1,998 research outputs found

    The Gospel on the Margins: The Ideological Function of the Patristic Tradition on the Evangelist Mark

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    In spite of the virtually unanimous patristic opinion that the evangelist Mark was the interpreter of Peter, one of the most prestigious apostolic founding figures in Christian memory, the Gospel of Mark was mostly neglected in the patristic period. Not only is the text of Mark the least well represented of the canonical Gospels in terms of the number of patristic citations, commentaries and manuscripts, the explicit comments about the evangelist Mark reveal some ambivalence about its literary or theological value. In my survey of the reception of Mark from Papias of Hierapolis until Clement of Alexandria, I will argue that the reason why the patristic writers were hesitant to embrace the Gospel of Mark was that they perceived the text to be amenable to the Christological beliefs and social praxis of rival Christian factions. The patristic tradition about Mark may have little historical basis, but it had an important ideological function in appropriating the text in the name of an apostolic authority from the margins or periphery

    Agenda for change: strategic choices for the next government

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    The next government has a primary requirement to be well briefed on the challenges inherent in Australia’s strategic circumstances and the policy options available to it. ASPI is publishing this report to layout our strategic choices and to provide recommendations. Contributors are Peter Jennings on strategic policy, Mark Thomson and Andrew Davies on defence, Anthony Bergin and Kristy Bryden on homeland security, Russell Trood on foreign policy and Ryan Stokes on economic security. This body of ideas makes a compelling contribution to the discussions which ought always to characterise the Australian strategic and defence debate

    The sense of a beginning : Bakhtinian dialogic criticism on 'the gospel' in Mark.

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    Contemporary literary approaches have caused paradigm shifts in Biblical Studies in the last two decades as it appears in a great deal of Markan studies using narrative, reader-response, deconstructive, feminist, and new historicist approaches. However, literary studies on the Gospel of Mark have not taken into account theoretical questions underlying those approaches. As a result biblical critics are driven by new trends without ever having a chance to examine the critical baggage of the approaches. Consequently, there is a gap of communication between the old and the new one. Therefore this thesis is an attempt to meet the need of enhancing the quality of critical endeavour in biblical studies. In the light of most recent competing critical theories of literature, the first contribution of this thesis is the methodological finding that Bakhtinian dialogic criticism contains the most profound philosophical and practical foundations for solving some crucial theoretical problems in contemporary literary theories. It is a critique to a Saussurian linguistic system of language which becomes the very foundation of modern and postmodern literary criticism. Bakhtinian literary theory shifts the foundation of literary criticism on linguistic signs into the creative activity of the socio-cultural production of human communication. The shift into socio-cultural reality of language communication makes the notion of 'genre' very important to unlock the problem of text and context in literary studies. Since the Gospel of Mark has fascinated most literary critics in Biblical Studies, the problem of 'genre' of this gospel is chosen as the focus of this study. Secondly, as no agreement is reached as to what 'genre' the Gospel of Mark belongs, this thesis makes its contribution to the discussion by locating the problem of 'genre' of Mark in the context of genre theories and argues that the Bakhtinian suggestion to find genre in the socio-cultural sphere by analysing artistic intercourse between narrative agents in Mark has freed the competing analysis from the unresolved problem between the kerygmatic (content oriented) approach and the analogical (form oriented) approach. To achieve finding 'genre' in the socio-cultural sphere, this thesis focuses on Bakhtinian analysis of the process of artistic intercourse between narrative agents. The narrative communicative interrelationships between narrative agents is constructed in this thesis as a 'stereophonic' Bakhtinian model of dialogic communication. This model is an original contribution of this thesis for revising the traditional two dimensional model of narrative communication. Based on this dialogical model of communication, a special role is given to the Bakhtinian 'author-creator' in the realization process of genre through the interaction of polyphonic voices. Through the interaction of voices of the author-artist and the hero we are led to discover a relatively stable type of portraying and controlling reality in Mark, known as the genre of Roman 'satire'. The closest literary affinity is Satyrica by Petronius. This narrative strategy of 'satire' in Mark has its root in the prophetic discourse of the Old Testament which is saturating the speech of the narrator, John the Immerser, the centurion, the people, and even Jesus. Finally, the whole search for Markan 'genre' culminates in the analysis of the realization of genre through the analysis of Bakhtinian chronotope. The reality of the genre of Mark is its social reality that is in its role as dpxrj/ 'beginning'. As the Gospel of Mark proclaims itself as 'a beginning', it defines its claim of socio-cultural 'authority' in early Christianity. It is this 'sense of beginning' which enables the narrating and the narrated world of Mark to interact dialogically

    CCDC 943107: Experimental Crystal Structure Determination

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    Related Article: Francesca A. Stokes, Mark A. Vincent, Ian H. Hillier, Tanya K. Ronson, Alexander Steiner, Andrew E. H. Wheatley, Paul T. Wood, Dominic S. Wright|2013|Dalton Trans.|42|13923|doi:10.1039/C3DT51632

    CCDC 943108: Experimental Crystal Structure Determination

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    Related Article: Francesca A. Stokes, Mark A. Vincent, Ian H. Hillier, Tanya K. Ronson, Alexander Steiner, Andrew E. H. Wheatley, Paul T. Wood, Dominic S. Wright|2013|Dalton Trans.|42|13923|doi:10.1039/C3DT51632

    CCDC 943106: Experimental Crystal Structure Determination

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    Related Article: Francesca A. Stokes, Mark A. Vincent, Ian H. Hillier, Tanya K. Ronson, Alexander Steiner, Andrew E. H. Wheatley, Paul T. Wood, Dominic S. Wright|2013|Dalton Trans.|42|13923|doi:10.1039/C3DT51632

    On the adaptive selection of the parameter in stabilized finite element approximations

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    A systematic approach is developed for the selection of the stabilization parameter for stabilized finite element approximation of the Stokes problem, whereby the parameter is chosen to minimize a computable upper bound for the error in the approximation. The approach is applied in the context of both a single fixed mesh and an adaptive mesh refinement procedure. The optimization is carried out by a derivative-free optimization algorithm and is based on minimizing a new fully computable error estimator. Numerical results are presented illustrating the theory and the performance of the estimator, together with the optimization algorith

    Smith, Andrew and Mark Bennet, editors. Locating Ann Radcliffe. Routledge, 2021.

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    Locating Ann Radcliffe, edited by Andrew Smith and Mark Bennett, is a collective volume comprising seven articles written by various international scholars. All the articles in the volume were previously published as an issue of Women’s Writing, volume 22, issue 3 (August 2015), also entitled “Locating Ann Radcliffe” and edited by the same publisher. In the introduction to the volume, the editors (Andrew Smith, Professor of Nineteenth Century Literature at the University of Sheffield, UK, and Mark Bennett, author of a Ph. D. thesis on Ann Radcliffe, and scholar of travel writing and Victorian popular fiction) state that the volume “broadens the critical understanding of Ann Radcliffe’s work and includes explorations of the publication history of her work, her engagement with contemporary accounts of aesthetics, her travel writing, and her poetry” (1)
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