6,458 research outputs found
Oral history of Susan Terranova
Susan Terranova ('76 BA, '77 MA SAIS) was a member of one of the first undergraduate classes to admit women and was the first woman to join the Johns Hopkins ROTC program. After graduating from the School of Advanced International Studies in 1977, Terranova embarked on a career as an Army officer, teaching at West Point and serving in Korea, Germany, the United States, and Colombia. After retiring from the Army, she began a second career as a foreign languages teacher. In this interview, Terranova recounts her early family life, ROTC at Hopkins during her time, and her career in the Army and as a teacher. This oral history is part of the Hopkins Retrospective oral histories series
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Letters from Lauro Cruz and Susan Hopkins to Dr. Hector P. Garcia.
Letters from Lauro Cruz and Susan Hopkins to Dr. Hector P. Garcia. The first two letters from Lauro Cruz regard Dr. Garcia's presence in Mexico City to receive the Jose Maria Morelos y Pavon Medal, and the failure of the Speaker to allow Dr. Garcia to speak. The Third letter from Susan Hopkins is about Dr. Hector P. Garcia's serving on the Board of Directors of Communities in Schools
The Exorcist: Believer (Susan Hopkins is horrified but in a thoughtful way)
The Exorcist: Believer (2023) is the latest in a long line of supernatural horror films that have attempted to emulate the commercial and critical success of the late William Friedkin’s iconic The Exorcist (1973). It seems there is something so deeply compelling in the mythology of an innocent girl corrupted by a demonic entity that it still resonates in the popular imagination some fifty years later. Unravelling the philosophical ideas at the dark heart of demonic possession horror, however, is a slippery business, especially in the current political climate, for as much as we like to think that our attitudes toward religion, illness, sex and the body have evolved, what fascinates and frightens us, or what disgusts us and yet draws us in, is much the same as it ever was. While The Exorcist: Believer pays its dues to modern demands for diversity and inclusion, it still invokes ancient warning messages and meanings about monsters from the underworld. As evidenced by the huge commercial success of the Conjuring horror franchise of the 2010s, even well-educated, jaded, postmodern audiences apparently want to believe, not just in the existence of evil, but in the Devil as a knowable and nameable entity. And as the director of The Exorcist: Believer, David Gordon Green, has recently observed, horror is one of the few remaining forms of popular culture where sensitive and provocative images and ideas can be creatively pushed to their titillating extremes. Thus, in mainstream horror cinema, disturbing representations of moral chaos, corruption, illness, and suffering might still be explored relatively free of personal and social censorship
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A letter from Hayden Head, Susan Hopkins, and Tony Bonilla to Dr. Hector P. Garcia, informing him of changes that could be made to public education.
A letter from Hayden Head, Susan Hopkins, and Tony Bonilla to Dr. Hector P. Garcia, informing him of changes that could be made to public education
Hopkins, Susan
Susan Hopkins is a 53-year-old member of the LGBTQIA community, living in Westbrook, Maine. Susan grew up with her family on the small island of Vinalhaven in Penobscot Bay, hearing tales of her anti-racist bisexual aunt. A self-identified feminist in her adolescence, Susan recognized that she was not straight early on, but did not feel safe to come out in her small community. Going to the University of Maine, Orono, Susan experienced her first lesbian relationship and taste of chosen family. Eventually, Susan found herself at the Howard University School of Law, where she interned at Whitman Walter Clinic in D.C, and immersed herself in ‘queer’ culture. Many years later, Susan was connected with June Harris, a woman she dedicated much of this interview to, and they became close confidants. During their friendship, June introduced Susan to the hidden history of lesbian life in Maine during the 1930s, 1940s, and 1950s. Susan is passionate about Maine’s hidden sub-cultures, chosen family, intergenerational friendships, and the right to self-identify.
Citation
Please cite as: Querying the Past: LGBTQ Maine Oral History Project Collection, Lesbian, Gay, Bisexual, Transgender, and Queer+ Collection, Jean Byers Sampson Center for Diversity in Maine, University of Southern Maine Libraries.
For more information about the Querying the Past: Maine LGBTQ Oral History Project, please contact Dr. Wendy Chapkis.https://digitalcommons.usm.maine.edu/querying_ohproject/1035/thumbnail.jp
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Home, meaning and identity: Learning from the English model of shared ownership
This article explores the problematic nature of the label ‘home ownership’ through a case study of the English model of shared ownership, one of the methods used by the UK government to make home ownership affordable. Adopting a legal and socio-legal analysis, the article considers whether shared ownership is capable of fulfilling the aspirations households have for home ownership. To do so, the article considers the financial and non-financial meanings attached to home ownership and suggests that the core expectation lies in ownership of the value. The article demonstrates that the rights and responsibilities of shared owners are different in many respects from those of traditional home owners, including their rights as regards ownership of the value. By examining home ownership through the lens of shared ownership the article draws out lessons of broader significance to housing studies. In particular, it is argued that shared ownership shows the limitations of two dichotomies commonly used in housing discourse: that between private and social housing; and the classification of tenure between owner-occupiers and renters. The article concludes that a much more nuanced way of referring to home ownership is required, and that there is a need for a change of expectations amongst consumers as to what sharing ownership means
Oral History of Warren C. Hayman
Warren C. Hayman is an African American educator who spent the last decades of his long career at Morgan State University, where he served as Assistant Dean of Education and Program Coordinator for the Doctoral Program in Urban Educational Leadership. From 1985 to 1997, Hayman worked in the Johns Hopkins University (JHU) School of Continuing Studies as the coordinator for the JHU-Dunbar High School Health Professions Program. The JHU-Dunbar program was a cooperative effort between Johns Hopkins University, the Johns Hopkins Medical Institutions, and Dunbar High School to prepare students for access to higher education and consideration of careers in the health and science professions.
