6,464 research outputs found

    Solo Librarianship in Special Libraries with Amanda Thompson

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    Join us for a conversation with Amanda Thompson, the Senior Manager of the Health Sciences Library at Ultragenyx Pharmaceutical. This event is facilitated by Michelle Gee, Assistant Programming Director of the SJSU SLASC, who interviews Amanda about the educational and professional experiences that led to her career as a librarian in the corporate pharmaceutical industry. Being the sole librarian in a large organization, Amanda will speak about the importance of internships, being open to opportunities outside of your comfort zone, and how librarians of all disciplines can influence change.https://scholarworks.sjsu.edu/slasc/1048/thumbnail.jp

    Hunter S. Thompson, Transmetropolitan, and the Evolution from Author to Character

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    This thesis examines American author Hunter S. Thompson, in the context of his own works – primarily Fear and Loathing in Las Vegas and The Rum Diary– as well as the representation of him as a character in the graphic text Transmetropolitan by Warren Ellis. The evolution of Thompson from author to character and the development of that character in his own works is examined, as well as how this development allowed for his character to be fully realised in a completely fictional world. In turn, the fully developed use of Thompson’s character is the starting point for my analysis of Transmetropolitan could potentially be read as a work of New Journalism, albeit a fictional one. The first chapter examines how Thompson began writing himself as a character in his early fictional work The Rum Diary. Though largely overlooked by critics because of its long delayed publication and the focus on the more flashy and better known Fear and Loathing in Las Vegas, The Rum Diary is critical to Thompson’s development of himself as a character in his works in particular, and to his development as an author in general. Though The Rum Diary is ostensibly a purely fictional novel, this chapter examines how the character Paul Kemp is actually largely autobiographical, and how Kemp is an early version of the same character Thompson uses in his later nonfiction. I then analyse the development of that nonfiction version, Raoul Duke, in Thompson’s Fear and Loathing in Las Vegas. As The Rum Diary is not actually purely fictional, Fear and Loathing in Las Vegas is not actually completely nonfictional. Thompson, as this chapter shows, did not believe in the divide between fact and fiction, and he uses the character he develops in Raoul Duke to write about himself while creatively embellishing the truth. I then look at how Thompson wrote himself so strongly into his character that he became inextricably viewed as actually being Raoul Duke, and how that character was in turn viewed and written about. The second chapter examines the legacy of Thompson’s fully formed self-characterisation, as it is picked up by another author and written in the fully fictional context of the graphic novel series Transmetropolitan. I consider how Transmetropolitan’s main character Spider Jerusalem continues Thompson’s self-as-character through his characterisation, behaviour, and language. Furthermore I analyse how, within the world of the series, Spider as a journalist continues Thompson’s legacy as a writer. The third and final chapter examines how Spider’s characterisation as a continuation of Thompson is an important contextual factor for considering Transmetropolitan as a work of New Journalism. I consider the connection to Thompson, the content of Spider’s articles, and the format in which the articles are depicted in the graphic nove

    Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).

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    <p>Censorship and claims making regarding problem framing in 5 published RCT's on social anxiety (as identified by the author and Amanda Reiman, PhD).</p

    Unveiling Melodies in Shadows: An Analysis of Swedish Female Composer Amanda Maier’s Sonata for Violin and Piano in B Minor

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    Amanda Maier (1853−1894), a pioneering Swedish violinist and composer of the late nineteenth century, holds a unique place in music history as the first-ever female music director in Sweden. Despite her significant achievements, her compositions have remained relatively unknown. Therefore, the document aims to illuminate Amanda Maier's violin works, focusing on investigating her violin sonata in terms of violin performance and pedagogy. Specifically, the study offers insights into the performance techniques employed and provides other pertinent pedagogical suggestions for each movement. The document features an introductory chapter and a review of the historical context of Maier's life and the violin sonata. Subsequent chapters shift the focus to performance practice and pedagogical suggestions with theoretical analysis. One distinctive feature of the study is the inclusion of practice exercises composed originally by the author, tailored specifically to the techniques found in the sonata. These exercises aid practitioners in incorporating Maier's violin sonata into their program. The study assists violinists in diversifying their performance and teaching literature. It seeks to inspire renewed appreciation for Amanda Maier's artistic legacy because it is important to recognize the remarkable contributions of women in the classical music industry, and Amanda Maier, an underrepresented composer, exemplifies this. The document not only contributes to music research but also enhances pedagogical practices, fostering a more inclusive and equitable environment for female composers in the classical music world

