15,520 research outputs found
Stephanie Mathson interviews poet and author Judith Kerman
Poet and author Judith Kerman talks about her experience as a Fulbright scholar in the Dominican Republic, her work translating poems by Cuban poet Dulce Mar\ueda Loynaz, learning Spanish, translating poems from Spanish, and her book "Retrofitting Blade Runner". Kerman is interviewed by Stephanie Mathson of the Michigan State University Libraries. Part of the MSU Libraries' Michigan Writers Series
Judith Lobe, Senior Recital, January 20, 1974
Concert program for Judith Lobe, Senior Recital, January 20,
197
26th Annual African American Living Legends Series - Judith Leslie-Thomas
Supervisor Yvonne B. Burke's assistant Judith Leslie-Thomas
Poet and author Judith Kerman reads her selected works at the Michigan Writers Series
Poet and author Judith Kerman reads selected poems, including the English translation of poems by Cuban poet Dulce Mar\ueda Loynaz, and answers questions from audience. Kerman is introduced by Michigan State University Librarian Jeanne Drewes. Part of the MSU Libraries' Michigan Writers Series. Held in the Main Library
Thomas Hudson's 'Historie of Judith'
From the scantiness of the materials available for writing
his biography Thomas Hudson seems to have belonged to that large
class which makes little stir in the world while it is alive and
which is promptly forgotten as soon as it is dead. So slightly
did he impress himself upon his contemporaries that not one of
them has a reference to the man himself, though one or two make
mention of his Historie of Judith, and within two generations
of his death Edward Phillips could write in his sketch of
English poetry, "of Tho. Hudson, my researches have furnished
me with no further account (than his name)" What more than
this is now known comes entirely from official records which
the progress of historical studies and research has gradually
made available, and the brief account of his life that follows
has been put together wholly from these sources.And while Thomas Hudson's Historie of Judith has usually been
dismissed in a few contemptuous words, it is not a wholly
contemptible piece of work and it gains an additional importance from the circumstances
in which it was made
Marcus-Tar (Judith). Thomas Mann und Georg Lukács
Bier Jean Paul. Marcus-Tar (Judith). Thomas Mann und Georg Lukács. In: Revue belge de philologie et d'histoire, tome 63, fasc. 3, 1985. Langues et littératures modernes — Moderne taal- en letterkunde. pp. 640-641
Judith P. Hallett et Marilyn В. Skinner (éds) Roman Sexualities
Späth Thomas. Judith P. Hallett et Marilyn В. Skinner (éds) Roman Sexualities. In: Annales. Histoire, Sciences Sociales. 57ᵉ année, N. 3, 2002. pp. 715-717
Twentieth-century poetry and science : science in the poetry of Hugh MacDiarmid, Judith Wright, Edwin Morgan, and Miroslav Holub
The aim of this thesis is to arrive at a characterisation of twentieth century poetry and science by means of a detailed study of the work of four poets who engaged extensively with science and whose writing lives spanned the greater part of the period. The study of science in the work of the four chosen poets, Hugh MacDiarmid (1892 – 1978), Judith Wright (1915 – 2000), Edwin Morgan (1920 – 2010), and Miroslav Holub (1923 – 1998), is preceded by a literature survey and an initial theoretical chapter. This initial part of the thesis outlines the interdisciplinary history of the academic subject of poetry and science, addressing, amongst other things, the challenges presented by the episodes known as the ‘two cultures’ and the ‘science wars’. Seeking to offer a perspective on poetry and science more aligned to scientific materialism than is typical in the interdiscipline, a systemic challenge to Thomas Kuhn’s The Structure of Scientific Revolutions (1962) is put forward in the first chapter. Additionally, the founding work of poetry and science, I. A. Richards’s Science and Poetry (1926), is assessed both in the context in which it was written, and from a contemporary viewpoint; and, as one way to understand science in poetry, a theory of the creative misreading of science is developed, loosely based on Harold Bloom’s The Anxiety of Influence (1973). The detailed study of science in poetry commences in Chapter II with Hugh MacDiarmid’s late work in English, dating from his period on the Shetland Island of Whalsay (1933 – 1941). The thesis in this chapter is that this work can be seen as a radical integration of poetry and science; this concept is considered in a variety of ways including through a computational model, originally suggested by Robert Crawford. The Australian poet Judith Wright, the subject of Chapter III, is less well known to poetry and science, but a detailed engagement with physics can be identified, including her use of four-dimensional imagery, which has considerable support from background evidence. Biology in her poetry is also studied in the light of recent work by John Holmes. In Chapter IV, science in the poetry of Edwin Morgan is discussed in terms of its origin and development, from the perspective of the mythologised science in his science fiction poetry, and from the ‘hard’ technological perspective of his computer poems. Morgan’s work is cast in relief by readings which are against the grain of some but not all of his published comments. The thesis rounds on its theme of materialism with the fifth and final chapter which studies the work of Miroslav Holub, a poet and practising scientist in communist-era Prague. Holub’s work, it is argued, represents a rare and important literary expression of scientific materialism. The focus on materialism in the thesis is not mechanistic, nor exclusive of the domain of the imagination; instead it frames the contrast between the original science and the transformed poetic version. The thesis is drawn together in a short conclusion
Thomas, Judith
Photograph from the C.R. Savage Portrait Studio. Name associated with the photograph: Judith Thoma
- …
