66,136 research outputs found
Interview with Andres Martinez
Author, Andres Martinez, discusses his dissertation and the resulting book he is writing that will expand on Valley conjunto musicians.https://scholarworks.utrgv.edu/bordermusicoralhistories/1014/thumbnail.jp
Interview of author Michelle Martinez
Michelle Martinez, author of the crime novel "Most wanted," talks about the issues faced by Latin Americans in their home country versus what they face in the United States. She describes her family and education, graduation form Harvard Law School, and her professional endeavors. Martinez discusses the story line of her book, what motivated her to write, and how she brought her experiences from the prosecutor's office to bear on her writing. She describes her writing as an opportunity to explore her own cultural heritage. Martinez discusses the art of writing and talks about what she reads. Martinez is interviewed by Diana Rivera at the 2005 Left Coast Crime Conference held in El Paso, Texas
The Fan and the Idol: Re-tracing Authorship in “The Author of Beltraffio”
This article is an investigation of the theme of authorship in Henry James’s tale “The author of Beltraffio.” Written at a crucial stage of James’s career, this tale stands at the crossroads between James’s high realism, his uneasy flirting with aestheticism, and his more experimental narrative turns. The article argues that in this story authorship is step by step not only mobilized, but also vampirized and dispossessed by the narrator, who exchanges the intimacy with the author and his individuality for commodities to be consumed. Authorship, Martinez contends, is figured in the tale as the result of a social discourse, where the veneration of the narrator for the “author of Beltraffio” borders on the relationship between “fan” and “idol.” Such a gesture is located within the broader cultural concerns James was dealing with at the time: the establishment of literary realism in America; the reconfiguration of the relation between private and public experience; the emergence of a mass readership; and a growing bifurcation between the mutually constituting high-brow and low-brow cultural spheres
The Fan and the Idol: Re-tracing Authorship in “The Author of Beltraffio”
This article is an investigation of the theme of authorship in Henry James’s tale “The author of Beltraffio.” Written at a crucial stage of James’s career, this tale stands at the crossroads between James’s high realism, his uneasy flirting with aestheticism, and his more experimental narrative turns. The article argues that in this story authorship is step by step not only mobilized, but also vampirized and dispossessed by the narrator, who exchanges the intimacy with the author and his individuality for commodities to be consumed. Authorship, Martinez contends, is figured in the tale as the result of a social discourse, where the veneration of the narrator for the “author of Beltraffio” borders on the relationship between “fan” and “idol.” Such a gesture is located within the broader cultural concerns James was dealing with at the time: the establishment of literary realism in America; the reconfiguration of the relation between private and public experience; the emergence of a mass readership; and a growing bifurcation between the mutually constituting high-brow and low-brow cultural spheres
T. H. Willey, Melitino Martinez, Benito Rodriquez, Estevio Garcia
T. H. Willey, Melitino Martinez, Benito Rodriquez, Estevio Garcia, b&w. Back reads: T. H. Willey, Melitino Martinez, Benito Rodriquez, Estevio Garcia (Shacklette Studio stamp).https://mds.marshall.edu/doris_miller_papers/1111/thumbnail.jp
Retelling racialized violence, remaking white innocence: the politics of interlocking oppressions in transgender day of remembrance
Transgender Day of Remembrance has become a significant political event among those resisting violence against gender-variant persons. Commemorated in more than 250 locations worldwide, this day honors individuals who were killed due to anti-transgender hatred or prejudice. However, by focusing on transphobia as the definitive cause of violence, this ritual potentially obscures the ways in which hierarchies of race, class, and sexuality constitute such acts. Taking the Transgender Day of Remembrance/Remembering Our Dead project as a case study for considering the politics of memorialization, as well as tracing the narrative history of the Fred F. C. Martinez murder case in Colorado, the author argues that deracialized accounts of violence produce seemingly innocent White witnesses who can consume these spectacles of domination without confronting their own complicity in such acts. The author suggests that remembrance practices require critical rethinking if we are to confront violence in more effective ways. Description from publisher's site: http://caliber.ucpress.net/doi/abs/10.1525/srsp.2008.5.1.2
The State in North Africa After the Arab Uprisings. An Interview with Luis Martinez
English translation not available onlineContribution au site web du CERI, Centre de recherches internationalesLuis Martinez is the author of The State in North Africa. After the Arab Uprising, published by Hurst and Oxford University Press on 30 January 2020. Martinez answers our questions about the situation in the several countries that form North Africa, following the popular protests that started in December 2010 in Tunisia
Maria and Julian Martinez Black-on-black Ceramic Bowl
Ceramic black-on-black bowl made by Maria and Julian Martinez (San Ildefonso) with geometric designs on the interior. Dimensions: 12 1/4 inches diameter. In the collection of Will Channing when photographed in August 1990
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