1,316 research outputs found

    Antoni Despuig i Dameto, el mapa de Mallorca (1784-1785) i la Societat d'Amics del País

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    El clérigo Antoni Despuig i Dameto (1745-1813), si no fue el autor, fue el responsable de uno de los mapas de Mallorca más celebrados, grabado por Josep Muntaner en 1785. La iniciativa surgió probablemente en el seno de la Sociedad Económica Mallorquina de Amigos del País. El artículo hace una revisión de los posibles intervinientes y de algunas características del documento como las coordenadas, la escala (1:72.000 ca) y los datos referidos a caminos y poblaciones.The clergyman Antoni Despuig i Dameto (1745-1813), if he was not the author he was the person in charge of one of the more celebrated maps of Majorca, burdened by Josep Muntaner in 1785. The initiative arose probably in the bosom of the Sociedad Económica Mallorquina de Amigos del País. This paper does a review of the possible interveners and of some characteristics of the document as the coordinates, the scale (1:72.000 ca) and the information referred to ways and populations

    Antoni Gaudí, a lone wolf in European architecture

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    The works of Antoni Gaudí have often been viewed as revolutionary. In the author’s opinion, some of Gaudí’s works from the 19th century can indeed be considered not only revolutionary but also the harbingers of the rupture that took place in European architecture at the turn of the century. However, while his later output enshrined him as a brilliant creator with well-deserved worldwide fame, these works were far from architecture’s evolution towards a new modernity, and Gaudí finally lost any ties he might have once had with this modernity when he enclosed himself in the Sagrada Família towards the end of his life

    ‘Inhabit’ of Janine Antoni as a metaphor of female creation

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    ‘Inhabit’ of Janine Antoni as a metaphor of female creationThe article aims to present the figure of contemporary artist Janine Antoni by discussing her most important performances. The author of the article pays particular attention to Antoni’s work Inhabit, which she interprets and analyzes in the spirit of arachnology. This strategy intends to present Inhabit as a kind of metaphor of feminine creativity. ‘Inhabit’ of Janine Antoni as a metaphor of female creationThe article aims to present the figure of contemporary artist Janine Antoni by discussing her most important performances. The author of the article pays particular attention to Antoni’s work Inhabit, which she interprets and analyzes in the spirit of arachnology. This strategy intends to present Inhabit as a kind of metaphor of feminine creativity

    Life and Scientific Activity of Rev. Prof. Antoni Kość SVD

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    This article undertakes the issue of the life and scientific activity of Rev. Prof. Antoni Kość, particularly his contribution to the development of Polish and world philosophy of law. The author presents the biography of Antoni Kość beginning with the schooldays. In the article have been descibed the following stages: the seminary and theology studies in the Catholic University of Lublin; missionary work and law studies in Japan; law studies in Germany and the United States; studies and work at the universities in Japan and Korea; work at the Catholic University of Lublin. The author presents also the academic achievements of Prof. Antoni Kość

    Ferdynand Antoni Ossendowski o Hucułach

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    Ferdynand Antoni Ossendowski on the HutsulsThe article examines the image of the Hutsuls in Ferdynand Antoni Ossendowski’s oeuvre. The author analyses the writer’s monograph Huculszczyzna, Gorgany i Czarnohora, reportage writing, articles published by Kurier Warszawski, so-called Hutsul novels Postrach gór [The Terror of the Mountains], examining the use of traditional stereotypes forming part of the cultural heritage of a given ethnic group and referring to e.g. perception of other nationalities, and ways of combining them with individual opinions stemming from observation and personal experience. She points to the symbiosis between the apologetic and Romantic concepts of the folk hero with nationhood ideas of Ossendowski’s times using e.g. the principles of inter-war regionalism.Ferdynand Antoni Ossendowski on the HutsulsThe article examines the image of the Hutsuls in Ferdynand Antoni Ossendowski’s oeuvre. The author analyses the writer’s monograph Huculszczyzna, Gorgany i Czarnohora, reportage writing, articles published by Kurier Warszawski, so-called Hutsul novels Postrach gór [The Terror of the Mountains], examining the use of traditional stereotypes forming part of the cultural heritage of a given ethnic group and referring to e.g. perception of other nationalities, and ways of combining them with individual opinions stemming from observation and personal experience. She points to the symbiosis between the apologetic and Romantic concepts of the folk hero with nationhood ideas of Ossendowski’s times using e.g. the principles of inter-war regionalism

    Antoni Bogusławski— the forgotten journalist, poet, writer, translator, author of children literature, literary critic, officer

