19,036 research outputs found
ADAM SMITH'S OPTIMISTIC TELEOLOGICAL VIEW OF HISTORY
Adam Smith's four-stage theory provides the framework for his writings on history. The fourth stage is the commercial epoch; the culmination of history in this stage is a key component in the conventional interpretation of Adam Smith as a prophet of commercialism. In two historical case studies Smith shows the capacity of commercial society to regenerate itself. This potent capacity suggests that commercial society is inevitable. At a certain point in time it also overcomes the major obstacles to its permanence. Smith's philosophy of history anticipates the end of history views of Kant and Hegel.Political Economy,
Community: the Elephant and Castle
Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project.
Community: the Elephant and Castle is the second part of this three-part work, exisiting in book and exhibition format. The exhibition consisted of 118 individual framed or mounted photographic prints by 11 photographers, of which one is a 350 image grid and one a 28 image grid
How Might Adam Smith Pay Professors Today?
Adam Smith’s proposal for paying professors was intended to induce increased faculty knowledge. If students have imperfect information about what they learn, and universities can only imperfectly measure the input of faculty time in student learning, publications may be used to measure faculty knowledge. If professors’ ability to publish is positively related to their ability to produce student learning, which universities can imperfectly measure, publications may be necessary to attract more able professors. Since research signals faculty knowledge, schools that do not value publications per se could require higher publication standards and pay higher wages than schools that value only publications.
Home: the Elephant and Castle
Home: the Elephant and Castle was the first part of a three-part work in book and exhibition format and entitled The Elephant Vanishes. Home consisted of 97 individual framed or mounted photographic prints by 9 photographers, plus two multimedia presentations.
Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe , John Easterby and Brigitte Lardinois contributed to the project
Economy: the Elephant and Castle
Economy: the Elephant and Castle was the third book in a three-part series entitled The Elephant Vanishes. Economy also consisted of an exhibition at the Cuming Museum in 2012
Patrick Sutherland is Director of The Elephant Vanishes, a long-term photographic documentation of the regeneration of the Elephant and Castle, undertaken with students on the MA Photojournalism and Documentary Photography course (MAPJD). Each year of the project students were set themes, which interrogate different aspects of the regeneration and development project. The resulting exhibition and book embraces divergent creative strategies: a key aspect of the work produced is its visual variety, leading to a rich layering and overlapping of documentary forms.
This work is edited and curated into exhibition and book format by Sutherland. The overall project. The Elephant Vanishes, was launched with a PARC study day at LCC in 2006. Numerous people including Prof Val Williams, Prof Tom Hunter, Adam Broomberg and Oliver Chanarin, Paul Lowe, John Easterby and Brigitte Lardinois contributed to the project
ADAM SMITH'S VIEW OF HISTORY: CONSISTENT OR PARADOXICAL?
The conventional interpretation of Adam Smith is that he is a prophet of commercialism. The liberal capitalist reading of Smith is consistent with the view that history culminates in commercial society. The first part of the article develops this optimistic interpretation of Smith's view of history. Smith implies that commercial society is the end of history because 1) it supplies the ends of nature that he identifies; 2) it is inevitable; and 3) it is permanent. The second part of the article shows that Smith has some dark moments in his writings where he seems to reject completely such teleological notions. In this more civic humanist mood he confesses that commercial society does not supply the ends of nature, nor is it inevitable, nor is it permanent. Both views exist in Smith and the commentator is forced to choose between passages in Smith's work in order to support a particular interpretation of the former's view of history.Political Economy,
The Apple store
An exhibit within an exhibition at Hauser and Wirth Somerset entitled 'The land we live in - The land we left behind'
A collaborative work with Artist Marcus Coates and Adam Sutherland (curator)
An installation constructed for performance artist Marcus Coates to play out his persona as a an apple store guru advisng participants on his knowledge and experience of apples
Adam Smith and Roman Servitudes
This essay is a preprint of an article that appeared at: Tijdschrift voor Rechstsgeschiedenis, 72 (2004), 327–57.This essay discusses Adam Smith historical jurisprudence and his use of Roman law materials in his Lectures on Jurisprudence. It argues that Smith found it difficult to maintain his theory of legal development in the face of a highly developed body of Roman law literature
THE THEOLOGICAL FOUNDATION OF ADAM SMITH'S WORK
The paper will discuss the theological foundation to Smith's writings. Teleology, final causes and divine design were initially seen as central to understanding Smith's writings. Over time, this view fell out of fashion. In the period after World War II, with the rise of positivism, commentators tended to overlook or downplay this interpretation. In the last decade, or so, teleology has started to be restored to its former position as an essential element in understanding Smith. After spelling out Smith's teleology and his view of final causes, divine design and the ends of nature, we try to explain the Panglossian nature of the 'new theistic view' of Smith. While our view differs somewhat, we agree with the essence of the 'new view' claim: a theological view exists in Smith which underpins his moral and economic theories.Political Economy,
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