2,861 research outputs found
Ruth Etting in Gift of Gab
No full textJohn Alderman, Ruth Etting's stepson, donated these photographs to the Ruth Etting Collection in response to a request from John Moran, the compiler of the collection.Publicity photo of Alice White, Ruth Etting and Gloria Stuart between scenes of 'Gift of Gab'; Gloria Stuart is wearing a wedding dress and veil; Alice White is wearing a silk dress with rose corsage; Ruth Etting is wearing a dress with a shimmering dark skirt with shimmering light colored top and an orchid corsageverso: Alice White, Ruth Etting and Gloria Stuart between scenes of 'Gift of Gab' at Universa
Oral History Interview with Roy Williams, October 6, 2011
No full textInterview with Roy Williams, an activist and author from Longview, Texas. The interview discusses when Williams first came to Dallas, the assassination of John F. Kennedy, Williams' upbringing, how he got into activism, his time in the military, his activism against police brutality, and a lawsuit against the city of Dallas
John Stuart Hindmarsh (1907–1938), test pilot and racing driver,
No full textJohn Stuart Hindmarsh (1907–1938), test pilot and racing driver, was born at St Leonards on Sea, Sussex, on 25 November 1907, the son of Donald Stuart Hindmarsh, stockbroker, and his wife, Annie Stuart, née Campbell. Educated at Sherborne School, he attended the Royal Military College, Sandhurst, before gaining a commission in the Royal Army Tank Corps. In 1930 he was seconded to the Royal Air Force and learned to fly, resigning his army commission to join the RAF. He was a noted Talbot and Lagonda driver in the 1930s, winning the Le Mans 24 hour race with Luis Fontes, in a Lagonda, in 1935. In 1935 he joined the Hawker aircraft company, based at Kingston upon Thames, as a test pilot. Having survived a crash when testing a Hawker Fury in Portugal in 1937, he was killed shortly after taking off from Brooklands aerodrome on 6 September 1938, when the Hawker Hurricane which he was flying at about 400 mph crashed on South Road, St George's Hill, near Weybridge, Surrey. He left a wife, Violette Cordery, and two daughters one of whom went on to marry the racing driver Roy Salvadori.http://www.oxforddnb.com/view/article/10121
Regional integration fifty years after the treaty of Rome. The EU, Asia, Africa and the Americas.
No full textThe European Union has been the pioneer and undisputed
leader of regional integration processes. Since its inception in
the 1950s, following the Schuman Declaration that set in motion
Jean Monnet’s innovative idea to join together European coal
and steel industries, Europe has offered a useful model for
regional integration. Strengthened by the 1957 Treaty of Rome
(exactly half a century ago), this bold entity was later transformed
into the European Union by the Maastricht Treaty.
Having successfully accomplished its primary goal (“to make
war unthinkable and materially impossible”), the EU is currently
facing challenges associated with its expansion and the deepening
of its pooled sovereignty. On the other hand, the effects
of the EU in international relations are of paramount relevance.
While the forceful transposition of national and regional structures
into other regions is a historical error, the essence of the
EU as a model to be adapted by other regions is a viable
approach to enhance stability and welfare. In this regard, this
volume examines the current challenges of the EU and the perspectives
of regional integration in Africa, Asia and Latin
America
Senators Henry M. Jackson, John McClellan and Stuart Symington, at a news conference to demand a meeting on the Army's charges against Senator Joseph McCarthy, Washington D.C., March 12, 1954
No full textNote filed with photograph: March 12, 1954. HMJ, John McClellan, Stuart Symington. Members of the McCarthy Senate Investigation subcommittee meeting on the Army's charges against McCarthy. Washington D.C. Photographer unknown.
