7,160 research outputs found
Tydi-lang: a language for typed streaming hardware: A manual for future Tydi-lang compiler developers
No full textTransferring composite data structures with variable-length fields often requires designing non-trivial protocols that are not compatible between hardware designs. When each project designs its own data format and protocols the ability to collaborate between hardware developers is diminished, which is an issue especially in the open-source community. Because the high-level meaning of a protocol is often lost in translation to low-level languages when a custom protocol needs to be designed, extra documentation is required, the interpretation of which introduces new opportunities for errors. The Tydi specification (Tydi-spec) was proposed to address the above issues by codifying the composite and variable-length data structures in a type and providing a standard protocol to transfer typed data among hardware components. The Tydi intermediate representation (Tydi-IR) extends the Tydi-spec by defining typed interfaces, typed components, and connections among typed components.In this paper, we propose Tydi-lang, a high-level hardware description language (HDL) for streaming designs. The language incorporates Tydi-spec to describe typed streams and provides templates to describe abstract reusable components. We also implement an open-source compiler from Tydi-lang to Tydi-IR. We leverage a Tydi-IR to VHDL compiler, and also present a simulator blueprint to identify streaming bottlenecks. We show several Tydi-lang examples to translate high-level SQL to VHDL to demonstrate that Tydi-lang can efficiently raise the level of abstraction and reduce design effort.https://github.com/twoentartian/tydi-lang Source code for the thesis project.Computer Scienc
Xing zhi yu li jiao: chu Tang shi qi Dunhuang shi ku qun gong yang ren tu xiang yan jiu = Graphic system, etiquette, and rituals : the images of donors in the cave temples of Dunhuang during the early Tang dynasty
No full textPh.D.This thesis mainly focuses on the research of donors' images in the cave temples located in the Dunhuang area during the early Tang Dynasty (between 618 to 704 AD). This period is an obvious turning point in the art history of the local grottoes, with distinctly transformative features. Due to the lack of systematic imagery of the donors and the lack of image data, there was no systematic and comprehensive study on this topic. Therefore, this research systematically sorted and analyzed the images of the donors who had important influences on the grottoes during an important period.By reviewing cave-dated research documents, 59 caves were delineated for this research topic. By archaeologically arranging the images of the donors in the original materials for 28 of the 59 caves, mistakes in previous literature records were corrected. Moreover, the images were analyzed and studied through a combination of typology and functional sciences, as well as when divided into four layout types and three categories.Based on the aforementioned archaeological research and classification, research was conducted on the changes in the paintings. The results proved that the aristocratic class and the elite class in the donors' community were seriously affected by the ethics of the Tang court, and that they strictly adhered to the rules of "forbidding the faces of women to be seen outside" and "a distinction should be made between males and females". Furthermore, the research concluded that, the transformation of the monastic economy of the Middle Ages should be considered starting from the early the Tang Dynasty.According to the research on the new pattern of donors' images, the results proved that the "single composition painting as the offering" images on the East Wall has functioned as "transcendence of the dead (in the images) to the pure land". There were donors who presented themselves in the images by kneeling with the right knee on the ground and the left knee up ("胡跪"). These kneeling postures were related to the transformation of the "central axis" into the structure of the "central mandala". The last part of this research was about drawings of the donors in the "double knee kneeling" posture. Based on the images, the research proposed that under the strict legal policy of the Tang court, the absorption and self-adjustment of Buddhism's analogue to Confucianism's "filial piety" in the early Tang Dynasty was the key to Buddhism finally reaching secularization and surviving for thousands of years.This article starts with the images of the donors and intends to retell the true situation of the donors' community in Dunhuang during the early Tang Dynasty. The results of this research can also rectify the historical facts on the relationship between the political and religious groups in Dunhuang and Chang'an in the 7th and 8th centuries, as well as refine and modify the understanding of the politics, religion, and society of the Tang Dynasty.