7,659 research outputs found
History of the steel industry in the Port Talbot Area 1900-1988
This thesis examines the history of steelmaking at Port Talbot in South Wales from the start of modern steelmaking in 1902 to 1988. Although the British steel industry has been studied at national level, few studies have looked at company level and fewer on plant level studies. By studying this large and significant steelmaking site this thesis sheds light on the interaction between national constraints and local forces for change or inertia and on the interaction of plant management, industry leadership and national Government policies. A number of themes are examined including issues of locational inertia and change; technological innovation and choice; relationships to, and changes in markets; products and demand levels; the role of the state; and issues of decision making. The later includes managers, management structure, conflict among managers, corporate rivalries, relationships with banks and Government, and within nationalised industries.
The thesis covers the origins of modern steelmaking at Port Talbot in the 1900s, its expansion and integration with iron making during World War One. It looks at Port Talbot within the framework of heavy steel rationalisation in the 1920s and the inconclusive manoeuvrings to build a strip mill in the 1930s. After World Ward Two Port Talbot emerged as Britain’s leading strip mill through a complex interplay of technological and locational choices including Government pressure and corporate rivalries. The boom years of the 1950s were followed by consolidation and modernisation in the 1960s through the Government inspired over expansion of the strip mill sector. After re-nationalisation in 1967 Port Talbot became involved in internal struggles with rival strip mills over investment. At each stage the thesis uses the detailed local adaptation and innovation within that context.
The thesis draws on extensive primary sources including the National Archives, Government Reports and documents, company records, Bank of England papers, trade papers, technical journals, trade union papers and local newspapers. The secondary literature on the steel industry is discussed and revised where appropriate and this study adds a full-scale plant level industrial history of one of the most important British steelworks to this literature
Talbot images of wavelength-scale amplitude gratings
By means of experiment and simulation, we achieve unprecedented insights into the formation of Talbot images to be observed in transmission for light diffracted at wavelength-scale amplitude gratings. Emphasis is put on disclosing the impact and the interplay of various diffraction orders to the formation of Talbot images. They can be manipulated by selective filtering in the Fourier plane. Experiments are performed with a high-resolution interference microscope that measures the amplitude and phase of fields in real-space. Simulations have been performed using rigorous diffraction theory. Specific phase features, such as singularities found in the Talbot images, are discussed. This detailed analysis helps to understand the response of fine gratings. It provides moreover new insights into the fundamental properties of gratings that often find use in applications such as, e.g., lithography, sensing, and imaging. (C) 2012 Optical Society of AmericaOP
Talbot-Whittier Family Papers, 1789-1937
Contains papers of various members of the Talbot family as well as papers written or collected by Henry Smith Whittier. Papers are extensively annotated by Barbara Talbot Whittier. Talbot family papers are arranged chronologically by family member and include minutes, 1811-1842, of the East Machias Social Library with which Peter Talbot was associated; Talbot family letters; documents associated with Frederic Talbot including a diary, 1849-1851; and Talbot family photographs and genealogical information. Also includes documents associated with Stephen C. Talbot\u27s military service in the Civil War and a pocket diary, 1862, of Samuel Hammond Talbot.https://digitalcommons.library.umaine.edu/findingaids/1086/thumbnail.jp
The Peter Martyr reader
Accession Number: ATLA0001328116; Language(s): English; Issued by ATLA: 20080715; Publication Type: Review; Related Books/Electronic Resources: By: Vermigli, Pietro Martire, 1499-1562 Peter Martyr reader viii, 260 p. Publisher: Kirksville, Mo.: Truman State University Press, 1999. ATLA0001327874Source type: Electronic(1)http://search.ebscohost.com/login.aspx?direct=true&db=reh&AN=ATLA0001328116&loginpage=Login.asp&site=ehost-liv
Method for the production of porous complex metal oxides using a porogen
A method of producing porous complex oxides includes the steps of providing a mixt. of (a) precursor elements suitable to produce the complex oxide, or (b) one or more precursor elements suitable to produce particles of the complex oxide and one or more metal oxide particles; and (c) a particulate carbon-contg. pore-forming material selected to provide pore sizes in the range of 7-250 nm, and treating the mixt. to (i) form the porous complex oxide in which two or more of the precursor elements from (a) above or one or more of the precursor elements and one or more of the metals in the metal oxide particles from (b) above are incorporated into a phase of the complex metal oxide and the complex metal oxide has grain sizes in the range of 1-150 nm, and (ii) removing the pore-forming material under conditions such that the porous structure and compn. of the complex oxide is substantially preserved. The method may be used to produce nonrefractory metal oxides as well. The mixt. further includes a surfactant, or a polymer. [on SciFinder(R)