Caption filed with photograph: left to right Sens. Jackson, John McClellan (D-Ark) and Stuart Symington (D-Mo.) members of the McCarthy Senate Investigation subcommittee at new conf 3/12/54 demand a promp subcommittee hearing to probe the Army's charges that McCarthy and his chief committee counsel, Roy Cohn used pressure on the army to get special treatment for G. David Schine, former committee aide, an inductee in field training in Georgia
Core competencies of relational psychoanalysis a guide to practice, study and research
No full textAcknowledgment -- Current research and history of relational psychoanalysis -- Core competencies : a qualitative study / Roy Barsness -- The case for psychoanalysis : exploring the scientific evidence / John Thor Cornelius, Chapter 3: THE RELATIONAL TRADITION: LANDSCAPE AND CANON -- Adrienne harris -- Core competencies -- Competency one : therapeutic intent / Steven Tublin -- Competency two : therapeutic stance/attitude / Nancy McWilliams -- Competency three : deep listening/affective attunement / Stuart Pizer -- Competency four: relational dynamic : the there and then and the here and now / Lewis Aron -- Competency five : patterning and linking / Steven Knoblauch -- Competency six : repetition and working through / Karen Maroda -- Competency seven : courageous speech/displined spontaneity / Roy Barsness & Brad Strawn -- Core competency : love / Daniel Shaw -- New frontiers -- Relational ethics / Roy Barsness & Brad Strawn -- The brain and psychoanalysis / Allan Schore -- Sexuality and gender / Karol Marshall & Roy Barsness -- Culture considerations / Pratyusha Tummala-Narra -- Self care / Roy Barsness & Anita Sorenson -- A critique -- Critique of relational psychoanalysis / Jon Mills with a postscript by Steven Kuchuck -
Reviews
No full textThe following publications have been reviewed by the mentioned authors;Welsh Crafts by Mary Eirwen Jones, reviewed by Roy NashA Source Book of Picture Making by Henry Pluckrose, reviewed by R. HartApproaches to Drawing by Leo Walmsley, reviewed by John EgglestonMoulded and Slip Cast Pottery and Ceramics by David Cowley, reviewed by Michael PaffardPainting by John Lancaster, reviewed by R. N. MacGregorDesign Resource Sheets by R. N. Billington and J. R. Jeffrey, reviewed by Dick SuttonEnamelling on Metal, Oppi. Intracht, reviewed by J. N. AtkinsProcesses by Jack Bainbridge, reviewed by Michael SayerArtists and People by Su Braden, reviewed by Roy ShawMake Your Own Musical Instrument by Stuart Dalby, reviewed by Eric DecorteDesign in General Education by John Harahan, reviewed by Bernard AylwardPainting Without a Brush by Roy Sparkes, reviewed by John LancasterBuilding Craft Equipment by A. Jay and Carol W. Abrams, reviewed by S. R. BlundellPyrography by Berhand Havez and Jean-Claude Varlet, reviewed by Paul Kin
Lockheed Martin Dedication Ceremony of the John C. Stennis Space Center
No full textLockheed Martin Dedication Ceremony of the John C. Stennis Space Center with Roy Estess, Bill Hansen, Ronnie Musgrove, Trent Lott, Gene Taylor, and Roderick Pullman
KEYNES, MILL, AND SAY’S LAW: A COMMENT ON ROY GRIEVE’S MISTAKEN CRITICISMS OF MILL
No full textEmploying different meanings of classical concepts of saving, capital, investment, and money, and incorrectly attributing the assumption of full employment of labor and a world of certainty to classical analysis, John Maynard Keynes ([1936] 1974) faulted Say’s Law as irrelevant to the real world. Roy Grieve (2016) ignores previous clarifications of Keynes’s misrepresentations and misunderstandings of John Stuart Mill’s restatements of the law. He employs similar misrepresentations and misunderstandings of Mill’s explanations as Keynes did. His model of Mill’s analysis is incapable of explaining how variations in relative prices, the value of money, and interest rates coordinate production, consumption, and savings decisions in a monetary economy.</jats:p
The dramaturgy of the tragedies of John Webster and John Ford with special reference to their use of stage imagery.
No full textPhDThe imagery of the plays of John Webster and John
Ford is not only verbal: in staging as well as language
these dramas display strongly imagistic, symbolic elements.
The purpose of this thesis is to examine the seven extant
tragedies of Webster and Ford from the point of view of
their total dramatic nature - to examine the staging,
costumes, hand and large properties, movement and gestures
as well as the verbal imagery, and the interplay of these
verbal and visual elements. The original appearance, of
these plays in their contemporary theatre, and the
dramatist's intentions for performance, can only be surmised.
The original stage directions are examined for
hints of the original presentation: these stage directions
may not always be authorial, but, especially in the case of
Ford, they seem to reveal the playwright's hand. The dialogue,
too, frequently implies particular gestures,
grouping or stage placement.
The visual imagery, it is here suggested, is created
by the dramatist for several purposes: a moral or ironical
point may be silently established; a chain of related
visual motifs may bind various actions and characters into
an organic union; a visualization may appeal outward to
other works of art or theatrical or non-dramatic conventions,
enlarging the immediate significance by this shorthand
reference; visual ceremonies may make concrete the more
ephemeral words and feelings of the characters.
Each of the tragedies is studied in a separate chapter,
in the following order: Webster's The White Devil, The
Duchess of Malfi, and Appius and Virginia (the authorship
of which is disputed); John Ford's The Broken Heart,
Love's Sacrifice, 'Tis Pity She's a Whore, and Perkin
Warbeck. A conclusion indicates the differences between
Webster's more overtly theatrical visualizations and Ford's
quiet tableaux.
The thesis is accompanied by illustrations which are
either explanatory or comparative
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