20,828 research outputs found
Palmerston and the politics of foreign policy, 1846-1855
This thesis considers the career of Lord Palmerston during the important, but hitherto rather neglected, period of his political career immediately preceding his accession to the premiership in 1855, in a broader context than has previously been attempted. By combining a high political, that is governmental, approach to the question with what might be termed a low one - essentially all non-governmental factors - the reasons for Palmerston's supposed political invincibility, or at least longevity, can be more clearly understood. Such a focus simultaneously reveals a great deal about the nature and working of the Victorian constitution and the political influence of parts of the population traditionally regarded as falling beyond its pale. Through an examination of political manoeuvring in government, making extensive use of private papers, this thesis demonstrates the extent and ways in which Palmerston was able to exercise an influence over and manipulate his Cabinet colleagues, thereby securing their approbation for his foreign policy at a time when there were great pressures from the Crown and Parliament to remove him. The analysis is followed though to the history of the Aberdeen Coalition (1852-55) to explain why Palmerston came to be allied with many of his former adversaries in the first place and secondly how he managed, from his official post at the Home Office, to continue to wield great influence over the conduct of foreign policy - a question of special importance given that it was this government which was faced with the problem of managing the Crimean War. It is clear, however, that personal and party political relationships are incomplete means by which to explain Palmerston's career and elucidate the general theme of the politics of foreign policy. Palmerston's political strength rested to a large extent on the rather nebulous perception that he was 'popular', carrying with him the support of the country and embodying the mood of the nation. Public opinion, generally conceived, had a profound and complicated impact on politics during this period, particularly on Palmerston, yet this is an aspect of Palmerston's political life rarely examined by historians. It is in this thesis' attempts to underpin an account of political life at the centre with an analysis of political forces and influences beyond that a great deal of the work's originality is to be found. Examination of the role of the press, various forms of extra-parliamentary opposition (and support) across all social classes, and parliamentary opposition, including not only on what grounds were attacks made but why and with what effect, add a unique contribution to our understanding of Palmerstonianism and demonstrate the success and considerable good fortune Palmerston enjoyed in manipulating political life to his own ends
Redemption in the work of Francis Stuart
The idea of redemption is central to an understanding of the work
of Francis Stuart. Through an examination of its development and
expression, it is possible to demonstrate the integrity of his work and
its distinctive qualities. Such a demonstration is necessary because
Stuart's writing has been subjected to comparatively little scholarly
inquiry, although reviews of his work, especially that produced since
1949, suggest that it is impressive and important.
First, a general background to Stuart's work, a discussion of the
special problems associated with reading it, and a summary of his corpus
is provided. This indicates that the idea of redemption is important to
his earliest writing. The state of redemption is shown to be a
necessary apotheosis for Stuart's outcast heroes; it involves spiritual
suffering through which may be found a sense of reintegration and a
higher reality. This is expressed through interrelated themes such as
those of gambler, artist and ordinary man; mystic and criminal; sacred
and profane love; and spirituality and the mundane. The nature of the
redemptive experience is further elaborated by distinctive, complex
motifs, especially the hare, the ark and the woman-Christ. Their
recurrence provides an important element in the unity of Stuart's work.
Because Stuart's idea of the outcast raises important biographical
questions, an examination of the relationship between Stuart's life and
his work is made. Finally, the way in which the idea of redemption
exists in the language structures of Stuart's novels is examined, with
especial reference to his most recent work, The High Consistory. The
thesis shows that the development of the these of redemption
demonstrates the integrity of Stuart's work
John Stuart Mill’s projected science of society: 1827-1848
The purpose of the thesis is to examine John Stuart Mill’s political thought from
about 1827 to 1848 as an exercise in intellectual history. It focuses, first, on Mill’s view,
formulated by the late 1830s, that contemporary society was ‘civilized’, and second, on
his project of a science of society, which he aspired to develop in the late 1830s and
early 1840s.
By the late 1830s, Mill came to the view that his contemporary society was a
‘commercial society or civilization’, dominated by the middle, commercial class. The
first part of my thesis, constituted by Chapters 2-4, discusses the way in which Mill
formed his notion of civilization, and what he meant by the term ‘civilization’. Mill paid
attention to the implications of the rise of the middle class, and regarded such
phenomena of contemporary society as the corruption of the commercial spirit and
excessive social conformity as an inevitable consequence of the rise of the middle class.
The second part of the thesis, constituted by Chapters 5-9, examines Mill’s
projected science of society. In the late 1830s and early 1840s, Mill attempted to
develop a new science of society whose subject-matter was the nature and prospects of
commercial, civilized society. This aspiration culminated in A System of Logic,
published in 1843. In examining Mill’s projected science, I pay particular attention to
the fact that he conceived new sciences of history and of the formation of character,
both of which were indispensable in his project, although he failed to give a complete
account of these sciences. My thesis shows that the implications of his interest both in
history and in the formation of character are more significant than Mill scholars have
assumed
2025 Westview Festival with Keynote Speaker David R. Slayton
The annual Westview Festival was on Wednesday, April 16th, 2025 at Southwestern Oklahoma State University (SWOSU) in Weatherford, Oklahoma, featuring fantasy author David R. Slayton.