While the oral history primarily focuses on Hayman’s role as program coordinator, Hayman also speaks about his educational background and professional development from the 1960s to the 1980s, during an era of civil rights activism, the rise of Black Studies, and increasing calls for multicultural education. Hayman goes on to discuss the development of the JHU-Dunbar Health Professions Program, which had support from JHU President Steven Muller, Johns Hopkins Hospital President Robert Heyssel, and Dunbar High School Principal Elzee Gladden. Hayman discusses the opportunities created for students in different components of the program, such as the summer bridge program, “A” Course, summer scholars program, and participation in Biomedical Symposiums organized by the Association of Minority Health Professions Schools (AMPHS). The summer scholars program gave students the opportunity for a paid, six-week internship experience with a Johns Hopkins professional in their area of interest, such as pediatrics, veterinary medicine, or ophthalmology. Students worked with faculty and medical professionals associated with Johns Hopkins Hospital, JHU School of Medicine, JHU Bloomberg School of Public Health, and Johns Hopkins Hospital School of Nursing. The interview provides important insight into the history of the JHU-Dunbar program, its impact on student success, and the ongoing relationship between Johns Hopkins, Dunbar High School, and the East Baltimore community. This oral history was conducted as part of the Reexamining Hopkins History Initiative.
In addition to those mentioned above, Dr. Hayman mentions the following Johns Hopkins affiliates who were connected with the program in different capacities: Kerwyn Barbour; Deidra Bishop; Lee Bone; Benjamin Carson; James Coleman; Colene Daniel; Ralph Fessler; Susan Flora; Stanley C. Gabor; Margaret “Peggi” Graves; Joseph S. Hall; Yariela Kerr-Donovan; Dwight Lassiter; James M. McPartland; David G. Nichols; Michael Preston; Mark C. Rogers; Edgar Roulhac; Joseph L. Smith; Roland Smoot; Levi Watkins, Jr
Oral History of Warren C. Hayman
Warren C. Hayman is an African American educator who spent the last decades of his long career at Morgan State University, where he served as Assistant Dean of Education and Program Coordinator for the Doctoral Program in Urban Educational Leadership. From 1985 to 1997, Hayman worked in the Johns Hopkins University (JHU) School of Continuing Studies as the coordinator for the JHU-Dunbar High School Health Professions Program. The JHU-Dunbar program was a cooperative effort between Johns Hopkins University, the Johns Hopkins Medical Institutions, and Dunbar High School to prepare students for access to higher education and consideration of careers in the health and science professions.
While the oral history primarily focuses on Hayman’s role as program coordinator, Hayman also speaks about his educational background and professional development from the 1960s to the 1980s, during an era of civil rights activism, the rise of Black Studies, and increasing calls for multicultural education. Hayman goes on to discuss the development of the JHU-Dunbar Health Professions Program, which had support from JHU President Steven Muller, Johns Hopkins Hospital President Robert Heyssel, and Dunbar High School Principal Elzee Gladden. Hayman discusses the opportunities created for students in different components of the program, such as the summer bridge program, “A” Course, summer scholars program, and participation in Biomedical Symposiums organized by the Association of Minority Health Professions Schools (AMPHS). The summer scholars program gave students the opportunity for a paid, six-week internship experience with a Johns Hopkins professional in their area of interest, such as pediatrics, veterinary medicine, or ophthalmology. Students worked with faculty and medical professionals associated with Johns Hopkins Hospital, JHU School of Medicine, JHU Bloomberg School of Public Health, and Johns Hopkins Hospital School of Nursing. The interview provides important insight into the history of the JHU-Dunbar program, its impact on student success, and the ongoing relationship between Johns Hopkins, Dunbar High School, and the East Baltimore community. This oral history was conducted as part of the Reexamining Hopkins History Initiative.
In addition to those mentioned above, Dr. Hayman mentions the following Johns Hopkins affiliates who were connected with the program in different capacities: Kerwyn Barbour; Deidra Bishop; Lee Bone; Benjamin Carson; James Coleman; Colene Daniel; Ralph Fessler; Susan Flora; Stanley C. Gabor; Margaret “Peggi” Graves; Joseph S. Hall; Yariela Kerr-Donovan; Dwight Lassiter; James M. McPartland; David G. Nichols; Michael Preston; Mark C. Rogers; Edgar Roulhac; Joseph L. Smith; Roland Smoot; Levi Watkins, Jr
Original filing title: MSE Library | Donors | Eisenhower, Milton | Mahon, Susan Eisenhower
Group photograph of former President Eisenhower and Mahon, his niece, presenting a group of Dwight D. and Mamie Eisenhower letters to the Library. Library Director Susan K. Martin and Vice President for Development Robert Haley accepted the gift on behalf of the library
After all this time without you, after all this time I find First line of refrain I wish I didn't love you so, my love for you, should have faded long ago [first line]
introduction and refrainpiano and voiceads on back cover for Susan stockJohns Hopkins University, Levy Sheet Music Collection, Box
081, Item 047By Frank Loesser.Paramount Presnets "The Perils of Pauline" in Technicolor, Starring Betty Hutton and John Lund.unattributed photos of Hutton and Lun
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