172,120 research outputs found
C. Stumpf: Über die Ermittelung von Obertönen. Wiedem. Ann. Bd. 57. S. 660-681. 1896. Selbstanzeige
No full textC. STUMPF: ÜBER DIE ERMITTELUNG VON OBERTÖNEN. WIEDEM. ANN. BD. 57. S. 660-681. 1896. SELBSTANZEIGE
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-)
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (12) (a0003)
C. Stumpf: Über die Ermittelung von Obertönen. Wiedem. Ann. Bd. 57. S. 660-681. 1896. Selbstanzeige (12) (p0069
Tonpsychologische Gestalten. Pieces of a Theory of Tonal Fusion by J.F. Herbart and C. Stumpf
No full textBoth Herbart and Stumpf conceived a psychological theory of fusion and applied it to the musical sound. Nevertheless, their conceptions are usually considered as basically opposite, contrasting an atomistic (Herbart) to a “Gestalt” view (Stumpf); this was also Stumpf’s conviction. Analysing their psychologies of sound in detail, however, the roles should be reversed, because elementalistic components are to be found in Stumpf’s chord analysis, where Herbart seems to carry out a more coherent whole survey. Moreover, Herbart’s philosophy turns out to be much more than an abstract monadology, dropping relevant hints towards a Gestalt approach both in theoretical and in aesthetic domain – and even in the overall structure of his system
C. Stumpf: Consonanz und Dissonanz. (Beiträge zur Akustik und Musikwissenschaft, herausgegeben von C. Stumpf, 1. Heft.) Leipzig, Ambrosius Barth, 1898. VIII u. 108 S.
No full textC. STUMPF: CONSONANZ UND DISSONANZ. (BEITRÄGE ZUR AKUSTIK UND MUSIKWISSENSCHAFT, HERAUSGEGEBEN VON C. STUMPF, 1. HEFT.) LEIPZIG, AMBROSIUS BARTH, 1898. VIII U. 108 S.
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (-)
Zeitschrift für Psychologie und Physiologie der Sinnesorgane (17) (a0006)
C. Stumpf: Consonanz und Dissonanz. (Beiträge zur Akustik und Musikwissenschaft, herausgegeben von C. Stumpf, 1. Heft.) Leipzig, Ambrosius Barth, 1898. VIII u. 108 S. (17) (p0456
Recensioni a Carl Stumpf
No full textS. Bonacchi - G.-J. Boudewijnse (Eds.), «Gestalt Theory» (numero monografico dedicato a C. Stumpf), vol. 31 (2009); C. Stumpf, La rinascita della filosofia. Saggi e conferenze, a cura di R. Martinelli, Macerata 200
C. Stumpf, Leib und Seele — Der Entwicklungsgedanke in der gegenwärtigen Philosophie.
No full textC. V. C. Stumpf, Leib und Seele — Der Entwicklungsgedanke in der gegenwärtigen Philosophie.. In: Revue néo-scolastique. 11ᵉ année, n°42, 1904. pp. 219-220
C. Stumpf, Leib und Seele — Der Entwicklungsgedanke in der gegenwärtigen Philosophie.
No full textC. V. C. Stumpf, Leib und Seele — Der Entwicklungsgedanke in der gegenwärtigen Philosophie.. In: Revue néo-scolastique. 11ᵉ année, n°42, 1904. pp. 219-220
Faculty recital: Thomas Stumpf, piano, February 28, 1989
No full textThis is the concert program of the Faculty Recital: Thomas Stumpf, piano on Tuesday, February 28, 1989 at 8:00 p.m., at the Tsai Performance Center, 685 Commonwealth Avenue. Works performed were 3. "The Alcotts" from Piano Sonata No. 2, "Concord, Mass., 1840-1860" by Charles Ives, Fantasia on an Ostinato by John Corigliano, Eroica by William Moylan, III. Elegiaco from ausgeweidet die zeit...drei nachtstück by Peter Ruzicka, 11. Litany of the Galactic Bells - Leo from Makrokosmos, Vol II, for amplified piano by George Crumb, and Fantasie in C major, Op. 17 by Robert Schumann. Digitization for Boston University Concert Programs was supported by the Boston University Humanities Library Endowed Fund
Carl Stumpf nell'interpretazione di C. Fabro
No full textIl lavoro analizza la tempestiva ricezione da parte di Cornelio Fabro della filosofia di Carl Stumpf, così come esposta nella postuma Erkenntnislehre (1939-40). Fin dai lavori dei primi anni Quaranta Fabro adotta una concezione della ‘fenomenologia’ distante da quella di Husserl perché ricalcata sulla definizione stumpfiana. Più in generale, Fabro si ispira a Stumpf ancor più che allo stesso Brentano. A partire dalla distinzione tra ‘fenomeni' e ‘funzioni psichiche’ Stumpf è infatti capace di proseguire il rilancio dell’aristotelismo con coerenza ancor maggiore del maestro, all’insegna di un pieno riconoscimento del significato conoscitivo della percezione contro gli tipici di eccessi di ogni forma di intellettualismo
Thomas Stumpf and James Barbagallo, Preliminaries Phase I, 5th Van Cliburn Competition (1977)
No full textTranscendental etudes, S. 139. No. 8 in C minor, Wilde Jagd / Liszt ; Keyboard partita no. 2 in C minor, BWV 826. Sinfonia / J. S. Bach ; Piano sonata no. 16 in G major, op. 31, no. 1. Rondo / Beethoven (Stumpf) -- Piano sonata no. 3 in C major, op. 2, no. 3. Allegro con brio / Beethoven ; Piano sonata no. 3 in C major, op. 2, no. 3. Scherzo: Allegro / Beethoven ; Études-tableaux, op. 39. No. 6 in A minor / Rachmaninoff ; Scherzo no. 1 in B minor, op. 20 / Chopin (Barbagallo)
Thomas Stumpf and James Barbagallo, Preliminaries Phase I, 5th Van Cliburn Competition (1977)
No full textTranscendental etudes, S. 139. No. 8 in C minor, Wilde Jagd / Liszt ; Keyboard partita no. 2 in C minor, BWV 826. Sinfonia / J. S. Bach ; Piano sonata no. 16 in G major, op. 31, no. 1. Rondo / Beethoven (Stumpf) -- Piano sonata no. 3 in C major, op. 2, no. 3. Allegro con brio / Beethoven ; Piano sonata no. 3 in C major, op. 2, no. 3. Scherzo: Allegro / Beethoven ; Études-tableaux, op. 39. No. 6 in A minor / Rachmaninoff ; Scherzo no. 1 in B minor, op. 20 / Chopin (Barbagallo)
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