5,102 research outputs found

    Raymond Sullivan, Utah Uranium Oral History Project

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    Transcript (47 pages) of an interview by Clare Engle with Raymond Sullivan, on July 24, 1970. From tape number UR-186 in the Utah Uranium Oral History ProjectSullivan, a mining engineer, spoke with Clare Engle in Grand Junction, Colorado. Subjects: mining in the 1940s, the Manhattan Project, discoveries on the Colorado Plateau, forming a company, the AEC and VCA, drilling at Calamity, Charlie Steen, air drilling and Tungsten-Carbide bits, USGS and AEC supervision, buying and selling ore, the Geiger counter, opportunities and current activities (47 pages)

    Letter from B. Rouchette to William Sullivan, 11 July 1823

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    B. Rouchette writes to William Sullivan in Boston, Massachusetts; Sullivan apparently was acting as go-between for Alden Partridge in securing the services, probably as French instructor at the American Literary, Scientific, and Military Academy in Norwich, Vermont, of Mr. Rouchette.Transcription by Raymond Bouchard. Transcriptions may be subject to error

    Letter from William Sullivan to Alden Partridge, 12 July 1823

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    William Sullivan writes from Boston, Massachusetts, to Alden Partridge at the American Literary, Scientific, and Military Academy in Norwich, Vermont; he encloses the letter of B. Rouchette (possible French instructor?); he and Mr. Ticknor (George Ticknor?)have no hope of "effecting such an establishment as [Partridge] proposed;" and he would like to visit the Academy when James Swan Sullivan will be examined in August.Transcription by Raymond Bouchard. Transcriptions may be subject to error

    Letter from William Sullivan to Alden Partridge, 3 September 1822

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    William Sullivan writes from Boston, Massachusetts, to Alden Partridge at the American Literary, Scientific, and Military Academy in Norwich, Vermont; his sons, William Amory Sullivan and James Swan Sullivan are returning to the academy; he is pleased with the progress of William in some areas.Transcription by Raymond Bouchard. Transcriptions may be subject to error

    In Loving Memory of Raymond Sullivan Ezebb

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    Funeral program for Raymond Sullivan Ezebb, born April 5, 1942. The funeral was held May 10, 2003 at Mt. Zion First Baptist Church, officiated by Rev. Kenneth A. Allen. Funeral arrangements were made through the Lewis Funeral Home and he was buried in Southern Memorial Cemetery in San Antonio, Texas

    Raymond Williams and the limits of cultural materialism

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    Cultural materialism has become an influential discipline in recent years, particularly so in 'Renaissance' studies, but also more generally in 'English', as well as departments defined as practising 'cultural' or 'communications' studies. The phrase is usually linked with the name of Raymond Williams, but a cursory examination of Williams's own work quickly establishes that it is a phrase he rarely uses, and only schematically attempts to define. The thesis therefore takes the form of an investigation into the way cultural materialism has come to be understood, by examining in detail the trajectory of Raymond Williams's theoretical development, and how his own engagement with various theoretical positions has helped to set 'limits' on the meaning of cultural materialism. Chapters 1 and 2 deal with some of Williams's earliest work, particularly Reading and Criticism, as a way of investigating how reasonable it is to tag him as a 'Left-Leavisite', arguing that Leavis's undoubted influence is resisted (though not entirely rejected) from a very early stage. The first chapter considers in detail Leavis's work at Cambridge, the influence of Eliot, and the significance of the 'Organic Community'. Chapter 2, which is based around a comparative analysis of Williams's and Leavis's readings of Dickens, argues that Williams rejects the 'organic community' in favour of his 'knowable community'. Chapters 4 and 5 deal with specific 'theoretical' issues: the first, based around a reading of Terry Eagleton's critique of Williams's use of the Marxist metaphor of 'base and superstructure', shows some of the problems which arise from Williams's cultural model, as well as suggesting refinements; the second deals with the influence of Volosinov's theories on Williams. Chapter 6 comes out of Williams's readings of the 'Country-House' poems in The Country and the City, showing how his practice of literary criticism relies on an acceptance of 'ideology' apparently denied in his more 'theoretical' writings. This analysis is extended as a result of investigations into the 'De L'Isle' manuscripts relating to the Penshurst estate. Chapter 7 argues that it is possible to see the work of Fredric Jameson as developing Williams's cultural materialism into Jameson's debates on postmodernism. In the Introduction and Conclusion, I have taken the opportunity to look briefly at the activity of cultural materialism as it has developed since Raymond Williams's death in 1988. The Introduction emphasizes what I see to be important methodological differences between 'cultural materialism' and 'new historicism'; the Conclusion deals with the continuing debate over the value of a cultural materialist approach by considering the 'appropriation' of Shakespeare

    Raymond Gervais : 3 x 1

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    "Raymond Gervais 3 X 1 traces and elucidates the important or little-known moments in the practice of Raymond Gervais, an artist who has explored the notion of the aural imagination since the mid 1970s. An erudite author, Gervais joins forces here with Nicole Gingras, a researcher and curator interested in what connects sound, image, and words. The first major publication on the work of a conceptual artist questioning whether thought is acoustic" -- p. [4] of cover

    Special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp, Japanese = 特別告示

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    Japanese translation of a special announcement from Raymond R. Best, Raymond R., Director of the Tule Lake camp regarding permanent leave from the segregation center.The Kiyoshi Uyekawa Tule Lake Camp Collection comprises of the wartime publications collected by Kiyoshi Uyekawa while incarcerated in the Tule Lake camp, such as Tule Lake newsletters and bulletins, materials issued by the Pro-Japanese group, Sokoku Hoshidan (or Hoshi Dan), WRA publications, his family's incarceration documents, which include documents regarding his and his wife, Mitsuye‘s repatriation, his fictional works’ manuscripts, bulletins and manuscripts of haiku poems authored by the members of the haiku societies incarcerated in the camps, and letters from Kyo Koide, who was a prominent figure in the community as a photographer, physician, and poet under the pseudonym, Banjin Koide
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