543 research outputs found
Ayad Akhtar: A Conversation
On October 25, Pakistani-born artist and RISD alumna Shahzia Sikander, the Painting Department\u27s 2016 Kirloskar Fellow, organized a lecture and conversation with playwright and author–and her frequent collaborator–Ayad Akhtar, at the RISD Metcalf Auditorium.https://digitalcommons.risd.edu/painting_kirloskarvisitingscholarlectures/1000/thumbnail.jp
Akhtar Raza Saleemi as a Poet
Akhtar Raza Saleemi was brought into the world on 16 June 1974, at Kekot Khyber Pakhtunkhwa, Pakistan. He accepted his primer schooling in his own town and learnt Urdu, Persian and so on at an early age. Later he moved to Karachi for where he rehashed his registration and Intermediate. He moved to Islamabad for higher examinations and finished his graduation from the renowned Allama Iqbal College. Akhtar was basically a writer of the ghazal custom anyway he confined himself from being a generalization and examination his abilities in other sort of writing like nazam, fiction, novel and so forth. His verse assortments \u27Khawab Daan\u27 has been applauded by the pundits. Akhtar Raza saleemi is a perceived writer of both ghazal and nazm. He has distributed a few verse books and has been valued for his work by pundits. He remained in the class of verse till 2008 and afterward began exploring different avenues regarding the style of novel composition. His verse being viewed as a particular mix of dream and reality. As well as getting Joined Bank\u27s Best Fiction Author grant, he has two times won the Abasin Expressions Chamber Grant. Craftsman Wasi Haider made a thousand and one compositions for the front of his Saleemi\u27s clever Wake Up in a Fantasy, so the front of each duplicate of the primary version of this novel was unique
Changing Demographic, Social, and Economic Conditions in Karachi City, 1959–94: A Preliminary Analysis
Kingsley Davis (1961) had argued that the reason that the ancient cities failed to survive was that they were too deadly. He suggested that “three of their (cities) main traits....the crowding of many people in little space, their dependence on widespread contacts (due to in-migration), and their wealth...laid them open to contagious diseases, environmental contamination, occasional starvation and warfare”. Even in the medieval age, some European cities provide examples of such problems; but especially so following the Industrial Revolution. Do the events of the 1980s and the 1990s in Karachi suggest that the city may be heading in the same direction. Recently, The Times London in a lead article in November 1994, labelled Karachi as a “City of Riches and Shattered Dreams”. It further said that Karachi had grown into a megalopolis where life moved fast and street violence had become a norm. Indeed, more than 65 percent of Pakistan’s industries and 80 percent of its finance, banking, and business are concentrated in the city and people come to it from all over the country to find jobs and fulfil their dreams [Husain (1994)]. During the past decade, street violence in the form of ethnic clashes has become a sort of regular event in Karachi. At times, these clashes have been more frequent and even bloodier than the ones before. According to the local newspaper accounts, between 1985 and 1988 (in four years), about 400 people died in Karachi due to violence, which has increased substantially over time. Thus, while the number of violent deaths remained between 350–500 during 1991–93, in 1994 alone the number exceeded 1,100, and during the first three months of 1995, over 300 persons have died due to violence.
Apparent bias: the inclusion of police officers on the jury and Article 6.1 of the Human Rights Act
In this article Zia Akhtar (Barrister, Grays Inn) looks at the jury trial and the inclusion of members of the police force that may lead to a breach of Article 6 of the Human Rights Act 1998. The author explains tests for determination of bias, the role of judicial discretion and the consideration of conflicts of interest
Concerning Begum Akhtar: ''Queen of Ghazal''
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Reason: ETDs are only available to UIUC Users without author permissionThis thesis focusses on the life and work of one of India's most famous female singers, Begum Akhtar (1914-1974). On the one hand, it provides a brief biography and a summary of her musical accomplishments; particular attention is paid to her contributions to the genre for which she was most renowned, a musical-poetic form known as the underbar ghazal. Further to this, however, the thesis examines the manner in which the establishment of and alterations in gender roles and hierarchies, in coordination with other power relationships-- particularly those involving class and patronage shifts, moral issues, ethnic/religious concerns, and nationalist versus colonialist ideologies--affected her life and work, as well as attitudes regarding the woman and her art.Akhtar lived through a period of rapid and structural change in Indian society. Her life overlapped the transitional period in India from the pre-independence era of anti-colonial struggle to the early years of independence. Like other professional women