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    Artykuł przypomina zapomnianą, barwną postać wielu talentów międzywojennej Warszawy i emigracyjnego „polskiego” Londynu — Antoniego Bogusławskiego (1889–1956) — wyjątkowego publicysty prasowego i radiowego, pisarza, poety, krytyka literackiego, autora literatury dla dzieci, tłumacza, zawodowego oficera.The aim of this article is to bring back from oblivion Antoni Bogusławski, a man of multiple talents and a distinguished figure of the interwar Warsaw and the Polish community in London. He was a brilliant journalist, writer, poet, literary critic, author of children’s literature, translator, officer of the Polish Army

    Ceremonies of consensus and counterculture: Antoni Miralda and carnival inversion

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    RESUMEN: El arte de acción ha tenido desigual fortuna en España, tanto en lo que se refiere a la práctica artística como a su estudio por parte de la historia del arte. Entendido como expresión liberadora y progresista por la crítica coetánea, y por tanto contra a los parámetros culturales de la dictadura, en este artículo proponemos volver al archivo para problematizar dicha comprensión y valoración crítica de estos modos de interpretación y aceptación. Nuestro estudio se centra en el happening y su desarrollo en la década de los sesenta y setenta del siglo XX en España a través de la relevancia de algunos eventos que no han pasado al archivo (la importancia de Granollers, la participación de Dalí, p.e.), centrándonos en las acciones de Antoni Miralda donde se desvelan culturas de consenso y arraigo que cuestionan las interpretaciones historiográficas dadas.ABSTRACT: Performance art in Spain, both as an art practice and as a subject of scholarly study, has traditionally been varyingly understood. Taken as a token for freedom and resistance politics by critics opposed to the cultural parameters imposed by the dictatorship, in this article the author proposes a revision of the archive with the aim of roblematizing such understanding and critical comprehension. This study concentrates on happenings and their development during the sixties and seventies in Spain that have gone unnoticed in historical research (i.e. the importance of Granollers, Dalí’s participation in some happenings), with emphasis on the works of Antoni Miralda which deal with the culture of consensus and traditions that challenge other firmly established interpretations.Depto. de Historia del ArteFac. de Geografía e HistoriaTRUEpu

    Il problema della reversibiltà degli interni in due racconti di Herman Melville.

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    Analysis of the oppositive structures inside/outside in the tale "Under the Rose", with further reference to other writings by the same author

    Inhabit Janine Antoni jako metafora kobiecej twórczości

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    Janine Antoni’s Inhabit as a metaphor of feminine creativity The article aims to present the figure of contemporary artist Janine Antoni by discussing her most important performances. The author of the article pays particular attention to Antoni’s work Inhabit, which she interprets and analyzes in the spirit of arachnology. This strategy intends to present Inhabit as a kind of metaphor of feminine creativity

    Antoni Stanisław Polański de Tarnawa (1928-1965)

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    1. Celem artykułu jest pokazanie biografii, badań i twórczości Antoniego Stanisława Polańskiego de Tarnawa (ur. 1928 we Lwowie – zm. 1965 w Opolu), polskiego historyka, nauczyciela, społecznika, harcerza. 2. Metodologia. Autor posłużył się historiograficzną metodą analizy dokumentu. 3. Główne wyniki analizy. Tekst ukazuje życie i dorobek twórczy (publikacje) Antoniego Stanisława Polańskiego de Tarnawa (1928-1965). 4. Ograniczenia wyników analizy. Wyniki odnoszą się do Antoniego Stanisława Polańskiego de Tarnawa (1928-1965). 5. Implikacje praktyczne. Wyniki analiz można zastosować jako materiał w badaniach nad historią polskiego Śląska. 6. Implikacje społeczne. Wyniki analiz odnoszą się do bytu narodowego Polaków na Śląsku badanego przez Antoniego Stanisława Polańskiego de Tarnawa (w latach 1950-1965). 7. Oryginalność artykułu (nowa wartość, nowość). Artykuł pokazuje źródłowo po raz pierwszy w historii życie, działalność i dorobek pisarski historyka Antoniego Stanisława Polańskiego de Tarnawa (1928-1965) i pełną bibliografię jego prac.1. The goal of this article jest presentation of biography, researches and creativity of Antoni Stanislaw Polanski de Tarnawa (born 1928 in Lvov – died 1965 in Opole), a Polish historian, a teacher, a social activist, a scout. 2. Methodology. An author used historiographical method for analysis of document. 3. The main results of analysis. This text shows life and creativity works (publications) by Antoni Stanislaw Polanski de Tarnawa (1928-1965). 4. Limitations of results of analysis. This article is a contribution to Antoni Stanislaw Polanski de Tarnawa (1928-1965). 5. Practical implications. Results of analyzes may be used as material in research of history of Polish Silesia. 6. Social implications. The results of analyzes related to the Polish nation in Silesia studied by Antoni Stanislaw Polanski de Tarnawa (in the years 1950-1965). 7. The originality of the article (new value, novelty). The paper shows source-based (as first text in history) life, activity and written works by historian Antoni Stanislaw Polanski de Tarnawa (1928-1965) and full bibliography of his works
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