205,056 research outputs found
Besides Looking: Patrimony, Perfomativity and Visual Cultures
No full textDavid Dibosa’s paper, 'Besides Looking: Patrimony, Performativity and Visual Cultures in National Art Museums', is an exploration and a further elaboration of the relations between the development of visual media practices within the research – what we have previously indicated as stemming from practice-based research approaches – and transmigrational visual cultures. David asks how perspectives derived from the study and articulation of Visual Cultures, (Hall, Mirzoeff, Evans, Rogoff) might usefully frame our understanding of transmigrational ‘viewing strategies’ and more specifically the practices of Tate Encounters’ participants. He introduces an important counter to the idea that either the art museum or the research framing can address the transmigrational viewer other than in an engagement at the point of viewing. This stresses the dynamic, rather than settled, historical sense of migrant experience that has become contained in notions of ‘heritage’, and ethnic categorisations. He looks to performativity to offer a way out of the impasse of categorisation and his focus upon transmigrational experience as fluid leads him to the idea that a corresponding art museum viewing strategy might be that “which has not yet been seen” or “a kind of seeing on the move”
Placing Bookmarks: The Institutionalisation and De-Institutionalisation of Hungarian Neo-Avant-Garde and Contemporary Art
No full textThe recent interest in avant-garde art from Hungary shown by international museums such as Tate has been paralleled by transformations to the country’s art institutions as a consequence of sweeping political changes. This essay contextualises these changes in relation to the expanding global market for art from the region, and examines the impact that initiatives by private galleries as well as artists and curators are having on the writing of a critical history of Hungarian art.
An earlier version of this text was presented as a paper at the panel on ‘Collecting, Curating, Canonizing, Critiquing: The Institutionalization of Eastern European Art’ at the College Art Association conference, Washington D.C., February 2016
Parallel Systems: Lawrence Alloway and Eduardo Paolozzi
No full textThis essay plots the shared intellectual concerns of the critic Lawrence Alloway and the artist Eduardo Paolozzi, focusing on their mutual interest in the fusion of popular culture and fine art, the relationship between the individual and the post-war urban environment, and the notion of analogical feedback developed from the emerging science of cybernetics
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A letter from Glenda Tate to Dr. Hector P. Garcia.
No full textA letter from Glenda Tate, Director of Personnel for the Secretary of Transportation, to Dr. Hector P. Garcia regarding his assistance in the development of an applicant resource guide
Value and Audience Relationships: Tate’s Ticketed Exhibitions 2014–15
No full textIn this report Mariza Dima sets out the findings of a research project examining the experiential and educational value of Tate’s ticketed exhibitions to its audiences. Exhibition planning, the contributions of small and medium-sized enterprises and the museum’s data-gathering practices are explored, taking the 2014 exhibitions Late Turner and Malevich as case studies
1948 Archbold Cape York Expedition : Daily Journal G. M. Tate
No full text154 leaves : illustrations ; 28 cm; Unbound typescript.Daily journal kept by Tate between January 28 and October 6, 1948 while voyaging to and during the Cape York Expedition. Includes observations about the various methods of transportation and accommodations, people and social activities, cuisine and localities, expedition preparations and itineraries. Description of travel, collecting activities and challenges reference both his own collection of reptiles as well as the work of other members of the party such as Leonard Brass, Hobart Van Deusen and George H. H. Tate. Locations throughout the Cape York Peninsula include Mossman, Speewah, Thursday Island, Portland Roads, Coen, Cooktown, and Cairns. Geoffrey M. Tate, a zoologist and younger brother of American Museum of Natural History curator G. H. H. Tate, acted as business manager for Archbold Expeditions at the American Museum of Natural History. He accompanied as collector for both the 4th Archbold Expedition to New Guinea and the 1948 Cape York Expedition.CLI
Additional file 1 of Pharmacokinetics, radiation dosimetry, acute toxicity and automated synthesis of [18F]AmBF3-TATE
No full textAdditional file 1: Table S1. Biodistribution of [18F]AmBF3-TATE in ICR female mice at selected time points (n = 8 per group). Values reported in %ID/g. Table S2. Biodistribution of [18F]AmBF3-TATE in ICR male mice at selected time points (n = 8 per group). Values reported in %ID/g. Table S3. OLINDA-calculated dosimetry [mSv/MBq] using the 25g MOBY mouse phantom from biodistribution data. Figure S1. Uptake of [18F]AmBF3-TATE in female mice as a function of time for the bladder, blood, kidneys, liver, and pancreas. Figure S2. Uptake of [18F]AmBF3-TATE in male mice as a function of time for the bladder, blood, kidneys, liver, and pancreas. Figure S3. Radio-chromatogram of [18F]AmBF3-TATE acquired by the integrated HPLC system on the Trasis AllInOne module. Figure S4. QC Radio-chromatogram of [18F]AmBF3-TATE acquired by the Agilent HPLC system. Figure S5. Radio-chromatogram of [18F]AmBF3-TATE acquired by the Agilent HPLC system 6 h after EOS
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Small steps in a big space: workshops for parents and children from birth to three at Tate Modern
No full textTate Modern's programme 'Small Steps in a Big Space' (Small Steps) was conceived for parents and children from birth to three years, and comprised two sets of three repeated workshops. The chosen title reflected the considered way in which the programme would introduce children and parents to selected artworks from the gallery's vast collection. The workshops took place at Tate Modern during June and July 2003, and involved collaboration between Southwark Adult Education, Tate Modern and a local parent, Bridget Virden, who focused on recruitment and attended each workshop with her own child. The three workshops were called 'Making your Mark', 'Art Picnic' and 'The Magic Wardrobe' respectively. Each workshop focused on a small selection of artworks, and offered parents and children linked meaning-making experiences through music, movement, drama, games and art
Tate-Betti and Tate-Bass Numbers
No full textWe define Tate-Betti and Tate-Bass invariants for modules over a commutative noetherian local ring R. We prove the periodicity of these invariants provided that R is a hypersurface. In the case when R is a Gorenstein ring we show that a finitely generated R-module M and its Matlis dual have the same Tate-Betti and Tate-Bass numbers
Mark Rothko 1920-1970
No full textRev. ed. originally pub. 1987; published for the exhibition at the Tate Gallery 17 Jun -1 Sep 1987SIGLEAvailable from British Library Document Supply Centre-DSC:GPE/0785 / BLDSC - British Library Document Supply CentreGBUnited Kingdo
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