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Translation and the History of Fascism
Recent research has placed cultural policy and practices at the very centre of our understanding of fascism,1 revealing much about the ideological frameworks of fascism as well as the institutional tools that were used to manage public perceptions and ideological change. However, within this growing body of work, one important aspect of cultural policy has been largely ignored, and that is translation, whether literary, cinematic or non-fiction.<br/
Translation and the History of Fascism
Introduction to the volume by the two coeditors in which they discusses the contribution that the study of translation can make to research on Fascism. The authors argue that Translation History can shed significant light on areas such as publishing under fascism and its interaction with fascist cultural policies, fascist censorship, and the relationship between fascist cultural policy and its politics of expansion and racism
Surviving in violent conflicts: Chinese interpreters in the second Sino-Japanese War (1931-1945)
In the past decade interpreting studies has gradually adopted a sociological perspective, taking into account social and cultural factors that affect interpreters actual behaviour in different settings. However, there have been few studies of interpreters practices as forms of social interaction, especially of the ways in which they become professionals and operate as social agents. Drawing upon Pierre Bourdieus theory of practice, this thesis aims to offer a contribution to the history of interpreting by examining the professional training and practices of Chinese interpreters during the Second Sino-Japanese War (1931-1945). On the basis of Bourdieus concept of field, this thesis reconstructs three competing fields dominated by three political and military powers: the Chinese Kuomingtang (KMT) government, the Chinese Communist Party, and the Japanese forces. By investigating interpreters training, employment and practices within these three fields, the thesis examines how the interpreting profession was affected by shifts in foreign policy, and how interpreters professional habitus were formed through their training and interaction with other social agents and institutions. It then highlights the interpreters active position-taking in pursuit of individual interests by examining particular interpreters career development through case studies of two interpreters, Xia Wenyun and Yan Jiarui, who served the Japanese forces and the Chinese KMT government, respectively. The study shows that the practices of the interpreters were broader than the scope of language transfer. In order to survive violent conflicts, interpreters often intertwined their interpreting with other political and professional activities. For them, interpreting was not a mere linguistic practice, but a strategy for self-protection, a route to power, or just a chance for a better life. Frequently crossing social, political and military borders, interpreters sometimes played a crucial cushioning role by protecting local residents from loss of life and property during the war
Translation Under Fascism
In the fascist regimes of the mid twentieth century – this volume the focuses on Italy, Germany, Spain and Portugal – translation was a carefully, though not always successfully, managed cultural practice. Translation policies attempted to steer public perceptions and promote or brake ideological change. Translation Under Fascism examines translation practices under fascism within their historical context – from publishers' biographies, institutional constraints and long-term literary trends right down to the textual choices made by translators and editors in individual translations. All these aspects of a translation analysis allow insight into the workings of international cultural exchange in times of dictatorship, and are of interest equally to translation scholars and historians of culture in the periods concerned. The spectrum of translation policies and practices presented here indicates different paradigms, different obsessions and different institutional frameworks, but also shared rhetorical motifs such as the ideas of translation as a cultural weapon and translation as a form of cultural contamination
Translation Under Fascism
In the fascist regimes of the mid twentieth century – this volume the focuses on Italy, Germany, Spain and Portugal – translation was a carefully, though not always successfully, managed cultural practice. Translation policies attempted to steer public perceptions and promote or brake ideological change. Translation Under Fascism examines translation practices under fascism within their historical context – from publishers' biographies, institutional constraints and long-term literary trends right down to the textual choices made by translators and editors in individual translations. All these aspects of a translation analysis allow insight into the workings of international cultural exchange in times of dictatorship, and are of interest equally to translation scholars and historians of culture in the periods concerned. The spectrum of translation policies and practices presented here indicates different paradigms, different obsessions and different institutional frameworks, but also shared rhetorical motifs such as the ideas of translation as a cultural weapon and translation as a form of cultural contamination
Translation Under Fascism
In the fascist regimes of the mid twentieth century – this volume the focuses on Italy, Germany, Spain and Portugal – translation was a carefully, though not always successfully, managed cultural practice. Translation policies attempted to steer public perceptions and promote or brake ideological change. Translation Under Fascism examines translation practices under fascism within their historical context – from publishers' biographies, institutional constraints and long-term literary trends right down to the textual choices made by translators and editors in individual translations. All these aspects of a translation analysis allow insight into the workings of international cultural exchange in times of dictatorship, and are of interest equally to translation scholars and historians of culture in the periods concerned. The spectrum of translation policies and practices presented here indicates different paradigms, different obsessions and different institutional frameworks, but also shared rhetorical motifs such as the ideas of translation as a cultural weapon and translation as a form of cultural contamination
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