12,081 research outputs found

    Vera Hunt and Eric, Santa Clara, Perth, Western Australia, February 1919 /

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    Title devised by cataloguer.; Part of the collection: Michael Terry collection of negatives of his expeditions and travels, 1918-1971.; Also available online at: http://nla.gov.au/nla.pic-vn6248146; Also available as a photograph: PIC Album 367

    Eric, Mrs. Dwyer and Viv Cumberland? with a new Dodge they were taking to Pingelly, Western Australia, April 1919 /

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    Title devised by cataloguer from accompanying information.; Part of the collection: Michael Terry collection of negatives of his expeditions and travels, 1918-1971.; Condition: Faded.; Location uncertain.; Also available as a photograph: PIC Album 367.; Also available online at: http://nla.gov.au/nla.pic-vn6248162

    Mrs Dwyer driving with passengers Viv and Eric on Michael Terry's last trip to Pingelly, Western Australia, April 1919 /

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    Title devised by cataloguer from accompanying information.; Part of the collection: Michael Terry collection of negatives of his expeditions and travels, 1918-1971.; Condition: Slightly faded along upper edge.; Also available as a photograph: PIC Album 367.; Also available online at: http://nla.gov.au/nla.pic-vn6248164

    Faculty Concert, Terry Everson, Thursday, November 9, 2000

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    This is the concert program of the Faculty Concert of Terry Everson on Thursday, November 9, 2000 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue, Boston, Massachusetts. Works performed were Four Variations on a Theme of Scarlatti by Marcel Bitsch, Sonata by Kent Wheeler Kennan, Trio for Trumpet, Violin, and Piano by Eric Ewazen, and Incatation, Threne et Danse by Alfred Desenclos. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Faculty concert: Terry Everson and Shiela Kibbe, September 30, 1999

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    This is the concert program of the Faculty Concert: Terry Everson, trumpet, Shiela Kibbe, piano performance on Thursday, September 30, 1999 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were In the Style of Albeniz (arr. Dokschitser) by Rodion Shchedrin, Sonata for trumpet and Piano by Eric Ewazen, Elegy by Joseph Turrin, Intrada by Joseph Turrin, Trumpet Concerto by William Lovelock, and Meditation on a Scottish Hymn Tune by Gregory Pascuzzi. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund

    Eric Johnston Lecture.

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    Made available via the Publications (Legal Deposit) Act 2004 (NT).The 16th Eric Johnston Lecture delivered at the Northern Territory Library, Parliament House, Darwin in 2001

    "Disney is the Tiffany’s and I am the Woolworth's of the business": A critical re-analysis of the business philosophies, production values and studio practices of animator-producer Paul Houlton Terry

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    This thesis was submitted for the degree of Doctor of Philosophy and awarded by Brunel University.Animator-producer Paul Houlton Terry has been portrayed as having little passion for the animation he produced and being more concerned with making a profit than producing entertaining cartoons with high production values. The purpose of the dissertation is to re-evaluate Terry‘s legacy to animated cartooning by analyzing his business philosophies, production values, and studio practices. Application of four psychodynamic factors to the early life and career of Terry, 1887-1929, found that his economic decision making was characterized by: an external locus of control, risk-averse financial behaviour, extreme saving behaviour through precaution, and shrewd money management practices. Based on Terry‘s historical responses to twelve major economic, technological, or institutional forces of change for the period 1929-1955, the psychodynamic factors were found to provide accurate explanations for his studio practices and production decisions. There was no evidence to support the conclusion that three early career disappointments undermined Terry‘s intrinsic motivation to create animated cartoons. Rather, Terry‘s lack of risk taking, external locus of control, tight studio production schedule, desire to compete with neighbour studio Fleischer, difficulty in separating financial rewards from creative processes in animation, and practice of undertaking surveillance measures on staff may have undermined his and his studio‘s creativity. Archival research found Terry to possess strong passions for and to have made significant creative contributions to the field of animation. Biographical research found that Terry retained a stable nucleus of highly talented artists who dedicated a significant portion of their working careers to the studio. An analysis of the cel aesthetics of a random sample of animated cartoons produced during the years 1930-1955 found that Terry created animated cartoons with above average cel aesthetics when compared to the other studios thereby supporting an inference that Terry was motivated to producing quality crafted animation. Further research is suggested into the role psychodynamic factors and economic decision-making play in the film production process and a clarification of Terry‘s legacy to the field of animated cartoons

    Terry Fox and the National Imaginary: Reading Eric Walters’s Run

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    Turning Terry Fox into a fictionalized literary character introduces possibilities for reading “Terry” as a constructed fiction – a “prosthetic” – that claims to be truthful, while also pointing to Fox as a problematic symbol of nationalism, heroism, and sacrifice. Terry Fox is, in the Canadian literary imagination, a perpetual adolescent: consistently called upon to inspire through the tropes of heroism, youth, and determination, and profoundly lost to illness and time. An insistence upon the “true story” mixed with the need to fashion a compelling narrative means that the constructed elements of fiction become even more prominent when set against passionate truth-claims within the text. Eric Walters’s young adult novel Run (2003) is a notable example of Fox’s literary legacy – a legacy shaped by adult writers for consumption by young readers as part of the national imaginary. Run emphasizes the accessibility of mature achievement via Fox’s image as a perpetually adolescent and perpetually heroic persona

    ROSENTHAL, Eric Inventory of documents

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    COVERAGE 1904; 1 File; 011 metre.Private papers of Eric Rosenthal, author, journalist and broadcaster
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