25,591 research outputs found
Shi zhu Su shi: si shi er juan. v.1
No full text施元之註 ; 顧嗣立, 邵長蘅, 宋至刪補. 蘇詩續補遺 : [二卷] / 馮景補註.In 1 case.框18.6x14.5公分, 10行21字, 小字雙行, 粗黑口, 四周單邊, 單黑魚尾, 版心中鐫題名及卷次, 下鐫葉次. 行間有朱墨圈點.卷端題下署"宋犖, 張榕端閱定"出書年據序.前有康熙己卯[1699]宋犖序, 邵長蘅序, 康熙庚辰[1700]張榕端序.《蘇詩續補遺》分上, 下卷.卷前附: 宋史本傳 / 脫脫撰 -- 東坡先生年譜 / 王宗稷編 ; 邵長蘅重訂 -- 東坡先生墓誌銘 / 蘇轍撰 -- 王注正譌.鈐"吳江凌氏藏書"印.Shi Yuanzhi zhu ; Gu Sili, Shao Changheng, Song Zhi shan bu. Su shi xu bu yi : [er juan] / Feng Jing bu zhu.Kuang 18.6 x 14.5 gong fen, 10 hang 21 zi, xiao zi shuang hang, cu hei kou, si zhou dan bian, dan hei yu wei, ban xin zhong juan ti ming ji juan ci, xia juan ye ci. Hang jian you zhu mo quan dian.Juan duan ti xia shu "Song Luo, Zhang Rongduan yue ding"Chu shu nian ju xu.Qian you Kangxi ji mao [1699] Song Luo xu, Shao Changheng xu, Kangxi geng chen [1700] Zhang Rongduan xu."Su shi xu bu yi" fen shang, xia juan.Juan qian fu: Song shi ben chuan / Tuotuo zhuan -- Dongpo xian sheng nian pu / Wang Zongji bian ; Shao Changheng chong ding -- Dongpo xian sheng mu zhi ming / Su Zhe zhuan -- Wang zhu zheng e.Qian "Wu Jiang Ling shi cang shu yin
Yin zhu Su Dongpo shi
No full text(宋) 蘇軾著 ; 王漁洋[士禛]選 ; 中華書局輯注.Cover title.An head of title: 音注.(Song) Su Shi zhu ; Wang Yuyang [Shizhen] xuan ; Zhonghua shu ju ji zhu.An head of title: Yin zhu
Han zu feng su wen hua shi gang
No full textBen shu jie shao le cong xian qin dao min guo shi qi de han zu feng su wen hua, bao gua ge ge shi qi feng su wen hua de li shi bei jing, feng su wen hua de bian qian, zhu yao te dian, ji ben kuang jia, feng su xue shi gai kuang deng nei ron
Mathematical modeling, analysis, and advanced control of complex dynamical systems
Full text linkEditorialPeng Shi, Hamid Reza Karimi, Xiaojie Su, Rongni Yang, and Yuxin Zha
San Su xian sheng wen cui: qi shi juan. v.1
No full text[蘇洵, 蘇軾, 蘇轍撰].綫裝, 4函.框19x14.1公分, 14行26字. 白口, 左右雙邊, 單白魚尾. 版心中鐫"三蘇文粹"及卷次, 下鐫葉次及刻工.鈐有"雲上樓", "愚齋圖書館藏", "武進盛氏所藏", "愚齋審定善本", "丙辰年查過"印.Xian zhuang, 4 han.Kuang 19 x 14.1 gong fen, 14 hang 26 zi. Bai kou, zuo you shuang bian, dan bai yu wei. Ban xin zhong juan "San Su wen cui" ji juan ci, xia juan ye ci ji ke gong.[Su Xun, Su Shi, Su Che zhuan].Qian you "Yun shang lou", "Yu zhai tu shu guan cang", "Wujin Cheng shi suo cang", "Yu zhai shen ding shan ben", "Bing chen nian cha guo" yin
Tong su yan yi
No full textV.1-13. 《新鐫批評出像通俗奇俠禪眞逸史》乾集. 卷一. 第一至五回 -- 坎集. 卷二. 第六至十回 -- 艮集. 卷三. 第十一至十五回 -- 震集. 卷四. 第十六至二十回 -- 巽集. 卷五. 第二十一至二十五回 -- 離集. 卷六. 第二十六至三十回 -- 坤集. 卷七. 第三十一至三十五回 -- 兌集. 卷八. 第三十六至四十回.v.14-20. 《新鐫批評出像通俗演義禪眞後史》甲集. 卷一. 第一至六回 -- 乙集. 卷二. 第七至十二回 -- 丙集. 卷三. 第十三至十八回 -- 丁集. 卷四. 第十九至二十四回 -- 戊集. 卷五. 第二十五至三十二回 -- [己集. 卷六]. 第三十三至三十六回 -- 庚集. 卷七. 第三十七至四十二回 -- 辛集. 卷八. 第四十三至五十三回.Detailed table of contents in vernacular field only.Detailed table of contents in vernacular field only.淸溪道人編次 ; 心心僊侶...[et al.]評訂. 新鐫批評出像通俗演義禪眞後史 : 共八卷五十三回 / 淸溪道人編次 ; 冲和居士評校.綫裝, 2函.框14x10.3公分, 10行24字, 無界行. 白口, 左右雙邊, 單黑魚尾. 版心上鐫"禪眞逸史", 中鐫回次, 下鐫葉次. 《後史》行間有批點.見《香港中文大學圖書館古藉善本書錄》(2001, p. 156)《逸史》内封頁題"禪真逸史, 清心道人編次, 本衙梓行" ; 《後史》内封頁題"通俗演義, 禪真後史, 本衙藏板"《後史》前有崇禎己巳[1629]翠娛閣主人序.Library's copy: 原書《後史》第三十一至三十二回葉次亂序, 並缺第三十一回首數葉.Xian zhuang, 2 han.Kuang 14 x 10.3 gong fen, 10 hang 24 zi, wu jie hang. Bai kou, zuo you shuang bian, dan hei yu wei. Ban xin shang juan "Chan zhen yi shi", zhong juan hui ci, xia juan ye ci. "Hou shi" hang jian you pi dian.Jian "Xianggang Zhong wen da xue tu shu guan gu ji shan ben shu lu" (2001, p. 156)"Yi shi" nei feng ye ti "Chan zhen yi shi, Qingxindaoren bian ci, ben ya zi xing" ; "Hou shi" nei feng ye ti "Tong su yan yi, Chan zhen hou shi, ben ya cang ban""Hou shi" qian you Chongzhen ji si [1629] Cuiyugezhuren xu.Fiction.Qingxidaoren bian ci ; Xinxinxianlu ...