2,550 research outputs found
Paweł Piechnik
Get PDFIn the “Author Gallery”, we present frames from Paweł Piechnik’s comic Bread of Freedom. It may be that, being surrounded by contemporary images diverse in content, form, genre, style, function and medium, we do not battle with ourselves over which religious content to depict, if any. Even Leo III the Syrian (with whom the iconoclasm dispute began) would not question such a “meeting” between a comic and religion, probably because the line and frame are not “deified”, but rather prompt questions about the limits of the image as the limits of religion – as is the case with Bread of Freedom – as the boundaries of metaphysics. But not everything can be presented and justified. The iconoclasm dispute has left many traces in Western culture, including those in the form of questions related to what might be presented. The comic Bread of Freedom designs unobvious responses to questions of this nature.W „Author Gallery” prezentujemy kadry z komiksu Pawła Piechnika Chleb wolnościowy. Być może, otoczeni współcześnie obrazami różnorodnymi co do treści, formy, gatunku, stylu, funkcji i medium, nie toczymy z sobą walk o to, które treści religijne przedstawiać, jeśli w ogóle. Nawet Leon III Izauryjczyk (od którego rozpoczął się spór o ikonoklazm) nie kwestionowałby „spotkania” komiksu i religii – zapewne dlatego, że kreska i kadr nie są „przebóstwione”, raczej prowokują do pytań o granice obrazu jako granice religii, a nawet – jak w przypadku komiksu Chleb wolnościowy – jako granice metafizyki. Nie wszystko bowiem, co się da przedstawić, da się też uzasadnić. Spór o ikonoklazm zostawił po sobie wiele śladów w kulturze zachodniej, między innymi w postaci pytań o to, co można przedstawić. Komiks Chleb wolnościowy projektuje nieoczywiste odpowiedzi na tego typu pytania
"United in Diversity": The Church's Experience and the European Union's Identity Motto. European Diversity and Autonomy Papers. EDAP 2/2008
Get PDFThe paper analyses a potential relationship between religion and politics in the context of the EU’s motto, unity in diversity. It’s aimed at verifying the thesis that claims the European Union’s identity motto has its roots in the ecclesial model of identity. The following analysis is a two–stage one. First, it considers whether the Church’s and the EU’s respective “unities in diversity” mean a similar thing; secondly, it elaborates the channels (cultural, ecclesial and political) through which the ecclesial model has been transferred into European politics. In the last part of the contribution, the author considers the significance of the ecclesial experience for the current European integration debates
Fixations & Saccades metadata (NCN SONATA 16 "Preattentive attributes of dynamic point symbols in quantitative mapping")
No full textThis research was funded in whole or in part by National Science Centre, Poland 2020/39/D/HS6/01993. For the purpose of Open Access, the author has applied a CC-BY public copyright license to any Author Accepted Manuscript (AAM) version arising from this submission
Paralogies : the transformations of (post)modernist discourse in Russian culture of the 1920s-2000s
No full textIntegration Attempts Paweł Mykietyn and the Composer’s Self-Reflection
No full textIn this paper, the author attempts to reconstruct the aesthetic views of Paweł Mykietyn, a leading Polish composer of the middle generation. Since Mykietyn has never presented his views comprehensively, the author reconstructs his opinions on the basis of published interviews with the composer, focusing on his ideas regarding musical and nonmusical inspirations, the significance of mathematical procedures in the compositional process, traditional musical forms, the role of quotations and self-quotations, experimentation with microtones and musical time, as well as the concept of music as autobiography
The Stone Age Man in the Caves of the Tatra Mountains - pictures
No full text"This research was funded in whole or in part by National Science Center UMO-2021/41/B/HS3/03217. For the purpose of Open Access, the author has applied a CC-BY public copyright licence to any Author Accepted Manuscript (AAM) version arising from this submission.” The dataset is the result of activities related to the implementation of the project. It presents photos documenting the archaeological excavation in the Obłazkowa cave in the Tatra Mountains, as well as illustrations of Paleolithic stone artifacts from the Huciva cave in the Tatra Mountains in Slovakia
The radical nature of philosophy. Reflections on Paweł Kłoczowski’s book Cartesian revolution and other sketches
No full textThe radical nature of philosophy. Reflections on Paweł Kłoczowski’s book Cartesian revolution and other sketches: This paper offers a polemical discussion on Paweł Kłoczowski’s recently published book concerning the so‐called Cartesian revolution and other issues in social and political philosophy. The author presents Kłoczowski as the ideological heir of Leszek Kołakowski (1927-2009), and simultaneously a virtuoso of Polish philosophical essay writing. She demonstrates how topical, and at the same time timeless, are those problems considered by Kłoczowski. In doing so, she examines the inspirations of Kłoczowski and highlights some of his arguments: ones seemingly still stimulating triggers for our thinking
Against Great Civilizing Missions: On Working on the Performance How to Save the World on the Small Stage
No full textFrom a practice-as-research perspective, the author analyses his dramaturgical work on the performance How to Save the World on the Small Stage? directed by Paweł Łysak (Teatr Powszechny in Warszawa, 2018). This particular case is the starting point for complex research of methods and tools for ecological theatre. Una Chaudhuri’s idea of “Fifth Wall Dramaturgy” becomes the inspiration to exceed only human perspective and involve inhuman actors to the theatrical structure
Cephalic access with multiple leads may increase the risk of early ICD lead failure. Time to question the dogma?
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