Westview is published semiannually by the Language Arts Department of Southwestern Oklahoma State University. Publications include previously unpublished short fiction, poetry, prose poems, creative nonfiction, and artwork.
David R. Slayton is a fantasy author from Guthrie, OK. He is the author of such books as the Adam Binder series (White Trash Warlock, Trailer Park Trickster, and Deadbeat Druid) as well as the Gods of Night and Day series (Dark Moon, Shallow Sea)
Gong Kechang, Studies on the Han Fu, translated and edited by David R. Knechtges (with Stuart Aque, Mark Asselin, Carrie Reed, and Su Jui-lung), American Oriental Society (American Oriental Series, vol. 84), 1997
Holzman Donald. Gong Kechang, Studies on the Han Fu, translated and edited by David R. Knechtges (with Stuart Aque, Mark Asselin, Carrie Reed, and Su Jui-lung), American Oriental Society (American Oriental Series, vol. 84), 1997. In: Études chinoises, vol. 21, n°1-2, Printemps-Automne 2002. pp. 289-293
Asymmetric cyclopropane synthesis via phosphine oxide mediated cascade reactions
A silyloxy-THF has been converted into a cyclopropane containing three stereocentres as mixture of diastereoisomers. The mechanism of the reaction has been established and the source of stereochemical leakage proposed. An alternative stereospecific cascade reaction has been discovered.Thomas Boesen, David J. Fox, Warren Galloway, Daniel Sejer Pedersen, Charles R. Tyzack and
Stuart Warre
Poetry & sacrament: Being a commentary on the Kensington mass by David Jones
"The Kensington Mass" was the last poem of the Anglo-Welsh poet - painter David Jones (1895-1974). It at first describes the faithful, correct and unthreatened celebration of the introductory rite of the mass. The poem then changes direction and tone when the celebrant kisses the altar, so as to introduce an Emperor troubled by a dream. This alerts the reader that there is a collateral text, a dream poem, where the significance of the transformation is to be found. The Emperor decides to hunt on the morrow to ease his disquiet, and the resources of hunting are exploited as an analogy of the Eucharist. The hunt takes place at dawn - the dawn of the day and the dawn of an era - and the poet wakes up to a scene of loss, unlike the happy promise celebrated by Milton in his Hymn on the Morning of Christ's Nativity. There is a sharp break before the poem's last section, when Peter's denial of Christ reverberates through history, amplified by the treachery of Roncesvalles. This dolorous sound reveals the true and exact character of human existence. The clue to the significance of the last section of the poem and its bearing on what goes before also lies outside the text: the proposal is that it is Jones's distress, obliquely expressed, at the disintegration of the traditional Roman liturgy (a denial and a betrayal) that unifies the composition. The commentary traces what might be called the narrative line of the poem, as above. It also notes some of its influences, salient concepts, underlying shapes, the history of its characters, the sacramental theology that informed his thinking, and the modality of the gloomy assertion at the close
Wright Radio Interview About Westview Festival and David R. Slayton
SWOSU President Dr. Diana Lovell and University Archivist and Special Collections Librarian Phillip Fitzsimmons were interviewed by Todd Brunner at Wright Radio on March 27th, 2025 from 7:00-7:30 AM
The interview focused on the upcoming annual Westview Festival and keynote speaker David R. Slayton.
The annual Westview Festival will be on Wed. April 16th from 6:00-7:00 PM at the SWOSU Hilltop Theater. The event is free and open to the public.
David R. Slayton is an adult fantasy author from Guthrie, OK. and has written such titles as White Trash Warlock and Dark Moon Shallow Sea
The Life and Letters of the Lady Arbella Stuart
Lady Arbella Stuart, a woman nearly forgotten in history and literature and yet a woman who lived a full and exciting life which is well documented in her letters to her family, friends and royalty (both Queen Elizabeth I and James VI and I). Arbella Stuart was born in 1575 to Elizabeth Cavendish and Charles Darnley and was brought up by her maternal grandmother, Bess of Hardwick. She was educated from birth about her proximity to the throne (there was a chance she could have been queen when Elizabeth died) and the important role she had in life. There have been several biographies written about Stuart over the years and most recently an excellent text of her existing letters by Sara Jayne Steen which is the primary source of information for this thesis. This thesis examines Stuart’s tone, rhetoric and style in a selection of letters written over the course of her life, where possible using manuscripts viewed in the British Library and Hardwick Hall, as well as the published text. Part of what makes Stuart such an interesting subject is her ability to manipulate her reader and assume different personae, depending on whom she was writing to. The young Stuart writes passionately and often without thinking first, putting her thoughts on paper and then quickly sending them off to the Queen and her advisers. An older and wiser Stuart writes from James VI and I’s court and is very formal in her letters to the King. She is more relaxed when writing to her Aunt and Uncle and depicts court life in a lively informal fashion giving us a valuable insight into what life as a courtier would have been like at this time. Finally the thesis examines Stuart’s last letters written from imprisonment, the work of a desperate woman, fighting for her freedom. Stuart, like most of us, had a multi-faceted personality. She was at times an apparently submissive and subservient subject of the King; a well read and educated woman who adopted the guise of humility and deference to those in authority, the patriarchal order in place. This thesis will depict the many different sides to Stuart and give a brief overview of her exciting and turbulent life, told through her letters
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