[et al.] ping ding. Xin juan pi ping chu xiang tong su yan yi chan zhen hou shi : gong ba juan wu shi san hui / Qingxidaoren bian ci ; Chonghejushi ping jiao.Library's copy: yuan shu "Hou shi" di san shi yi zhi san shi er hui ye ci luan xu, bing que di san shi yi hui shou shu ye
Su Shi (Su Dongpo)
No full textA bibliographic review of Su Shi, Su Shih 苏轼 (1037–1101), known also as Su Dongpo 苏东坡 or by his given name Su Zizhan 苏子瞻, must be multifaceted because, unlike Chinese figures who are known primarily for their poetry, he was recognized as a scholar-official whose literary works referenced earlier philosophical, literary, and historical writings. Furthermore, his vast network of contacts in Northern Song (960–1127) society, including political, religious, literary, and artistic figures, brought variety and erudition to his writings as well as innovation in the sister arts of poetry, calligraphy, and painting. This voluminous array has provided material for collators, printers, and publishers. In addition to his writings, events detailing service as a scholar-official for the Song court, factional disputes over governance, and times in exile have prompted compelling biographies and also diverse assessments of his life. His travels to more places in China than anyone before him have occasioned local accounts, regional pride, and the development of historical sites. Engagement with the Buddhist and Daoist traditions modified his Confucian beliefs and prompted complexity and depth in interpretations of his writings. The familial and literary relationship with father Su Xun 苏洵 and brother, Su Zhe 苏辙, known collectively as the Three Su, extends to works in conjunction with them and broadens the scope for comparison and critique. Scholarship, analysis, appreciation, and indebtedness form the received tradition of Su Shi and his writings, initially in Chinese sources, then in Japanese and Korean, and finally Western languages. Spurred by modern publications of his works and digital access, the establishment of an academic society to study his works, as well as international conferences, the field of Su Shi studies has expanded. Given the breadth and depth of Su Shi’s works with centuries of publications of appreciation and appraisal, Su Shi must be placed among the most important literary and cultural figures in Chinese history. Those who conduct research on Su Shi’s life and works have understood the sensibility of scholars who say that they began by stepping into a vast ocean but realized they could not reach the shore. The idea of a “Su hai 苏海 or Su Ocean” is thus both an invitation and an obstacle. For almost a thousand years, persons of every generation have contributed to our understanding and appreciation of Su Shi, his personality, ideas, and significance. Even so, there is space for further exploration of the life and works of this rare talent.</p
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