本文以初唐敦煌石窟群壁畫中的供養人圖像為主要研究對象，具體時期為唐高祖至武周時期，即大約公元618年至705年之間。初唐敦煌石窟壁畫藝術是敦煌石窟藝術的一個鮮明轉折點。石窟以220窟“家窟”的產生為標誌，壁畫藝術新元素的出現被認為與供養人群體有密不可分的關聯。但由於迄今供養人圖像整理未有系統，圖像資料長期缺乏，學界一直對此材料認識不足，缺乏整體綜合性研究。因此，本文將以初唐為主要時代，對此重要轉變期，且對石窟有重要影響的供養人之圖像進行系統地整理和分析研究。筆者通過對初唐石窟各家斷代資料整理，劃定研究範圍共有59個石窟，其中28個石窟壁畫有同時期供養人圖像。以此批圖像為原始材料，首先補正了《敦煌石窟內容總錄》之錯漏；再次，將28個石窟中的供養人壁畫按佈局分為四種，以供養姿勢分為三類，分別進行分析與研究。根據以上研究總結，初唐時期“供養出行圖”數量驟跌，同時，“單幅供養圖”、“跪式供養”作為新樣出現。研究證明供養人群中的“通貴階層”受唐廷禮教影響嚴重。更進一步地得出中古時期寺院經濟體轉，應該從初唐高宗便已開始之結論。挑戰對於初唐時期本地經濟供養體的傳統認知。從供養新圖樣上，證明東壁門上單幅供養像俱有“追亡薦福”之功能；初唐新見世俗供養人“胡跪”，與石窟多重華嚴結構成立、敦煌禮儀懺法流行緊密相關；同時，對於“雙膝跪拜式”供養圖像，提出其姿勢的反常性與唐代律法之聯繫。由圖像觀察，得出在唐廷嚴酷的律法政策下，初唐時期佛教對儒家“孝親”概念的吸納與自我圓融，是以佛教實現其世俗化，得以長存的關鍵原因。本文從供養人圖像入手，旨在還原初唐供養人群體的真實情況。研究結果，亦可補正七世紀至八世紀敦煌——長安政教關係史實，完善對唐代政體——宗教——世俗鏈條的認識。肖浪."2018年9月".Parallel title from added title page.Thesis Ph.D. Chinese University of Hong Kong 2018.Includes bibliographical references (leaves 215-244).Abstracts in Chinese and English.Title from PDF title page (viewed on January 26, 2022).Xiao Lang
Scaphidium spinatum Tang & Li 2010, sp. n.
No full textScaphidium spinatum Tang & Li, sp. n. urn:lsid:zoobank.org:act: 8943975D-58F1-4FD0-825D-C0FD1E29A77E Figs 6, 7, 23–26 Type Material. Holotype. China: Anhui: male, glued on a board with labels as follows: “ Yuexi Couty, Yaoluoping Village, 17.VII.2007 – 4.VIII.2007, coll. Ba Yi-Bing, Lang Jun-Tong & Wang Feng-Yan ” “ Holotype / Scaphidium spinatum / Tang & Li” Figures 6–9. Adult habitus of Scaphidium. 6, 7 S. spinatum 8,‹ S. laxum. Scales = 1 mm. [red handwritten label] (HBUM). Paratypes. 6 males, 12 females, same data as for the holotype (male, female in SHNU, rest in HBUM). BL: 5.9–7.3 mm, ED: 0.27–0.32.mm, PL / PW of male: 0.78–0.80, PL / PW of female: 0.75–0.79. Similar to S. grande in most respects, but differs in the following characters: antennal club (Figs 25) relatively stouter; most punctures on head well delimited, connected by weakly confluent traces; apical portion of elytra indistinctly impressed; male profemora (Figs 26) with inner side expanded gradually from base forming an acute angle at apical third, tubercles smaller and sparser; male tibiae (Figs 26) with two widest points forming a blunt and a sharp angle on inner side at about apical 1/5 and apical end respectively; internal sac of aedeagus as in Figs 23, 24. Distribution. China (Anhui). Diagnoses. This species can be easily distinguished from other member of the species complex by its small body size. Etymology. The Latin adjective “ spinatum ” refers to the spined male profemora of the new species. Biological notes. All specimens were collected from a log covered with fungi.Published as part of Tang, Liang & Li, Li-Zhen, 2010, On Scaphidium grande-complex (Coleoptera, Staphylinidae, Scaphidiinae), pp. 65-78 in ZooKeys 43 (43) on pages 70-72, DOI: 10.3897/zookeys.43.447, http://zenodo.org/record/57665
Tang lang quan shu sui bi xu ji /
No full textMode of access: Internet.OSU copy 1 a gift of Dr. Fred Ming-an Wu and Dr. Sandra Jones Wu
Yu shi tang shi zhong qu /
No full text"Di 6-10 zhong yu ming Yu shi tang hou wu zhong chuan ji."Mode of access: Internet
TLISI 2022: Keynote Address by James Lang, on Distracted: Why Students Can't Focus and What You Can Do About It
No full textJames M. Lang, Ph.D. is the author of six books, the most recent of which are Distracted: Why Students Can't Focus and What You Can Do About It (Basic Books, 2020), Small Teaching: Everyday Lessons from the Science of Learning (Jossey-Bass, 2016), and Cheating Lessons: Learning from Academic Dishonesty (Harvard University Press, 2013). Lang writes a monthly column on teaching and learning for The Chronicle of Higher Education; his work has been appearing in the Chronicle since 1999. His book reviews and public scholarship on higher education have appeared in a wide variety of newspapers and magazines, including The Conversation, Time, the Boston Globe, and Chicago Tribune. He edits a series of books on teaching and learning in higher education for West Virginia University Press; he co-edited the second book in the series, Teaching the Literature Survey Course: New Strategies for College Faculty (2018).
