1,722,057 research outputs found
Ways to Wander the Gallery: Tate Modern
No full textA 5 week workshop at Tate Modern on Walking Arts Practice led by the practices in Hind and Qualmann's book Ways to Wander.
Each week makes connections between art works at Tate Modern, walking and experimental writing led by artists and researchers Claire Hind and Clare Qualmann. Investigate the relationship between walking and the page developing links with selected artworks and develop your own written walking language.
Using Qualmann and Hind’s book Ways to Wander (2015) as a starting point you are invited to create a page for the next edition Ways to Wander the Gallery (for publication with Triarchy Press, 2018).
Throughout the course expect durational walks, rule-based ambulatory experiences, micro-performances of the everyday, interventions and performance walking encounters. Wanders around Tate’s galleries include work from Bruce Nauman, Rebecca Horn, Charles Atlas, Hito Steyerl, Joseph Beuys, Janet Cardiff, Julie Mehretu and more. Wander the gallery and consider how we engage with art through walking and produce writing walks for spaces outside of the gallery inspired by artworks at Tate. Walks are complemented by experimental writing/drawing workshops that explore conceptual arts’ relationship to the score, (Fluxus scores, visual treatments, documentation as performance)
New Work Commissioned for 'Ten Artists, Ten Images', Tate Modern, London, (2000)
No full textNew work was commissioned for 'Ten Artists, Ten Images', Tate Modern, London, (2000).
To celebrate the opening of Tate Modern in 2000, Tate Publishing invited ten international contemporary artists working with photography make an image inspired by the Bankside building and its surroundings. Besides Billingham, the other commissioned artists were Jeff Wall, Thomas Struth, Thomas Ruff, Rineke Dijkstra, Sam Taylor-Wood, Hannah Collins, Uta Barth, Craigie Horsfield, Catherine Yass,
The resulting pictures charted different aspects of the site’s development from power station to museum of modern art under the direction of Swiss architects Herzog and de Meuron. With the exception of Craigie Horsfield, all the contributors photographed in colour.
All ten images were exhibited in the Members Room, Tate Modern, London
Review: Performance and the New Tate Modern
No full text“So what is the new Tate Modern? Is it the ultimate neoliberal art institution?” As the gallery opens its vast new Switch House extension, Diana Damian Martin explores the interplay between economics, performance and public engagemen
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Small steps in a big space: workshops for parents and children from birth to three at Tate Modern
No full textTate Modern's programme 'Small Steps in a Big Space' (Small Steps) was conceived for parents and children from birth to three years, and comprised two sets of three repeated workshops. The chosen title reflected the considered way in which the programme would introduce children and parents to selected artworks from the gallery's vast collection. The workshops took place at Tate Modern during June and July 2003, and involved collaboration between Southwark Adult Education, Tate Modern and a local parent, Bridget Virden, who focused on recruitment and attended each workshop with her own child. The three workshops were called 'Making your Mark', 'Art Picnic' and 'The Magic Wardrobe' respectively. Each workshop focused on a small selection of artworks, and offered parents and children linked meaning-making experiences through music, movement, drama, games and art
Itinerant Objects: Tate Exchange, Tate Modern 05-07.04.19
No full textItinerant Objects, Tate Exchange, Tate Modern UK, 05-07.04.19, a 3Day workshop, a collaboration between Dawson, Winchester School of Art and TATE Exchange.In responding to Tate’s theme of 'movement', Itinerant Objects sought to ask what happens when objects move and how they transform through different encounters. Working with a team of Archaeologists from the University of Southampton Dawson devised a project called Messy Assemblages which offered an open set of activities and curation to ask what happens when objects move from the physical to the digital. It explored what we might call the ‘phygital’ nexus. New data sets create new artefacts and these digital files move, mutate and shift themselves, dispersing, colonising and rematerializing in complex and unforeseen relationships. Introducing scanning processes as a live and performative component, Messy Assemblages made visible the residues and traces that theses process leave behind. Messy assemblages was an opening out of Ian Dawson’s work ID2.7.1816 (2016-), which was exhibited as part of ‘Artist Boss’, at New Art Centre, Roche Court in 2016. Combining hundreds of 3D prints, the work is an ever evolving and changing collage. Dawson produces reprinted scans garnered from a variety of sources. Some of these objects are recognizable such as Henry Moore sculpted forms and British Museum prehistoric carvings. Others are less familiar, such as parts from Cody Wilson’s 3D printed gun and NASA derived scans of meteors. Taken together, the sculpture questions the values of objects, their authenticity and the role authorship plays when object reproduction becomes commonplace
What Can The Matter Be?
No full text'What can the matter be' is the title of an audio guide of selected works in the Tate Modern collection in which the matter of the artwork is forefronted and questioned. The designed tour is produced in MP3 format and selections are downloadable by the public from the Tate Modern website onto their private MP3 players prior to visiting the museum. The audio guide/tours were produced in partnership with the Education team at the Tate Modern
Klee à la Tate Modern
No full textPaul Klee - Making Visible at the Tate Modern: 16 October 2013 – 9 March 2014. http://www.tate.org.uk/whats-on/tate-modern/exhibition/ey-exhibition-paul-klee-making-visible Une revue de presse riche et admirative salue cet artiste dont seule l'oeuvre non figurative est actuellement montrée à la Tate Modern : http://www.lemonde.fr/culture/article/2013/10/17/l-insatiable-curiosite-de-paul-klee_3496993_3246.html http://www.theweek.co.uk/art/55591/reviews-paul-klee-making-visible-tate-modern http..
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