    Performing Care: New Perspectives on Socially Engaged Performance

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    This edited collection brings together essays presenting an interdisciplinary dialogue between theatre and performance and the fields of care ethics, care studies, health and social care. The book advances our understanding of performance as a mode of care, challenging existing debates in this area by re-thinking the caring encounter as a performed, embodied experience and interrogating the boundaries between care practice and performance. Through an examination of a wide range of different care performances drawn from interdisciplinary and international settings, the book interrogates how performance might be understood as caring or uncaring, careless or careful, and correlatively how care can be conceptualised as artful, aesthetic, authentic or even ‘fake’ and ‘staged’. Drawing on interdisciplinary debates and discussion, the book considers how the field of performance and the aesthetic and ethico-political structures that determine its relationship with the social might be challenged by an examination of inter-human care. By placing socially-engaged performance in dialogue with theories and practices of care, the contributors consider how performance operates as a mode of caring for others and how debates between the theory and practice of care and performance making might foster a greater understanding of how the caring encounter is embodied and experienced

    Belonging: natural histories of place, identity and home

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    Canongate's synopsis: "Reflecting on family, identity and nature, Belonging is a personal memoir about what it is to have and make a home. It is a love letter to nature, especially the northern landscapes of Scotland and the Scots pinewoods of Abernethy – home to standing dead trees known as snags, which support the overall health of the forest. Belonging is a book about how we are held in thrall to elements of our past. It speaks to the importance of attention and reflection, and will encourage us all to look and observe and ask questions of ourselves. Beautifully written and featuring Amanda Thomson’s artwork and photography throughout, it explores how place, language and family shape us and make us who we are." Longlisted for the Highland Book Prize, 2023 Some of the reviews... Outstanding - ROBERT MACFARLANE Amanda Thomson’s new book manages to carve out a distinctive niche for itself . . . This is a passionate book and infused with a sense of rootedness - STUART KELLY, The Scotsman In recent years rural landscapes have turned into battlegrounds, and nature writing has become increasingly polemical. Belonging is a quiet book of questions in a genre full of answers, but it is all the more powerful and beautiful for this - PATRICK GALBRAITH, TLS One of the best things I have read in ages . . . Quiet and beautiful and powerful - ALYS FOWLER Thomson writes of the natural in a way I have yet to encounter before. There is no real hoo-haa, no flowery description of which to speak yet somehow, I came away with that ache inside me — that renewed obsession with the world that is only borne of a very particular kind of writing — poetic, loving, raw . . . Like no other - KERRI Ní DOCHARTAIGH, Caught by the River In strikingly original takes on Scottish history, environmentalism, Black feminist theory, artmaking, list-making, memory, and memoir, Thomson crafts a cadence that is as wise as it is vitally alive. - MARGOT DOUAIHY, author of Scorched Grac

    Interview with Amanda Huron, author, Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C.

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    Is modern capitalism too far advanced in the U.S. to create common property regimes? Are there models for what an Urban Commons might look like? Join us as we speak with Amanda Huron, author of Carving Out the Commons: Tenant Organizing and Housing Cooperatives in Washington, D.C. (University of Minnesota Press, 2018). She’ll help us understand the theory and practice of Limited Equity Housing Cooperatives and the affordability, control, stability, and community they can provide to low-income communities and the people who live in them

    Kathleen Jamie, Chitra Ramaswamy & Amanda Thomson: Antlers of Water - Live Event

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    ‘When we read and write, when we love our fellow creatures, when we walk on the beach, when we just listen and notice, we are not little cogs in the machine, but part of the remedy.’ These luminous words by Kathleen Jamie form part of the introduction to Antlers of Water, an outstanding collection of contemporary Scottish writing about nature and landscape. The generosity of Jamie’s approach as editor of the collection goes beyond the stellar selection of contributors such as Amy Liptrot, Karine Polwart and Malachy Tallack: she also invokes the agency of readers to make a difference. ‘If, by reading, you are encouraged or confirmed in your love of the natural world, if you’re inspired simply to… look outside, then our job is done.’ In a discussion led by the BBC's Clare English, Jamie is joined by award-winning journalist Chitra Ramaswamy as well as visual artist and writer Amanda Thomson – both contributors to the anthology – to discuss Scotland, landscape and the more-than-human world around us. This is a live event, with an author Q&A. Part of the Edinburgh International Book Festival Making Climate Change Personal festival theme
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