He has conducted workshops on teaching for faculty at more than a hundred colleges or universities in the US and abroad, and consulted for the United Nations on the development of teaching materials in ethics and integrity for college faculty. In September of 2016 he received a Fulbright Specialist grant to work with three universities in Colombia on the creation of a MOOC on teaching and learning in STEM education. In 2021 he stepped away from a full-time position as Professor of English and the Director of the D'Amour Center for Teaching Excellence at Assumption University in order devote more time to writing. He has a BA in English and Philosophy from the University of Notre Dame, an MA in English from St. Louis University, and a Ph.D. in English from Northwestern University. You can follow him on Twitter at @LangOnCourse or learn more at http://jamesmlang.com.
This year, CNDLS facilitated a book club for faculty featuring Distracted. We look forward to hearing Lang discuss his research and strategies for “cultivating attention” in this keynote address
Shi ming
No full text[V.1-2]. 爾雅 : [二卷] / 郭璞注 ; 葉自本重訂 ; 郎奎金糾譌 -- [v.3]. 小爾雅 / 孔鮒纂集 ; 宋咸注釋 ; 朱師賓重訂 ; 郎壁金糾譌 -- [v.3-4]. 逸雅 : 八卷 / 劉熙撰 ; 石九鼎重訂 -- [v.5-6]. 廣雅 : 十卷 / 張揖纂集 ; 曹憲音釋 ; 葉自本重訂 ; 郎奎金糾譌 -- [v.7-16]. 埤雅 : 二十卷 / 陸佃撰 ; 葉自本叅閱 ; 郎奎金糾譌.[V.1-2]. Er ya : [er juan] / Guo Pu zhu ; Ye Ziben chong ding ; Lang Kuijin jiu e -- [v.3]. Xiao er ya / Kong Fu zuan ji ; Song Xian zhu shi ; Zhu Shibin chong ding ; Lang Bijin jiu e -- [v.3-4]. Yi ya : ba juan / Liu Xi zhuan ; Shi Jiuding chong ding -- [v.5-6]. Guang ya : shi juan / Zhang Yi zuan ji ; Cao Xian yin shi ; Ye Ziben chong ding ; Lang Kuijin jiu e -- [v.7-16]. Pi ya : er shi juan / Lu Dian zhuan ; Ye Ziben can yue ; Lang Kuijin jiu e.[郎奎金輯].綫裝, 1函.框21.4x14公分, 9行20字, 小字雙行同, 白口, 四周單邊, 無魚尾. 版心上鐫子目, 中鐫卷次, 下鐫葉次及"堂策檻".出版年據《五雅自序》.《爾雅》分上, 下卷.《逸雅》又題為《釋名》.鈐有"松柏林", "蕭崖"印.Xian zhuang, 1 han.Kuang 21.4 x 14 gong fen, 9 hang 20 zi, xiao zi shuang hang tong, bai kou, si zhou dan bian, wu yu wei. Ban xin shang juan zi mu, zhong juan juan ci, xia juan ye ci ji "Tang ce jian".Chu ban nian ju "Wu ya zi xu"."Er ya" fen shang, xia juan."Yi ya" you ti wei "Shi ming".[Lang Kuijin ji].Qian you"song bo lin", "xiao ya"yin
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