Production of metal oxide nanoparticles
Particles having at least regions of at least one metal oxide having nano-sized grains are produced by providing particles of a material having an initial, nonequiaxed particle shape, prepg. a mixt. of these particles and at last one metal oxide precursor, and treating the mixt. such that the precursor reacts with the particles. The process can be a co-pptn. process, sol-gel synthesis, micro-emulsion method, surfactant-based process, or a process that uses polymers. Complex metal oxide nanoparticles are produced by (a) prepg. a soln. contg. metal cations, (b) mixing the soln. with a surfactant to form micelles within the soln., and (c) heating the micellar liq. to form metal oxide and to remove the surfactant. The formed metal oxide particles have essentially the same morphol. (particle size and shape) as the initial morphol. of the material particles provided. [on SciFinder(R)
Notes on Peter Karpovich for admission to Springfield College, c. 1925
These are notes on Peter V. Karpovich that were created, mostly likely, as part of his admissions process to Springfield College, c. 1925. The author or writer of these pages is not identified. Nor is it identified as to how, whether in a meeting or an interview or just from reading information, these notes were created. The notes are written in abreviations and in short fragments. The notes basically outline facts about his life, including age, family, education history, medical practice, present living arrangements, experience with the Young Men's Christian Associaation (YMCA), and experience in teaching Physical Education. Finally they also talk about his arrival in the United States, his desires for work/education at Springfield College., and his prospects of returning to Russia after his degree.For more information on Peter V. Karpovich, see: https://springfield.as.atlas-sys.com/agents/people/57
Odoardo Fialetti (1573-c.1638): the interrelation of Venetian art and anatomy, and his importance in England
Bolognese artist Odoardo Fialetti (1573 – c.1638) is a fascinating figure upon which curiously little work has been done. Though he is a rarely discussed pupil of Tintoretto, Fialetti’s oeuvre is vast (some 55 known paintings and approximately 450 prints) and incredibly diverse. His work encompasses religious subjects, portraits, books on drawing and sport, maps, and illustration for treatises on city defences, literary texts, and anatomy. His work was influential for several hundred years after his death, not only in Venice and northern Italy, but also in France where his designs were used as decoration on faïence produced at Nevers, and England, where his paintings were much admired at court. Fialetti’s close association with Sir Henry Wotton, and the careful copy of his drawing book made by Alexander Browne in the mid-seventeenth century, attest to his impact on the formation of an Italianate sensibility in the appreciation of the visual arts in Early Modern England. In the realm of science, Fialetti’s influence can be deduced from his drawings of curiously animated cadavers in detailed landscapes to those of future generations of anatomists and illustrators throughout Europe. Because of the diverse associations and projects throughout his career, the study of Fialetti is inherently interdisciplinary, encompassing the history of art, history of science and history of the Venetian book trade, as well as crossing geographical boundaries in linking Venetian art and English tastes of the late renaissance and early baroque. Through examination of his extant oeuvre, as well as discussion of lost work, I aim to recognise Fialetti’s status as an artist responding to contemporary artistic debates (disegno versus colorito), a changing cultural climate and the burgeoning importance of the printed medium
Peter - Luther C. Peter
A.B.; A.M., 1894; Sc.D., 1926; entered sophomore class; Phi Gamma Delta; Phi Beta Kappa. M.D., U. of P., 1894. Born Feb. 14, 1869, St. Clairsville. Son of J.P., ex,. 1864. Practicing Ophthalmology, Phila., since 1894; professor of diseases of the eye, Temple U., 1917- ; prof., Grad. Med. Sch. of U. of P., 1919- ; ophthalmologist to Samaritan, Garretson and Polyclinic Hospitals, etc. Sec., The Amer. Acad. of Ophthalmology and Otolaryngology 1918-1926 and pres., same, 1927-28; sec., and treas., International Congress of Ophthalmology, Washington, D.C., 1922. Author: The Principles and Practice of Perimetry, 19116; The Extra-Ocular Muscles, 1927. Married June 20, 1916, Carrie C. Moser, Philadelphia. Address: Suite 1206,. 1930 Chestnut St., Philadelphia. Handwritten on back: ""Yours Truly, L. C. Peter, Class '91. Manheim, Pa."
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