prints located around consumerism, snobbery, gluttony and the extrovert. They intersect with another series of prints - Romance Posters which deal with solitude and the introvert in relation to the public realm.
Locations: I–land/Supernormal/Stromboli/Muswell Hil
Ritual Volcanic, 2013
No full textSolo show featuring two related works 'IUNX' and a digital video '5000 years ritual VOLCANIC'.
The work embraces the physicality of a 95 year old woman who continues to enjoy sunbathing on a wild beach in Sardinia. It embraces her tenacity and relationship to the idea of a volcanically formed beach and her enjoyment of a selection of wild bikinis
Saucisson Chiffonaire, 2011
No full textSecond weekend residency at Caribic, this time in Lisbon; two sculptures and two 'private views' over a weekend, a variation of the sculptures for each, and a limited edition work relating to seduction and gentrification
BOGOF, 2016
No full textA two-sided print, BOGOF is the second commission for a print edition by Focal Point Gallery. It is a hypocritical response to the original commissioned print by the gallery which was trying to save a local library and it's community gallery from being demollished and re-located in the new town centre site closely linked to the college. BOGOF sardonically embraces gentrification and globalisation.
It was shown in 2016 in 'The Peculiar People' in 2016 at Focal Point Gallery. The two posters are designed to be shown together.
Printed in an edition of 35
Save Southend-on-Sea Central Library, 2009
No full textCommissioned print for Focal Point Gallery on the occasion of the solo show 'Savoir Faire', 2009. A faux campaign to save a local purpose built library and it's gallery from demolition and to list the building. A hypocritical response is offered in a second commission in 2016, BOGOF. The two posters are designed to be shown together
Opera, 2008
Full text linkTo accompany the exhibition 'Late Entry', 2008 held at Peer UK in London, Peer published Milly Thompson's artists book, 'Opera - A conversation with the artist including some highs and some lows'.
It contains a fake interview with a curator or critic asking about the solo career of the artist since leaving BANK in 2003
INTRECCIOMIRAGE, 2013
Full text linkSolo show showing two bodies of work concerned with the sluttiness and commodity of painting: 'Desert Siren' and 'Muse Privé'.
A catalogue is available with a text written on the occasion of the exhibition by Michael Archer
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