8,873 research outputs found
Disciples of a crazy saint: The Buchen of Spiti
No full textThe Buchen are specialist religious performers from Spiti, a culturally Tibetan valley in North India. They are widely known for performing an elaborate exorcism ritual that culminates in a slab of stone, marked with images of demons, being smashed on a man’s belly. In winter groups of Buchen perform their religious theatre, a localised form of Ache Lhamo, the Tibetan Opera. This book, published in conjunction with an exhibition at the Pitt Rivers Museum at the University of Oxford is the result of a research project and substantial fieldtrip funded by the Arts and Humanities Research Council, with project partnership from the Pitt Rivers Museum.
Patrick Sutherland has been photographing in Spiti for nearly two decades and working with the Buchen for several years.
The book consists of a self-reflexive essay by Patrick Sutherland illustrated with historical photographs and his own photographs, followed by four sections of photographs and captions by Patrick Sutherland. It concludes with a substantial essay, placing the Buchen into a wider cultural and historical context, by Tashi Tsering, founding Director of the Amnye Machen Institute (Tibetan Centre for Advanced Studies) in Dharamsala. This essay is also illustrated with historical photographs
No Heroes: The photographs of Roger Hutchings
No full textAn anthology examining the work of the renowned British photojournalist Roger Hutchings, from his early work for The Observer, his extended documentary project on the Kurds in Southern Turkey, his work in the Balkans during the wars in the Former Yugoslavia and his photographs of the fashion industry for Giorgio Armani.
128 page softback in colour and black and white duotone.
Edited by Patrick Sutherland with preface by Sutherland, essay by Stephen Mayes and fifty six photographs by Hutchings
Community: the Elephant and Castle
No full textPatrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project.
Community: the Elephant and Castle is the second part of this three-part work, exisiting in book and exhibition format. The exhibition consisted of 118 individual framed or mounted photographic prints by 11 photographers, of which one is a 350 image grid and one a 28 image grid
Home: the Elephant and Castle
No full textHome: the Elephant and Castle was the first part of a three-part work in book and exhibition format and entitled The Elephant Vanishes. Home consisted of 97 individual framed or mounted photographic prints by 9 photographers, plus two multimedia presentations.
Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project
Economy: the Elephant and Castle
No full textEconomy: the Elephant and Castle was the third book in a three-part series entitled The Elephant Vanishes. Economy also consisted of an exhibition at the Cuming Museum in 2012
Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe, John Easterby and Brigitte Lardinois contributed to the project
Lecture by Patrick Sutherland for the World Oral Literature Project Occasional Lecture Series
No full textThe Buchen of Spiti in the Indian Himalayas are performers of rituals, actors and disciples of the fourteenth / fifteenth-century "crazy saint" Thang Tong Gyalpo. They are renowned for performing an elaborate exorcism called the Ceremony of Breaking the Stone. They also enact a local form of the Tibetan Opera for village audiences. These Buddhist morality plays illustrate the principles of karma and ideas of impermanence but also offer a space for uninhibited speech and earthy humour. Photographer Patrick Sutherland has been photographing the Buchen for many years. When he recently gave them some prints he was told that they were so awful that the performers had torn them up and thrown them in the fire. Disciples of a Crazy Saint describes Sutherland's further return to Spiti to investigate Buchen ideas about photography and to negotiate a form of documentation more appropriate to the Buchen self-image as specialist religious practitioners.
Patrick Sutherland is a documentary photographer and Reader in Photojournalism at the University of the Arts London. He has been photographing in Spiti since 1993 and his work has been exhibited and published internationally. A book entitled Spiti: The Forbidden Valley with an essay by Tibetan filmmaker Tenzing Sonam and a dedication by Henri Cartier-Bresson was published in 2000. Disciples of a Crazy Saint was funded by a grant from the Arts and Humanities Research Council, with project partnership from the Pitt Rivers Museum, where it is being exhibited until 3 July, 2011
Art, Biography, Sexuality: Patrick Procktor and Keith Vaughan
No full textThis critical review forms a reflection on the research published within the following publications:
Patrick Procktor: Art and Life (Unicorn Press, 2010)
Keith Vaughan: The Mature Oils 1946-1977, (Sansom & Co., 2012)
The research is on two artists, Patrick Procktor (1936-2003), and Keith Vaughan (1912-1977). The monograph on Procktor – previously one of the least documented of the generation of artists who came to prominence in London in the Sixties – positions him in a history of art from which he had been notably absent. The research on Vaughan asserts a new reading of his work, one that is both deeper and more nuanced in its analysis of the ways in which personal experience and sexuality are encoded autobiographically within his work. Crucially, in both artists biography and work are symbiotically linked; the research therefore examines the links between life and art.
Revisionary in intent, the work examines trajectories of experience of gay British (or rather, English) artists in the twentieth century, artists who sought to express themselves and forge careers within the constraints of a heteronormative society, albeit one in which attitudes to sexuality were undergoing change. As gay men, both were constrained by the social mores of their times, and each used painting as a means to affirm personal and sexual identities. A key research interest is in the ways in which sexuality and persona are reflected in critical responses to the artist’s work: in Vaughan, Procktor and other gay male artists of the period. The writing on both Procktor and Vaughan examines the relationship between their personal and professional/artistic lives, framed within a broader socio-political and art historical context. It asserts the place of biography as a means to understand and form new readings of the work. The work adds substantially to the literature and wider discourse on post-war British painting and social history
The Metropolitan Opera’s 50th Anniversary Gala: A Conversation with Robert Sutherland, Chief Librarian
No full textIn an interview with Patrick Lo, Robert Sutherland, Chief Librarian of the Metropolitan Opera, describes the work carried out by the organization's library staff in preparation for the Met's 50th Anniversary Gala.
From a Distance
No full textAn exhibition of very large scale documentary photographs of the Elephant and Castle exhibited at London College of Communication. From a Distance was a commission given to photographer Paul Reas to respond to the regeneration of the Elephant and Castle in south London. Paul Reas was chosen for his track record of personal, socially committed documentary work. From a Distance forms part of the Elephant Vanishes project, a long-term documentation of the changes facing this area. The exhibition was curated by Patrick Sutherland and Paul Reas and co-curated by Monica Takvam and the accompanying catalogue (Fieldstudy 16) was edited by Patrick Sutherland and Monica Takvam, with a commissioned essay by Giles Fraser, the Guardian's "Loose Canon" columnist.
Installation shots by Monica Takvam
The Photo Essay: Patrick Sutherland
No full textThis invited essay reflects upon the use of the photo essay within documentary photography. In particular it compares Righteous Dopefiend, the much-lauded anthropological text by Philippe Bourgois with photographs by Jeff Schonberg, to work by photographers exploring similar subject matter. It aims to tease out some of the essential elements of the photo essay as well as the connections between the practices of visual anthropology, documentary photography and photojournalism. It is accompanied by a separate online article that describes an approach to shooting, editing and constructing a photo essay and offers guidelines for the submission of photo essays to Visual AR
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