of her class she was, coincidentally, a product of these changing times, an agent of transformation, and one of the victims. Throughout the latter part of her life Begum Akhtar bore the anguish of being caught between two moral standards, one consistent with her early role as a bai (courtesan singer) under nawabi feudal patronage, and the other with her later status as a begam in democratic India. Her dilemma, while personal, was at the same time that of a nation which, under the burden of colonial influence--in the quest for a new image and a socio-cultural, political, economic and moral restructuring--was attempting the excision of a crucial component of its own artistic self."This work presents both the dominant discourse and an alternate reading regarding a transitional period in the history of modern India, and the role that women (and particularly ""professional"" women) played within that; and it does so through a focus on the life and art of one of the leading female musical figures of the era."Made available in DSpace on 2011-05-07T13:22:37Z (GMT). No. of bitstreams: 2
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X-efficiency Analysis of Commercial Banks in Pakistan: A Preliminary Investigation
The emergence of a fast-paced dynamic environment in the business world in general, and in the financial services sector in particular, has highlighted the significance of competition and efficiency. The need for deregulation has become a touchstone of success in fostering both competition and efficiency especially in the economies, which are exposed to structural reforms. In addition to that, intense competition both among domestic and foreign banks, rapid speed of innovations and introduction of new financial instruments, changing consumer’s demands and desire for product augmentation have changed the way a bank conducts business and services its customers. Larger the degree of competition, it is perceived that the firms would become more efficient. However, when the structure of an industry is product of the government regulations, the degree of competition is impaired markedly implying that the efficiency suffers negatively. Banking industry acts as life-blood of modern trade and commerce acting as a bridge to provide a major source of financial intermediation. Thus, appraisal of its efficiency is vital in context of an efficient and competitive financial system. Study of x-efficiency is believed to be important in particular as Berger, et al. (1993) found that x-inefficiencies account for around 20 percent or more of banking costs. Similarly, recent drive among banks towards downsizing, rightsizing and rationalisation of banking costs also implicates for the assessment of x-efficiency analysis of banks. It becomes vital in Pakistani context as there appears to be no study in literature on efficiency or x-efficiency analysis of banks in Pakistan. “A great deal more work is needed on x-efficiency research in banking. Managerial efficiency, the concept of x-efficiency, appears to be a much more important strategic and policy consideration” [Molyneux, et al. (1960), p. 273]. Given
Rhagastis olivacea Moore 1872
Rhagastis olivacea (Moore, 1872) Plate 3, Fig. 56 Material examined. PAKISTAN, [Azad Jammu and Kashmir,] Rawalakot, 0 7. viii. 2000, Naeem Akhtar. Remarks. This is the first record of this species from Pakistan. Rhagastis olivacea occurs from northeastern Pakistan, through northern India, Nepal, Myanmar, northern Thailand, Laos and northern Vietnam to southern China (Pittaway & Kitching, 2013).Published as part of Rafi, Muhammad Ather, Sultan, Amir, Kitching, Ian J., Pittaway, Anthony R., Markhasiov, Maxim, Khan, Muhammad Rafique & Naz, Falak, 2014, The Hawkmoth Fauna of Pakistan (Lepidoptera: Sphingidae), pp. 393-418 in Zootaxa 3794 (3) on page 408, DOI: 10.11646/zootaxa.3794.3.4, http://zenodo.org/record/23055
Leucophlebia emittens Walker 1866
Leucophlebia emittens Walker, 1866 Plate 1, Fig. 8 Material examined. PAKISTAN, [Islamabad,] Simli Dam, 16. vii. 2012, Saleem Akhtar (NIBGE). Remarks. This species was first recorded from Pakistan (Margalla Hills (Islamabad and Balakot) by Eitschberger (2003). Leucophlebia emittens is distributed primarily in India (northwestern Himalaya, Sikkim, and the Western Ghats in the south) (Bell & Scott, 1937), with scattered records in the centre.Published as part of Rafi, Muhammad Ather, Sultan, Amir, Kitching, Ian J., Pittaway, Anthony R., Markhasiov, Maxim, Khan, Muhammad Rafique & Naz, Falak, 2014, The Hawkmoth Fauna of Pakistan (Lepidoptera: Sphingidae), pp. 393-418 in Zootaxa 3794 (3) on page 396, DOI: 10.11646/zootaxa.3794.3.4, http://zenodo.org/record/23055
Hydraulic simulations to evaluate and predict design and operation of the Chashma Right Bank Canal
Irrigation systems / Irrigation canals / Flow control / Velocity / Canal regulation techniques / Hydraulics / Simulation models / Design / Operations / Crop-based irrigation / Distributary canals / Water delivery / Policy / Protective irrigation / Water allocation / Water requirements / Sedimentation / Water distribution / Equity / Water conveyance / Pakistan / Chashma Right Bank Canal
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