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Tashi Tshewang Collection
No full textTashi Dorji discusses the history of the Dukti Pema Choling Lhakhang. A lhakhang is a religious structure used for housing sacred objects and performing rituals, often built in a geographically or spiritually significant location. The Dukti Pema Choling Lhakhang was built by Tshong Tshongma Lopen. It was historically known as Dukti Tashi Choling Lhakhang. The name was changed to avoid confusion with another Lhakhang named Tashi Choling (also called Namthî Lhakhang) in the same dzongkha (district)
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Tashi Tshewang Collection
No full textTashi Dorji introduces himself and describes a childhood accident where he lost his mother, brother, and family home to a major fire. Somehow, Tashi survived. After this, he became known as 'Kon Tshering' in the village because 'Kon' means a rare thing or substance
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Tashi Tshewang Collection
No full textTashi Dorji discusses the history of the Dukti village and migration. Tashi Dorji speaks Tshangla and Dzongkha as well as Dakpa. His grandmother migrated from Kurtöp Tongzhang in the Lhuntse District. He says the majority of Dukti village residents (Duktipa) are historically Dakpa, and notes similarities in festivals, rituals, and farming practices with Dakpa communities in the Trashi Yangste District such as Yalang Gewog
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Tashi Tshewang Collection
No full textTashi Dorji describes the rituals related to Drukpa Tshezhi, the fourth month of the Buddhist calendar. This is considered the most auspicious month in the Himalayan Kingdom of Bhutan because it is when Buddha first turns the wheel of Dharma. To celebrate the occasion, the village comes together to recite the Buddhist scriptures and perform other rituals
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Tashi Tshewang Collection
No full textTashi Dorji and Dorji Phuntsho discuss rituals involving animal sacrifice in Dukti village. In the past, it was customary for every household to raise a pig to be killed for ritual purposes. They say that now, over a decade later, they have stopped raising pigs for sacrifice
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Tashi Tshewang Collection
No full textTashi Dorji and Dorji Phuntsho discuss rituals involving animal sacrifice in Dukti village. In the past, it was customary for every household to raise a pig to be killed for ritual purposes. They say that now, over a decade later, they have stopped raising pigs for sacrifice
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Tashi Tshewang Collection
No full textTashi Dorji describes how residents of Dukti village appease the local deities for taking care of their crops when the mountain roads are closed for four months every year. During this time, they offer feasts and fermented wine to the local deities once a month. He explans that the wine for the appeasement and Tshok for the deity is collected as a community tax. Recorded at Dukti Gup Sonam's house in Dukti village
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Tashi Tshewang Collection
No full textTashi Dorji decscribes cultural changes he has observed over time. For example, in his youth, he saw elders carrying rice, vegetable, maize, and wine in bamboo baskets; today, the bamboo is replaced by sacks, water bottles, and other utensils. He describes how dancers move from one house to another while a caretaker of Lakhang follows and requests donations from the villagers to have a feast for the dancers
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Tashi Tshewang Collection
No full textTashi Dorji describes rituals performed in Dukti village including Nyungne (also called Dawa Dangpa or Dawa Chüngepa), Bazer Guru, Sumpa Soeldap, Torma Bum, and ’Nagapa Trenda. He explains that Sumpa Soeldap was initiated in consultation with Tshong Tshongma Lopen after famine and snakes came into Dukti village. He also describes the naked dance and the present ‘Nyungne Rinpoche’s past life
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Tashi Tshewang Collection
No full textDorji and Tashi Dorji, residents of Dukti village, discuss rituals related to the Jomo. They explain that, before the Jomo enters into a trance, she wears a five crown cap and has fruits and other foods as her feast offering. Then, the Jomo starts her ritual. It is believed that, wherever the Jomo takes her next birth, she will be born into a rich family
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