1,761,023 research outputs found
Corrigendum to “Assessing the capacity of three production efficiency models in simulating gross carbon uptake across multiple biomes in conterminous USA” [Agric. Forest Meterol. 174–175 (2013) 158–169]
No full textThe authors regret that the printed version of the above article missed out the third author's name. The correct and final version follows. The authors would like to apologise for any inconvenience caused.We wish to add: Terence P. Dawson, School of the Environment, University of Dundee, Dundee, DD1 4HN, United Kingdom as a co-author in the article
The comedies of Terence.
No full textPreface.--The life of Terence, translated from Suetonius.--The Andrian.--The eunuch.--The self-tormentor.--The brothers.--The step-mother.--Phormio.--Notes.Mode of access: Internet
Letter from Terence O'Donnell to Hagan
No full textHolograph letter from Terence O'Donnell, St. Mary's, Booterstown, County Dublin, to Hagan, recommending Dr. Charles O'Reilly and asking on his behalf for a papal blessing on his marriage. He gave very selfless service during the war
Oral history interview with A. Terence Maxwell
No full textTranscript not available electronically. Please contact CBI.Maxwell recalls the associations among the major British punched card companies in the 1930s: Power-Samas, the British Tabulating Machine Company (BTM), International Business Machines, and Remington Rand. He reports on discussions Powers-Samas had with Ferranti and Remington Rand on the 1958 merger with BTM to form International Computers and Tabulators (ICT). He discusses planning among ICT, English Electric, and Radio Corporation of America in subsequent years to capture European market shares and explains how these plans collapsed. He then discusses the 1963 merger between ICT and Ferranti and the 1968 merger between ICT and English Electric to form International Computers, Ltd.Maxwell, A. Terence. (1980). Oral history interview with A. Terence Maxwell. Retrieved from the University Digital Conservancy, https://hdl.handle.net/11299/107470
John Terence Moore and Eva Heinitz, Randolph Hokanson, January 24, 1950
No full textConcert program for John Terence Moore and Eva Heinitz, Randolph
Hokanson, January 24, 195
E. Boursault, Les Fables d’Ésope, comédie (1690). Édition critique par Terence Allott, textes littéraires (LXVII), Exeter, G. B., 1988
No full textAllott Terence. E. Boursault, Les Fables d’Ésope, comédie (1690). Édition critique par Terence Allott, textes littéraires (LXVII), Exeter, G. B., 1988. In: Le Fablier. Revue des Amis de Jean de La Fontaine, n°1, 1989. La Fontaine et la tradition européenne de la fable. Première partie : La fable d’Ésope à La Fontaine. p. 79
E. Boursault, Les Fables d’Ésope, comédie (1690). Édition critique par Terence Allott, textes littéraires (LXVII), Exeter, G. B., 1988
No full textAllott Terence. E. Boursault, Les Fables d’Ésope, comédie (1690). Édition critique par Terence Allott, textes littéraires (LXVII), Exeter, G. B., 1988. In: Le Fablier. Revue des Amis de Jean de La Fontaine, n°1, 1989. La Fontaine et la tradition européenne de la fable. Première partie : La fable d’Ésope à La Fontaine. p. 79
From Pedrolino to a Pierrot: The Origin, Ancestry and Ambivalence of the British Pierrot Troupe
No full textIn this article, the author considers the British development of the seaside Pierrot troupe, arguing that its construction is consistent with the notion of invented tradition, and the associated concerns with identity and nationality. Tracing the history of the character from its origins as Pedrolino in the commedia dell’arte, the article considers the traditional and novel elements of the British form. This also allows a brief account of the origin and aesthetics of the British tradition. Reflecting on the synthesis of the archaic and contemporary dimensions of the form, the author proposes that the new structure constructed an ambivalent class of character. The composition of both troupes and audiences was drawn from across the range of social strata. Through its collectivity and its treatment of contemporary social themes, it is argued the British Pierrot troupe approached and negotiated questions of a cultural and national identity in the late-Victorian period.
Dave Calvert is a Senior Lecturer at the University of Huddersfield, UK. His research
interests include street theatre, Applied Theatre and learning disabled
performance. He is also a member of The Pierrotters, the last remaining seaside
Pierrot troupe
Terence and Dennis McKenna, "Shamanic Investigations" manuscript
No full textMissing several chapters.
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